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Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.
Kessel was born in Muskogee, Oklahoma in 1923 to a Jewish family. Kessel’s father was an immigrant from Hungary who owned and operated a shoe shop. A self-taught guitarist, his only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager, touring with local swing bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him “Fruitcake” because he practiced in excess of 16 hours per day. Kessel gained recognition due in part to his youth, and in part to being the only white musician playing in all-African-American bands at black clubs.
In the early 1940s, he moved to Los Angeles, where for one year he was a member of the Chico Marx big band. Noticed by Norman Granz, he appeared in the 1944 film Jammin’ the Blues, which featured Lester Young. Soon after, he played in the bands of Charlie Barnet and Artie Shaw. During the day, he worked as a studio musician and at night played bop-oriented jazz in clubs. In 1947, he recorded with Charlie Parker. He worked in Jazz at the Philharmonic and for one year in the early 1950s he was a member of the Oscar Peterson trio. After leaving the trio, he recorded several solo albums for Contemporary. He recorded a series of albums with Ray Brown and Shelly Manne as The Poll Winnersbecause the three of them often won polls conducted by Metronome and DownBeat magazines. He was the guitarist on the album Julie Is Her Name (1955) by Julie London, which includes the standard “Cry Me a River“, selling a million copies and demonstrated Kessel’s chordal approach to guitar.
more...William Randolph “Cozy” Cole (October 17, 1909 – January 9, 1981) was an American jazz drummer who worked with Cab Calloway and Louis Armstrong among others and led his own groups.
William Randolph Cole was born in East Orange, New Jersey, United States. His first music job was with Wilbur Sweatman in 1928. In 1930, he played for Jelly Roll Morton‘s Red Hot Peppers,recording an early drum solo on “Load of Cole”. He spent 1931–33 with Blanche Calloway, 1933–34 with Benny Carter, 1935–36 with Willie Bryant, 1936–38 with Stuff Smith‘s small combo, and 1938–42 with Cab Calloway. In 1942, he was hired by CBS Radio music director Raymond Scott as part of network radio’s first integrated orchestra. After that he played with Louis Armstrong’s All Stars.
Cole performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.
more...Roger G. Hawkins (October 16, 1945 – May 20, 2021) was an American drummer best known for playing as part of the studio backing band known as the Muscle Shoals Rhythm Section (also known as the Swampers) of Alabama. Rolling Stone ranked Hawkins number 31 on its list of greatest drummers.
Hawkins’s drumming can be heard on dozens of hit singles, including tracks by Percy Sledge (“When a Man Loves a Woman“), Aretha Franklin (“Respect“, “I Never Loved a Man (The Way I Love You)” etc.), Wilson Pickett (“Mustang Sally“, “Land of 1000 Dances“), The Staple Singers, Johnnie Taylor, Bobby Womack, Clarence Carter, Etta James, Duane Allman, Joe Cocker, Paul Simon, Bob Seger, Bonnie Bramlett, Bobby “Blue” Bland, Boz Scaggs, Albert King, Traffic, Rod Stewart, Dan Penn, Lulu, and Willie Nelson. He also recorded with Eric Clapton in the early 80’s.
more...Jones-Emberson 1 (PK 164+31.1), also known as the Headphone Nebula, is a 14th magnitude planetary nebula in the constellation Lynx at a distance of 1600 light years. It is a larger planetary with low surface brightness. The 16.8-magnitude central star is a very blue white dwarf.
more...Robert Hall Weir (Parber, born October 16, 1947 San Francisco) is an American musician and songwriter best known as a founding member of the Grateful Dead. After the group disbanded in 1995,Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and Furthur, which he co-led with former Grateful Dead bassist Phil Lesh. In 2015, Weir, along with former Grateful Dead members Mickey Hart and Bill Kreutzmann, joined with Grammy-winning singer/guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti to form the band Dead & Company.
During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang many of the band’s rock & roll and country & western songs. In 1994, he was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead.
more...Michael Emile Telford Miller (16 October 1937 – 11 April 2016), known professionally as Emile Ford, was a musician and singer born in Saint Lucia, British Windward Islands. He was popular in the United Kingdomin the late 1950s and early 1960s as the leader of Emile Ford & the Checkmates, who had a number one hit in late 1959 with “What Do You Want to Make Those Eyes at Me For?“, which was the Christmas number one that year. He was also a pioneering sound engineer.
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Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, “I’ve been around all kinds of musicians, and if a cat can play, a cat can play. If it’s gospel, funk, R&B, jazz or hip-hop, if it’s something that gets in your ear and it’s good, that’s what matters. A quiet and retiring person in life, Hargrove struggled with kidney failure. He died at the age of 49 of cardiac arrest brought on by kidney disease on November 2, 2018, while hospitalized in New Jersey. According to his long-time manager, Larry Clothier, Hargrove had been on dialysis for the last 14 years of his life.
more...Joseph Lee Williams (October 16, 1903 – December 17, 1982 Oktibbeha County, Mississippi) was an American Delta blues guitarist, singer, and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs “Baby, Please Don’t Go“, “Crawlin’ King Snake“, and “Peach Orchard Mama”, among many others, for various record labels. He was inducted into the Blues Hall of Fame on October 4, 1992.
more...The striking spiral galaxy featured in this week’s Hubble Picture of the Week is Messier 90 (M90, also NGC 4569), located in the constellation Virgo. In 2019, an image of M90 was released using data from the older Wide Field and Planetary Camera 2 — data taken in 1994 soon after the camera’s installation. That image has a distinctive stair-step pattern due to the layout of WFPC2’s sensors. WFPC2 was replaced in 2010 by the Wide Field Camera 3, and Hubble used WFC3 when it turned its aperture to Messier 90 again in 2019 and 2023. The resulting data was processed to create this stunning new image, providing a much fuller view of the galaxy’s dusty disc, its gaseous halo and its bright core.
