mick laBriola

Opening night Friday July 15th 7pm at Caponi Art Park with Theatre 55 running thru Sunday July 24th. Music with Raymond Berg, Jamie Carter, Lyra Olson and mick laBriola and Van Nixon as Jesus.

The bright star at the center of NGC 3132, while prominent when viewed by NASA’s Webb Telescope in near-infrared light, plays a supporting role in sculpting the surrounding nebula. A second star, barely visible at lower left along one of the bright star’s diffraction spikes, is the nebula’s source. It has ejected at least eight layers of gas and dust over thousands of years.

But the bright central star visible here has helped “stir” the pot, changing the shape of this planetary nebula’s highly intricate rings by creating turbulence. The pair of stars are locked in a tight orbit, which leads the dimmer star to spray ejected material in a range of directions as they orbit one another, resulting in these jagged rings.

Hundreds of straight, brightly-lit lines pierce through the rings of gas and dust. These “spotlights” emanate from the bright star and stream through holes in the nebula like sunlight through gaps in a cloud.

But not all of the starlight can escape. The density of the central region, set off in teal, is reflected by how transparent or opaque it is. Areas that are a deeper teal indicate that the gas and dust are denser – and light is unable to break free.

Data from Webb’s Near-Infrared Camera (NIRCam) were used to make this extremely detailed image. It is teeming with scientific information – and research will begin following its release.

This is not only a crisp image of a planetary nebula – it also shows us objects in the vast distances of space behind it. The transparent red sections of the planetary nebula – and all the areas outside it – are filled with distant galaxies.

Look for the bright angled line at the upper left. It is not starlight – it is a faraway galaxy seen edge-on. Distant spirals, of many shapes and colors, also dot the scene. Those that are farthest away – or very dusty – are small and red.

The five galaxies of Stephan’s Quintet, prominently featured at the beginning of the holiday film “It’s a Wonderful Life,” were seen with new eyes by the James Webb Space Telescope.

Located in the northern constellation Pegasus, Stephan’s Quintet consists of four galaxies that are tightly bound — cosmically speaking — about 290 million light-years away. In a coincidence of cosmic alignment, a foreground galaxy lurks on the left of the image about 40 million light-years from Earth.

“With its powerful, infrared vision and extremely high spatial resolution, Webb shows never-before-seen details in this galaxy group,” NASA said in a press release. “Sparkling clusters of millions of young stars and starburst regions of fresh star birth grace the image.

“Sweeping tails of gas, dust and stars are being pulled from several of the galaxies due to gravitational interactions,” NAS A said. “Most dramatically, Webb captures huge shock waves as one of the galaxies, NGC 7318B, smashes through the cluster.”

“This proximity provides astronomers a ringside seat for witnessing the merging and interactions between galaxies that are so crucial to all of galaxy evolution,” NASA said. “Rarely do scientists see in so much detail how interacting galaxies trigger star formation in each other, and how the gas in these galaxies is being disturbed. Stephan’s Quintet is a fantastic ‘laboratory’ for studying these processes fundamental to all galaxies.”

Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo born July 14, 1960), known as Angélique Kidjo, is a five-time Grammy Award winning Beninese singer-songwriter, actress, and activist who is noted for her diverse musical influences and creative music videos. Kidjo was born into a family of performing artists. Her father was a musician, and her mother worked as a choreographer and theatre director.

In 2007, Time magazine called her “Africa’s premier diva.” She performed at the Tokyo 2020 Olympic Games Opening Ceremony on July 23, 2021. On September 15, 2021, Time included her in their list of the 100 most influential people in the world.

Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Celia Cruz, Jimi Hendrix, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime“, Ravel’s Boléro, Jimi Hendrix’s “Voodoo Child” and the Rolling Stones‘ “Gimme Shelter“, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, Yo-Yo Ma, Carlos Santana, John Legend, Herbie Hancock, Josh Groban, Dr John, the Kronos Quartet, Yemi Alade, Cassandra Wilson, Burna Boy, Sting, Mr Eazi and Indonesia’s pop star Anggun. Kidjo’s hit songs include “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga“, and her version of “Malaika“. Her album Logozo is ranked number 37 in the Greatest Dance Albums of All Time list compiled by Vice magazine’s Thump website.

Kidjo is fluent in five languages: Fon, French, Yorùbá, Gen (Mina), and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga”. “Malaika” is a song sung in the Swahili language. Kidjo often uses Benin’s traditional Zilin vocal technique and vocalese.

Louis “Sabu” Martinez (July 14, 1930 – January 13, 1979) was an American conguero and percussionist. A prominent player in the Cubopmovement, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazzalbums, now recognized as classics of the genre.

