mick laBriola

Jesus Christ Super Star presented by Theatre 55 performing @ Caponi Art Park 7pm weather permitting. Music with Raymond Berg, Jamie Carter, Lyra Olson and mick laBriola. Rain warning today and last show tomorrow at 5pm.

NGC 4921 is a barred spiral galaxy in the Coma Cluster, located in the constellation Coma Berenices. It is about 320 million light-years from Earth. The galaxy has a nucleus with a bar structure that is surrounded by a distinct ring of dust that contains recently formed, hot blue stars. The outer part consists of unusually smooth, poorly distinguished spiral arms.

In 1976, the Canadian astronomer Sidney Van den Bergh categorized this galaxy as “anemic” because of the low rate at which stars are being formed. He noted that it has “an unusually low surface brightness and exhibits remarkably diffuse spiral arms“. Nonetheless, it is the brightest spiral galaxy in the Coma Cluster. This galaxy is located near the center of the cluster and has a high relative velocity (7,560 km/s) compared to the mean cluster velocity. When examined at the 21 cm wavelength Hydrogen line, NGC 4921 was found to be strongly H I deficient, indicating that it is low in hydrogen. The distribution of hydrogen has also been deeply perturbed toward the SE spiral arm and is less extended than the optical disk of the galaxy. This may have been caused by interaction with the intergalactic medium, which is stripping off the gas via ram pressure. Some filaments of gas that have been stripped away are falling back to the galaxy, making NGC 4921 possibly the first observational evidence of this fallback.

On May 4, 1959, a supernova explosion was observed in this galaxy by M. L. Humason using a Schmidt telescope at the Palomar Observatory. It appeared “quite far from the center” of the galaxy, and reached an estimated peak magnitude of 18.5. The light curve proved similar to supernova SN 1987a in the Large Magellanic Cloud, and it displayed “unusual photometric behavior”.

Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone.^[1] Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy’s music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

The music of Thelonious Monk became a permanent part of Lacy’s repertoire after a stint in the pianist’s band, with Monk’s songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk’s work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry “Red” Allen, Pee Wee Russell, George “Pops” Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor, and appearing with Taylor’s groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions (Reflections, Prestige, 1958) and briefly played in Monk’s band in 1960 and later on Monk’s Big Band and Quartet in Concertalbum (Columbia, 1963).

Richie Kamuca (July 23, 1930 – July 22, 1977) was an American jazz tenor saxophonist.

Kamuca was born in Philadelphia, Pennsylvania, United States, and, like many players associated with West Coast jazz, grew up in the East before moving West around the time that bebop changed the prevailing style of jazz. His early playing, in what is generally considered the Lester Young style, was done on tour with the big bands of Stan Kenton and Woody Herman, where he became a member of the later line-ups of Herman’s Four Brothers saxophone section with Al Cohn and Bill Perkins.

Kamuca stayed on the West Coast, playing with the smaller groups of Chet Baker, Maynard Ferguson, Shorty Rogers, and others. He was one of the Lighthouse All-Stars in 1957 and 1958, and recorded with Perkins, Art Pepper, Jimmy Rowles, Cy Touff and many others in those years, as well as leading recording sessions in his own right.

Kamuca was a member of the group Shelly Manne and His Men from 1959 through 1962, when he returned East and settled in New York. Here he worked with Gerry Mulligan, Gary McFarland, and Roy Eldridge, before returning to the West Coast in 1972, where he recorded in the studios and performed with local groups.

Less well known to the general public than saxophonists like Stan Getz, who played in a similar Lester Young-derived style, Kamuca died of cancer, in Los Angeles, California, just before his 47th birthday.

Last Weekend of Jesus Christ Super Star presented by Theatre 55 @ Caponi Art Park. Featuring Van Nixon as Black Jesus. Music with Raymond Berg, Jamie Carter, Lyra Olson and mick laBriola.

Beautiful spiral galaxy Messier 74 (also known as NGC 628) lies some 32 million light-years away toward the constellation Pisces. An island universe of about 100 billion stars with two prominent spiral arms, M74 has long been admired by astronomers as a perfect example of a grand-design spiral galaxy. M74’s central region is brought into a stunning, sharp focus in this recently processed image using publicly available data from the James Webb Space Telescope. The colorized combination of image data sets is from two of Webb’s instruments NIRcam and MIRI, operating at near- and mid-infrared wavelengths. It reveals cooler stars and dusty structures in the grand-design spiral galaxy only hinted at in previous space-based views.

George Edward Clinton (born July 22, 1941) is an American musician, singer, songwriter, bandleader, and record producer. His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on science fiction, outlandish fashion, psychedelia, and surreal humor. He launched his solo career with the 1982 album Computer Games and would go on to influence 1990s hip hop and G-funk.

Clinton is regarded, along with James Brown and Sly Stone, as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards.

George Edward Clinton was born in Kannapolis, North Carolina, grew up in Plainfield, New Jersey, and currently^[when?] resides in Tallahassee, Florida. During his teen years, Clinton formed a doo-wop group inspired by Frankie Lymon & the Teenagers called The Parliaments, while straightening hair at a barber saloon in Plainfield, New Jersey.