The inner regions of M90’s disc are sites of star formation, which is highlighted here by red H-alpha light from nebulae, but this is absent in the rest of the galaxy. M90 sits among the galaxies of the relatively nearby Virgo Cluster, and the course of its orbit took it on a path near the cluster’s centre about three hundred million years ago. The density of gas in the inner cluster weighed on M90 like a strong headwind, stripping enormous quantities of gas from the galaxy and creating the diffuse halo that can be seen around it here. This gas is no longer available for M90 to form new stars with, and it will eventually fade as a spiral galaxy as a result.
M90 is located 55 million light-years from Earth, but it’s one of the very few galaxies getting closer to us. Its orbit through the Virgo cluster has accelerated it so much that it’s in the process of escaping the cluster entirely, and by happenstance it’s moving in our direction — other galaxies in the Virgo cluster have been measured at similar speeds, but in the opposite direction. Over the coming billions of years, we will be treated to a yet better view of M90 while it evolves into a lenticular galaxy.
[Image Description: A spiral galaxy. It has a bright core with light spilling out, and its disc is filled with thick clumps of dark reddish dust, which swirls around the galaxy following its rotation. Parts of the disc are speckled with blue, showing brighter and hotter stars. A halo of faintly-lit gas wraps around the galaxy, extending beyond the edges of the image.]
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Natesan Ramani (15 October 1934 – 9 October 2015), commonly known as N. Ramani or N. Flute Ramani, was an Indian Carnatic flautist. He was awarded the Madras Music Academy‘s Sangeetha Kalanidhi in 1996. Ramani is also credited with introducing the long flute into Carnatic music. Ramani was born in Tiruvarur, a city in Tamil Nadu which is honored by its association with the Trinity of Carnatic music. Ramani was born into a family of flautists. Ramani first learnt music from his grandfather, Sri Aazhiyur Narayanaswami Iyer, a well known flute artist and singer himself. Aware of young Ramani’s keen interest in the Carnatic flute, Ramani’s initiation to Carnatic music began at the age of five.
more...Fela Aníkúlápó Kútì (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997) was a Nigerian musician and political activist. He is regarded as the principal innovator of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers”.AllMusic described him as “a musical and sociopolitical voice” of international significance.
Kuti was the son of Nigerian women’s rights activist Funmilayo Ransome-Kuti. After early experiences abroad, he and his band Africa ’70 (featuring drummer and musical director Tony Allen) shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria’s military juntas.In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. The commune was destroyed in a 1978 raid that injured Kuti and his mother. He was jailed by the government of Muhammadu Buhari in 1984, but released after 20 months. He continued to record and perform through the 1980s and 1990s. Since his death in 1997, reissues and compilations of his music have been overseen by his son, Femi Kuti.
more...Lionel Frederick Cole (October 15, 1931 – June 27, 2020 Chicago) was an American jazz singer and pianist whose recording career spanned almost 70 years. He was the brother of musicians Nat King Cole, Eddie Cole, and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole and Carole Cole.
more...MacHouston “Mickey” Baker (October 15, 1925 – November 27, 2012) was an American musician, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia.
Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white.
By 1949, Baker had his own combo, and a few paying jobs. He decided to move west, but found that audiences there were not receptive to progressive jazz music. Baker was stranded without work in California when he saw a show by blues guitarist Pee Wee Crayton. Baker said of the encounter:
“I asked Pee Wee, ‘You mean you can make money playing that stuff on guitar?’ Here he was driving a big white Eldorado and had a huge bus for his band. So I started bending strings. I was starving to death, and the blues was just a financial thing for me then.”
He found a few jobs in Richmond, California, and made enough money to return to New York.
After returning east, Baker began recording for Savoy, King and Atlantic Records. He did sessions with Doc Pomus, The Drifters, Ray Charles, Ivory Joe Hunter, Ruth Brown, Big Joe Turner, Louis Jordan, Coleman Hawkins, Dion and numerous other artists.
Inspired by the success of Les Paul & Mary Ford, he formed the pop duo Mickey & Sylvia (with Sylvia Robinson, one of his guitar students) in the mid-1950s. Together, they had a hit single with “Love Is Strange” in 1956. After the duo split up in the late 1958, Baker recorded with Kitty Noble as Mickey & Kitty. They released three records on Atlantic Records in 1959. In late 1959, Baker released his debut solo album, The Wildest Guitar, on Atlantic. Mickey & Sylvia reunited in 1960 and sporadically worked together on additional tracks until the mid-1960s.
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James “Son” Thomas (October 14, 1926 – June 26, 1993) was an American Delta blues musician and sculptor.
Thomas was born in Eden, Mississippi on October 14, 1926. While working in the fields, he began listening to blues on the radio. As a self-taught guitarist, he learned to play songs from older blues guitarists Elmore Davis and Arthur “Big Boy” Crudup. He then worked as a gravedigger in Washington County.
Thomas was honored with a marker on the Mississippi Blues Trail in Leland, Mississippi.
Thomas died at the age of 66 in Greenville, Mississippi, from emphysema and a stroke on June 26, 1993.He is buried in Bogue Cemetery in Leland, and memorialized by a headstone placed in 1996 by the Mt. Zion Memorial Fund and paid for by John Fogerty. His epitaph consists of lyrics from one of his songs. His son, Pat Thomas, continues to play and perform his father’s songs.
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