mick laBriola

b. apparently August 9 (or September 8), 1932 in Memphis, Tennessee
it seems that he was the Samuel Lewis who died March 9, 2007 in West Memphis, Arkansas

The productive and all too brief meeting between vocalist / harmonica player Sammy Lewis and guitarist Willie Johnson produced one of the best blues issued by Sun Records. In the eyes of many collectors and blues fans – including this writer – there is no finer blues side ever cut on Sun than “I Feel So Worried” (Sun 218). Even rockabilly fans who merely tolerate Sun blues are often fond of this record, owing in no small way to Willie Johnson’s guitar style. Recorded on March 28, 1955, it was the only time that Lewis and Johnson recorded together. The flipside, So Long Baby Goodbye” is more conventional R&B. The third song from this session, “Gonna Leave You Baby”, was obviously not issued by Sam Phillips because the harmonica and guitar are terribly out of tune with each other. Willie Johnson, who was born in Senatobia, Mississippi, on March 24, 1923, played with Howlin’ Wolf as far back as 1942. He played on a number of Sun sessions before recording with Lewis. Soon afterwards he headed for Chicago to rejoin Wolf’s band where he remained until 1961. Sammy Lewis continued working in Memphis after Johnson moved north, working with an assortment of bands. Lewis was influenced by Sonny Boy Williamson and Little Walter on his Sun recordings. He went on to cut sides for the West Memphis 8th Street label and was thought to have died until he was rediscovered in 1970, still playing in West Memphis.

“I Feel So Worried” was first reissued on the LP “The Blues Came Down From Memphis” (London HA-S 8265) in 1966. (I remember Mike Raven playing it on Radio 390). This LP was reissued on Charly 10033 in 1985 and on CD Charly 67 in 1987 (with eight extra tracks). Since then there have been several other reissues of “I Feel So Worried”, on Charly (Big Bad Blues, CPCD 8100) and other labels.

Jack DeJohnette (born August 9, 1942) is an American jazz drummer, pianist, and composer.

An important figure of the fusion era of jazz, DeJohnette is one of the most influential jazz drummers of the 20th century, given his extensive work as leader and sideman for musicians including Charles Lloyd, Freddie Hubbard, Keith Jarrett, Bill Evans, John Abercrombie, Alice Coltrane, Sonny Rollins, Miles Davis, Joe Henderson, Michael Brecker, Herbie Hancock and John Scofield. He was inducted into the Modern Drummer Hall of Fame in 2007. He has won two GRAMMY awards and been nominated for five others.

DeJohnette was born in Chicago, Illinois, to Jack DeJohnette (1911–2011) and Eva Jeanette DeJohnette (née Wood, 1918–1984). Although of predominantly African American heritage, he has stated that he has some Native American ancestry, specifically Seminole and Crow. He began his musical career as a pianist, studying from age four and first playing professionally at age fourteen. He later switched focus to the drums. When Jack switched to drums he was also taught drumming techniques from a local jazz drummer, Bobby Miller Jr, who lived in the same neighborhood. DeJohnette credits his uncle, Roy Wood, Sr. (1915–1995), a Chicago disc jockey and vice president/co-founder of the National Black Network of Black Broadcasters, as his inspiration to play music.

https://www.youtube.com/watch?v=LwloeB9gOI0

Edward Rudolph “Butch” Warren Jr. (August 9, 1939 – October 5, 2013) was an American jazz bassist who was active during the 1950s and 1960s.

Warren’s mother was a typist at the CIA. His father, Edward Sr., was an electronics technician who played piano and organ part-time in clubs in Washington, D.C; his uncle, Quentin — actually the same age as Butch — played guitar. The Warren home was often visited by jazz musicians Billy Hart, Jimmy Smith, and Stuff Smith. The first time Butch Warren played bass was at home on an instrument left by Billy Taylor, who had played bass for Duke Ellington. Warren has cited Jimmy Blanton, the innovative and virtuoso bassist with Ellington from 1939 to 1941, as his biggest inspiration.

Johann Michael Bach (baptised 19 August [O.S. 9 August] 1648, Arnstadt, Schwarzburg-Sondershausen – 27 May [O.S. 17 May] 1694, Gehren) was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as first cousin, once removed and father-in-law of Johann Sebastian Bach (he was the father of J.S. Bach’s first wife Maria Barbara Bach). He is sometimes referred to as the “Gehrener Bach” to distinguish him from the “Wuppertaler Bach”, Johann Michael Bach (1745–1820).

John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band’s existence (1967–1973). He worked later in a duo with Stefan Grossman.

