mick laBriola

NGC 2244 (also known as Caldwell 50 or the Satellite Cluster) is an open cluster in the Rosette Nebula, which is located in the constellation Monoceros. This cluster has several O-type stars, super hot stars that generate large amounts of radiation and stellar wind.

The age of this cluster has been estimated to be less than 5 million years. The brightest star in the cluster is 12 Monocerotis, a foreground K-class giant. The two brightest members of the cluster are HD 46223 of spectral class O4V, 400,000 times brighter than the Sun, and approximately 50 times more massive, and HD 46150, whose spectral type is O5V, has a luminosity 450,000 time larger than that of our star, and is up to 60 times more massive, but it may actually be a double star.

John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008) was an English drummer and child actor, who was best known for his work in the Jimi Hendrix Experience for which he was inducted into the Rock and Roll Hall of Fame in 1992. He was inducted into the Modern Drummer Hall of Fame in 2009.

Mitchell was born in Ealing, Middlesex, to Phyliss C (née Preston) and Thomas J Mitchell on 9 July 1946 (although several modern sources have incorrectly claimed that he was born in 1947). As a twelve year old, he had a leading role in the British film Bottoms Up (1960) with Jimmy Edwards. As a teenager he starred in a children’s television programme, Jennings at School and also had a bit part in the 1963 film Live It Up! which starred Heinz Burt, David Hemmings and Steve Marriott.

Mitchell became a musician through working at Jim Marshall‘s drum shop on Saturdays while still at school. Among drummers, his chief influences were Elvin Jones and Tony Williams. One of his first bands was the Soul Messengers, formed at the Ealing Club with saxophonist Terry Marshall, son of Jim Marshall.

Early in his career, he gained considerable musical experience as a touring and session musician, working with Pete Nelson and the Travellers, Frankie Reid and the Casuals (1962), Johnny Harris and the Shades, the Pretty Things, Bill Knight & the Sceptres, the Riot Squad, and the Who as a session drummer while the band was in the process of replacing Doug Sandom with Keith Moon. In 1965, he also temporarily replaced Viv Prince as drummer in the Pretty Things.

Joseph Christopher Liggins, Jr. (born Theodro Elliott; July 9, 1916 – July 26, 1987) was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the Billboard magazine charts. The band’s biggest hit was “The Honeydripper“, released in 1945. Joe Liggins was the older brother of R&B performer Jimmy Liggins.

The son of Harriett and Elijah Elliott, he was born in Seminole, Oklahoma, and took his stepfather’s surname, Liggins, as a child. He apparently dropped the name Theodro and adopted the names Joseph Christopher during the 1930s. The family moved to San Diego in 1932. He graduated from Hoover High School, studied music at San Diego State College, and performed with local bands at clubs and Naval bases. He wrote arrangements on a freelance basis for Curtis Mosby’s Blue Blowers, and in 1935 Liggins joined the Creole Crusaders, which was led by the drummer Ellis Walsh.

He moved to Los Angeles in 1939, where he played with Sammy Franklin’s California Rhythm Rascals and other groups. When Franklin turned down a chance to record Liggins’ song “The Honeydripper”, Liggins decided to start his own band. The original Joe Liggins and His Honeydrippers recordings were issued on the Exclusive Records imprint of brothers Leon and Otis René. Joe Liggins’ Honeydrippers was formed in the basement of the Los Angeles home of the saxophonist Little Willie Jackson, who co-founded the group and who, at the time of his death in 2001, was the last original surviving member of the Honeydrippers.^[6]“The Honeydripper” topped the R&B chart, then called the race chart, for 18 weeks in 1945. More than 60 years later, “The Honeydripper” remains tied with Louis Jordan‘s “Choo Choo Ch’Boogie” for the longest-ever stay at the top of that chart. It reportedly logged two million sales.

Colin James Bailey (9 July 1934 – 20 September 2021) was British-born American jazz drummer.