The West End of Plainfield was once home to a barbershop on 216 Plainfield Avenue known as “Silk Palace”. Owned in part by Clinton, it was staffed by various members of Parliament-Funkadelic, and known as the “hangout for all the local singers and musicians” in Plainfield’s 1950s and 1960s doo-wop, soul, rock, and proto-funk music scene.

Albert Laurence Di Meola (born July 22, 1954) is an American guitarist. Known for his works in jazz fusion and world music, he began his career as a guitarist of the group Return to Forever in 1974. Between the 1970s and 1980s, albums such as Elegant Gypsy and Friday Night in San Franciscoearned him both critical and commercial success.

Born in Jersey City, New Jersey, United States, into an Italian family with roots in Cerreto Sannita, a small town northeast of Benevento, Di Meola grew up in Bergenfield, where he attended Bergenfield High School. He has been a resident of Old Tappan, New Jersey.

When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards. He cites as influences jazz guitarists George Benson and Kenny Burrell and bluegrass and country guitarists Clarence White and Doc Watson.

He attended Berklee College of Music in 1971. At nineteen, he was hired by Chick Corea to replace Bill Connors in the pioneering jazz fusion band Return to Forever with Stanley Clarke and Lenny White. He recorded three albums with Return to Forever, helping the quartet earn its greatest commercial success as all three albums cracked the Top 40 on the U.S. Billboard pop albums chart.

IC 63 — nicknamed the Ghost Nebula — is about 550 light-years from Earth. The nebula is classified as both a reflection nebula — as it is reflecting the light of a nearby star — and as an emission nebula — as it releases hydrogen-alpha radiation. Both effects are caused by the gigantic star Gamma Cassiopeiae. The radiation of this star is also slowly causing the nebula to dissipate.

Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. He returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014.

His 1967 debut album and its title song “Matthew and Son” both reached top ten in the UK charts. Stevens’ albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were certified triple platinum in the US. His 1972 album Catch Bull at Four went to No.1 on Billboard Pop Albums and spent weeks at the top of several major charts. He earned ASCAP songwriting awards in 2005 and 2006 for “The First Cut Is the Deepest“, which has been a hit for four artists. His other hit songs include “Father and Son“, “Wild World“, “Moonshadow“, “Peace Train“, and “Morning Has Broken“.

In December 1977, Stevens converted to Islam and adopted the name Yusuf Islam the following year. In 1979, he auctioned all of his guitars for charity, and left his musical career to devote himself to educational and philanthropic causes in the Muslim community. He has since bought back at least one of these guitars as a result of the efforts of his son Yoriyos. He was embroiled in a long-running controversy regarding comments he made in 1989 about the death fatwa on author Salman Rushdie. His current stance is that he never supported the fatwa: “I was cleverly framed by certain questions. I never supported the fatwa.” He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards.

In 2006, he returned to pop music by releasing his first new studio album of new pop songs in 28 years, entitled An Other Cup. With that release and subsequent ones, he dropped the surname “Islam” from the album cover art – using the stage name Yusuf as a mononym. In 2009, he released the album Roadsinger and, in 2014, he released the album Tell ‘Em I’m Gone and began his first US tour since 1978. His second North American tour since his resurgence, featuring 12 shows in intimate venues, ran from 12 September to 7 October 2016. In 2017, he released the album The Laughing Apple, now using the stage name Yusuf / Cat Stevens, using the Cat Stevens name for the first time in 39 years. In September 2020, he released Tea for the Tillerman 2, a reimagining of his classic album Tea for the Tillerman to celebrate its 50th anniversary.

Daniel Ponce (July 21, 1953 – March 14, 2013) was a Cuban-American jazz percussionist.

He was born in Havana, Cuba, and Ponce played locally in Havana from age 11, and played percussion in a group called Watusi. He was exiled from Cuba in 1980 and fled to New York City.The Gonzalez brothers heard him play in Central Park, and brought him on October 27, 1981 to Soundscape, 500 West 52nd Street, for their Latin Music Tuesdays. It was there that he met Paquito D’Rivera, another eminent Cuban musician who had come to the US via Spain, when he defected from Cuba. Soon after he was working there with D’Rivera, Jose Fajardo, Andy Gonzalez, Jerry Gonzalez, and Eddie Palmieri. In 1982, he played three batá drums as a session musician for the Herbie Hancock song “Rockit“. Producer Bill Laswell said “Ponce essentially was a musician/priest, and all the rhythms he would play on those batá drums were associated with a Yoruba deity. It was basically Santeria.”

Although “Rockit” was a major hit for Hancock, it did not impact on Ponce’s career. Verna Gillis, the director of Soundscape and the first person in the US to become involved with directing his career, produced his first few albums. These included New York Now (1982) and Arawe in 1983. Gillis also produced Ponce’s collaboration with Celia Cruz, which rehearsed at Soundscape and performed at SOB’s. He also did work as a session musician for Laurie Anderson, Mick Jagger, and Yoko Ono.

He married Maritza Rueda and they had a son Daniel Ponce, Jr.

He died on March 14, 2013, in Miami, Florida, from a heart attack.