While most commonly labelled a folk musician, Renbourn’s musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.

John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.

James Witherspoon (August 8, 1920 – September 18, 1997) was an American jump blues singer.

Witherspoon was born in Gurdon, Arkansas. His father was a railroad worker who sang in local choirs, and his mother was an avid piano player. Witherspoon’s grandson Ahkello Witherspoon is the starting cornerback for the Pittsburgh Steelers.

Witherspoon eventually joined the Merchant Marines.

Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson‘s big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and ’90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.

Born in New York City in 1907, Carter was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a member of the Paradise Ten led by Charlie Johnson. He returned to the Collegians and became their bandleader through 1929, including a performance at the Savoy Ballroom in New York City.

Marthaniel “Marcus” Roberts (born August 7, 1963) is an American jazz pianist, composer, arranger, bandleader, and teacher.

Roberts was born in Jacksonville, Florida, United States. His mother was a gospel singer who had gone blind as a teenager, and his father was a longshoreman. Blind since the age of five due to glaucoma and cataracts, he started learning the piano at age five by picking out notes on the instrument at his church until his parents bought a piano when he was eight. He attended the Florida School for the Deaf and the Blind in St. Augustine, Florida, the alma mater of blind pianist Ray Charles. Roberts began teaching himself to play piano at an early age, having his first lesson at age 12, and then studying the instrument with pianist Leonidas Lipovetsky while attending Florida State University.

Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935 – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.

Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Blind. By age fifteen he was on the road playing rhythm and blues on weekends with Boyd Moore’s band. According to saxophonist Hank Crawford, “He would be like this 14-year-old blind kid playing two horns at once. They would bring him out and he would tear the joint up.” Crawford heard him during this period and said he was unbelievable. He remarked, “Now they had him doing all kinds of goofy stuff but he was playing the two horns and he was playing the shit out of them. He was an original from the beginning.” Kirk felt compelled by a dream to transpose two letters in his first name to make ‘”Roland”. In 1970, Kirk added “Rahsaan” to his name after hearing it in a dream.

In 1975, Kirk had a major stroke which led to partial paralysis of one side of his body. He continued to perform and record, modifying his instruments to enable him to play with one arm. At a live performance at Ronnie Scott’s Jazz Club in London he even managed to play two instruments, and carried on to tour internationally and to appear on television.

He died from a second stroke in 1977, aged 42, the morning after performing in the Frangipani Room of the Indiana University Student Union in Bloomington, Indiana

George Abel Van Eps (August 7, 1913 – November 29, 1998) was an American swing and mainstream jazz guitarist.

George Van Eps was born in Plainfield, New Jersey, United States, into a family of musicians. His three brothers were musicians. His mother was a classical pianist and his father, Fred Van Eps, was a ragtime banjoist and sound engineer. George Van Eps began playing banjo when he was eleven years old. After hearing Eddie Lang on the radio, he put down the banjo and devoted himself to guitar. By the age of thirteen, in 1926, he was performing on the radio. Through the middle of the 1930s, he played with Harry Reser, Smith Ballew, Freddy Martin, Benny Goodman, and Ray Noble.

Charles Luckyth Roberts (August 7, 1887 – February 5, 1968), better known as Luckey Roberts, was an American composer and stride pianistwho worked in the jazz, ragtime, and blues styles.

Luckey Roberts was born in Philadelphia, Pennsylvania, United States, and was playing piano and acting professionally with traveling Negro minstrel shows in his childhood. He settled in New York City about 1910 and became one of the leading pianists in Harlem, and started publishing some of his original rags.

Roberts toured France and the UK with James Reese Europe during World War I, then returned to New York where he wrote music for various shows and recorded piano rolls.

With James P. Johnson, Roberts developed the stride piano style of playing about 1919.

Ricardo Baliardo (7 August 1921 – 5 November 2014), better known as Manitas de Plata, was a flamenco guitarist of Spanish Gitano descent born in southern France. Despite achieving worldwide fame, he was criticized for not following certain rhythmic rules (compás) that are traditional in flamenco.

Baliardo was born in a gypsy caravan in Sète, southern France. He became famous by playing each year at the Saintes-Maries-de-la-Mer gypsy pilgrimage in the Camargue, where he was recorded live by Deben Bhattacharya.

Manitas de Plata (“Little Hands of Silver” in Spanish) only agreed to play in public ten years after the death of Django Reinhardt.. One of his recordings earned him a letter from Jean Cocteau acclaiming him as a creator.

Upon hearing him play at Arles in 1964, Pablo Picasso is said to have exclaimed “that man is of greater worth than I am!” and proceeded to draw on the guitar.