Born in Swindon, England, in 1934, Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of two accordions, banjo and drums. He toured with Winifred Atwell from 1952–1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney, he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, with Monty Budwig on bass. This trio played with Jimmy Witherspoon, Ben Webster, and Gene Ammons for the Jazz Workshop in San Francisco. In 1962, they recorded the album Jazz Impressions of Black Orpheus, which included the hit “Cast Your Fate To The Wind“. In 1963, he moved to Los Angeles to play with the Victor Feldman Trio, returning to San Francisco the following year to record Jazz Impressions of A Boy Named Charlie Brown with Guaraldi. Bailey also performed with Guaraldi on the Peanuts television specials A Charlie Brown Christmas (1965), It’s the Great Pumpkin, Charlie Brown (1966) and He’s Your Dog, Charlie Brown (1968).

Bailey worked with Clare Fischer (1963–1964), Joe Pass (for 14 years, and made 14 records) and Miles Davis (1963). He toured worldwide with Benny Goodman in 1964–1965, played on the first Regis Philbin show with Terry Gibbs, and toured with George Shearing (1964-1967). In 1967 he recorded with Frank Sinatra and Tom Jobim. He also spent time with Chet Baker, Ray Brown, João Gilberto, and Blossom Dearie (1975).

The clouds surrounding the star system Rho Ophiuchi compose one of the closest star forming regions. Rho Ophiuchi itself is a binary star system visible in the light-colored region on the image right. The star system, located only 400 light years away, is distinguished by its colorful surroundings, which include a red emission nebula and numerous light and dark brown dust lanes. Near the upper right of the Rho Ophiuchi molecular cloud system is the yellow star Antares, while a distant but coincidently-superposed globular cluster of stars, M4, is visible between Antares and the red emission nebula.

Louis Thomas Jordan (July 8, 1908 – February 4, 1975 Brinkley, AK) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as “The King of the Jukebox“, he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an “early influence” in 1987.

Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of “soundies” (promotional film clips); the one for “Caldonia” is the most readily available for viewing on various websites. He also made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him. He was an instrumentalist who played all forms of the saxophone but specialized in the alto. He also played the piano and clarinet.

Jordan began his career in big-band swing jazz in the 1930s, but he became known as one of the leading practitioners, innovators and popularizers of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar. Jordan’s band also pioneered the use of the electronic organ.

With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock-and-roll genres with a series of highly influential 78-rpm discs released by Decca Records. These recordings presaged many of the styles of black popular music of the late 1940s, 1950s and 1960s and exerted a strong influence on many leading performers in these genres. Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan’s recordings in his later production work with Bill Haley, including “Rock Around the Clock“.

Jordan ranks fifth in the list of the most successful African-American recording artists according to Joel Whitburn‘s analysis of Billboard magazine’s R&B chart, and was the most popular rhythm and blues artist with his “jump blues” recordings of the pre-Rock n’ Roll era. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career. Jordan regularly topped the R&B “race” charts and was one of the first black recording artists to achieve significant crossover in popularity with the mainstream (predominantly white) American audience, having simultaneous Top Ten hits on the pop charts on several occasions.

A study in contrasts, this colorful skyscape features stars, dust, and glowing gas in the vicinity of NGC 6914. The interstellar complex of nebulae lies some 6,000 light-years away, toward the high-flying northern constellation Cygnus and the plane of our Milky Way Galaxy. Obscuring interstellar dust clouds appear in silhouette while reddish hydrogen emission nebulae, along with the dusty blue reflection nebulae, fill the cosmic canvas. Ultraviolet radiation from the massive, hot, young stars of the extensive Cygnus OB2 association ionize the region’s atomic hydrogen gas, producing the characteristic red glow as protons and electrons recombine. Embedded Cygnus OB2 stars also provide the blue starlight strongly reflected by the dust clouds. The over 1 degree wide telescopic field of view spans about 100 light-years at the estimated distance of NGC 6914.