Born in New York City, Martinez made his professional debut in 1941 aged 11. He replaced Chano Pozo in Dizzy Gillespie‘s orchestra in 1948, and began performing with Benny Goodman‘s Bebop Orchestra in 1949. Over the next 15 years, Martinez worked with Charlie Parker, Duke Ellington, Count Basie, J. J. Johnson, Horace Silver, Thelonious Monk, Charles Mingus, Mary Lou Williams, Lionel Hampton, Noro Morales, Marcelino Guerra, Esy Morales, the Lecuona Cuban Boys, Miguelito Valdés, Tito Rodríguez, and the Joe Loco Trio. He also worked with vocalists Tony Bennett, Sammy Davis, Jr., and Harry Belafonte.

Martinez first recorded with Art Blakey in 1953, and contributed to his Orgy in Rhythm and Holiday for Skins projects from 1957 to 1958. Martinez became a bandleader in 1957, recording his debut album, Palo Congo, for the Blue Note label. He followed it up with releases on Vik and Alegre Records. Martinez moved to Sweden in 1967 and recorded with the Francy Boland–Kenny Clarke big band, releasing two albums. Subsequently, he led the group Burnt Sugar, which was active into the mid 1970s. On January 13, 1979, he died in Sweden at the age of 48 from a gastric ulcer.

Alan Dawson (July 14, 1929 – February 23, 1996) was an American jazz drummer and percussion teacher based in Boston.

Alan Dawson was born in Marietta, Pennsylvania, United States, and raised in Roxbury, Massachusetts. Serving in the U.S. Army during the Korean War, he played with the Army Dance Band while stationed at Fort Dix from 1951 to 1953. During his tenure, Alan explored the post-bop era by performing with pianist Sabby Lewis. After being discharged from the Army, Dawson toured Europe with Lionel Hampton.

In early 1960, he was based in Boston, for a regular engagement with John Neves, bass, and Leroy Flander, piano.

Dawson was an early teacher of drummers Tony Williams and Joseph Smyth, known for his work with the Sawyer Brown country music group. Other students included Terri Lyne Carrington, Julian Vaughn, Vinnie Colaiuta, Steve Smith, Kenwood Dennard, Gerry Hemingway, Jeff Sipe, Billy Kilson, Joe Farnsworth, and many others. Dawson began teaching at Berklee College of Musicin 1957. He suffered a ruptured disc in 1975 which led to him halting his touring schedule, to leave Berklee and limit his teaching to his home in Lexington, Massachusetts.

Dawson’s teaching style emphasized the music as a whole rather than concentrating on percussion alone. He stressed the importance of learning the melody and structure of the tune to better fulfill the role of accompaniment. For this purpose, he had students play over standards while also singing the melody out loud. He constantly strived for balance between musical ideas and strict technique. He was big on rudiments and wrote extensive exercises intended to be practiced with brushes. He believed using brushes with his “Rudimental Ritual” would reduce stick rebound, allowing the sense of “picking up” the sticks.

Woodrow Wilson Guthrie (/ˈɡʌθri/; July 14, 1912 – October 3, 1967) was an American singer-songwriter who was one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. His music includes songs such as “This Land Is Your Land“, written in response to the American exceptionalist song “God Bless America“, and has inspired several generations both politically and musically.

Guthrie wrote hundreds of country, folk, and children’s songs, along with ballads and improvised works. Dust Bowl Ballads, Guthrie’s album of songs about the Dust Bowl period, was included on Mojo magazine’s list of 100 Records That Changed The World, and many of his recorded songs are archived in the Library of Congress. Songwriters who have acknowledged Guthrie as a major influence on their work include Bob Dylan, Phil Ochs, Johnny Cash, Bruce Springsteen, Robert Hunter, Harry Chapin, John Mellencamp, Pete Seeger, Andy Irvine, Joe Strummer, Billy Bragg, Jerry Garcia, Bob Weir, Jeff Tweedy, Tom Paxton, Brian Fallon, Sean Bonnette, and Sixto Rodríguez . He frequently performed with the message “This machine kills fascists” displayed on his guitar.

Guthrie was brought up by middle-class parents in Okemah, Oklahoma, until he was 14, when his mother Nora was hospitalized as a consequence of Huntington’s disease, a fatal hereditary neurological disorder. His father moved to Pampa, Texas, to repay debts from unsuccessful real estate deals. During his early teens, Guthrie learned folk and blues songs from his parents’ friends. He married at 19, but with the advent of the dust stormsthat marked the Dust Bowl period, he left his wife and three children to join the thousands of Okies who were migrating to California looking for employment. He worked at Los Angeles radio station KFVD, achieving some fame from playing hillbilly music, made friends with Will Geer and John Steinbeck, and wrote a column for the communist newspaper People’s World from May 1939 to January 1940.

Throughout his life, Guthrie was associated with United States communist groups, although he did not appear to belong to any. With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the anti-Stalin owners of KFVD radio were not comfortable with Guthrie’s political leanings after he wrote a song praising the Molotov–Ribbentrop Pact and the Soviet partition of Poland. He left the station, ending up in New York where he wrote and recorded his 1940 album Dust Bowl Ballads, based on his experiences during the 1930s, which earned him the nickname the “Dust Bowl Troubadour”.^[13] In February 1940 he wrote his most famous song, “This Land Is Your Land“. He said it was a response to what he felt was the overplaying of Irving Berlin‘s “God Bless America” on the radio.

Guthrie was married three times and fathered eight children. His son Arlo Guthrie became nationally known as a musician. Woody died in 1967 from complications of Huntington’s disease. His first two daughters also died of the disease. During his later years, in spite of his illness, Guthrie became an icon in the folk movement, providing inspiration to a generation of new folk and country musicians, including mentoring Ramblin’ Jack Elliott and Bob Dylan. Woody Guthrie died of complications of Huntington’s disease on October 3, 1967. By the time of his death, his work had been discovered by a new audience, introduced to them through Dylan, Pete Seeger, Ramblin’ Jack Elliott, his ex-wife Marjorie and other new members of the folk revival, and his son Arlo.

Teaching a Rhythm Roots Workshop @ Walker Methodist Health Center (https://www.walkermethodist.org/locations/health-center). Working with Seniors celebrating world drumming and world cultures. On Wednesdays July 6th thru August 31st 2022. 1030am-noon.

This landscape of “mountains” and “valleys” speckled with glittering stars is actually the edge of a nearby, young, star-forming region called NGC 3324 in the Carina Nebula. Captured in infrared light by NASA’s new James Webb Space Telescope, this image reveals for the first time previously invisible areas of star birth.

Called the Cosmic Cliffs, Webb’s seemingly three-dimensional picture looks like craggy mountains on a moonlit evening. In reality, it is the edge of the giant, gaseous cavity within NGC 3324, and the tallest “peaks” in this image are about 7 light-years high. The cavernous area has been carved from the nebula by the intense ultraviolet radiation and stellar winds from extremely massive, hot, young stars located in the center of the bubble, above the area shown in this image.

The blistering, ultraviolet radiation from the young stars is sculpting the nebula’s wall by slowly eroding it away. Dramatic pillars tower above the glowing wall of gas, resisting this radiation. The “steam” that appears to rise from the celestial “mountains” is actually hot, ionized gas and hot dust streaming away from the nebula due to the relentless radiation.

Webb reveals emerging stellar nurseries and individual stars that are completely hidden in visible-light pictures. Because of Webb’s sensitivity to infrared light, it can peer through cosmic dust to see these objects. Protostellar jets, which emerge clearly in this image, shoot out from some of these young stars. The youngest sources appear as red dots in the dark, dusty region of the cloud. Objects in the earliest, rapid phases of star formation are difficult to capture, but Webb’s extreme sensitivity, spatial resolution, and imaging capability can chronicle these elusive events.

These observations of NGC 3324 will shed light on the process of star formation. Star birth propagates over time, triggered by the expansion of the eroding cavity. As the bright, ionized rim moves into the nebula, it slowly pushes into the gas and dust. If the rim encounters any unstable material, the increased pressure will trigger the material to collapse and form new stars.

Conversely, this type of disturbance may also prevent star formation as the star-making material is eroded away. This is a very delicate balance between sparking star formation and stopping it. Webb will address some of the great, open questions of modern astrophysics: What determines the number of stars that form in a certain region? Why do stars form with a certain mass?

Webb will also reveal the impact of star formation on the evolution of gigantic clouds of gas and dust. While the effect of massive stars – with their violent winds and high energy – is often apparent, less is known about the influence of the more numerous low-mass stars. As they form, these smaller stars create narrow, opposing jets seen here, which can inject a lot of momentum and energy into the clouds. This reduces the fraction of nebular material that seeds new stars.

Up to this point, scientists have had very little data about the influence of the multitude of young and more energetic low-mass stars. With Webb, they will be able to obtain a full census of their number and impact throughout the nebula.

Located roughly 7,600 light-years away, NGC 3324 was imaged by Webb’s Near-Infrared Camera (NIRCam) and Mid-Infrared Instrument (MIRI).