mick laBriola

Josef Erich Zawinul ( 7 July 1932 – 11 September 2007)  was an Austrian jazz keyboardist and composer. First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with Miles Davis and to become one of the creators of jazz fusion, a musical genre that combined jazz with rock. He co-founded the groups Weather Report and The Zawinul Syndicate. He pioneered the use of electric piano and synthesizer, and was named “Best Electric Keyboardist” twenty-eight times by the readers of DownBeat magazine.

Zawinul grew up in Vienna, Austria. Accordion was his first instrument. When he was six or seven, he studied clarinet, violin, and piano at the Vienna Conservatory (Konservatorium Wien). During the 1950s he was a staff pianist for Polydor. He worked as a jazz musician with Hans Koller, Friedrich Gulda, Karl Drewo, and Fatty George. In 1959 he moved to the U.S. to attend Berklee College of Music, but a week later he received a job offer from Maynard Ferguson, so he left school and went on tour. He then accompanied Dinah Washington. He spent most of the 1960s with Cannonball Adderley. During this time he wrote “Mercy, Mercy, Mercy” and “Walk Tall”, and “Country Preacher” and played electric piano. At the end of the decade he recorded with Miles Davis on In a Silent Way as Davis was establishing the genre of jazz fusion, combining jazz with rock.

https://www.youtube.com/watch?v=cPaR1SpVaVo

Henry “Hank” Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the “middleweight champion of the tenor saxophone”, a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him “one of the most underrated musicians of the bop era.” Mobley’s compositions included “Double Exposure,” “Soul Station”, and “Dig Dis,” among others.

Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano.

Lloyd “Tiny” Grimes (July 7, 1916 – March 4, 1989) was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions, and later led his own bands, including a recording session with Charlie Parker. He is notable for playing the electric tenor guitar, a four-stringed instrument.

Grimes was born in Newport News, Virginia, United States, and began his musical career playing drums and one-fingered piano. In 1938 he took up the electric four-string tenor guitar. In 1940 he joined the Cats and the Fiddle as guitarist and singer. In 1943 he joined the Art Tatum Trio as guitarist and made a number of recordings with Tatum.

After leaving Tatum, Grimes recorded with his own groups in New York and with a long list of leading musicians, including vocalist Billie Holiday. He made four recordings with his own group, augmented with Charlie Parker: “Tiny’s Tempo”, “Red Cross”, “Romance Without Finance”, and “I’ll Always Love You Just the Same”, the latter two featuring Grimes’ singing.

Michael Shrieve (born July 6, 1949) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana, playing on the band’s first seven albums from 1969 to 1974. At age 20, Shrieve was the second youngest musician to perform at Woodstock. His drum solo during “Soul Sacrifice” in the Woodstock film has been described as “electrifying”, although he considers his drum solo during “Soul Sacrifice” in 1970 at Tanglewood as being better.

Shrieve’s first full-time band was called Glass Menagerie, followed by experience in the house band of an R&B club, backing touring musicians including B.B. King and Etta James. At 16, Shrieve played in a jam session at the Fillmore Auditorium, where he attracted the attention of Santana‘s manager, Stan Marcum. When he was 19, Shrieve jammed with Santana at a recording studio and was invited to join that day.

On August 16, 1969, Santana played the Woodstock Festival, shortly after Shrieve’s twentieth birthday, but before the release of their eponymous first album (1969). He remained with Santana for Abraxas (1970), Santana III (1971), Caravanserai (1972), Welcome (1973), Borboletta (1974) and the live Lotus (1974). He co-wrote four of the tracks on Caravanserai, as well as co-produced the album.

Danny White (July 6, 1931 – January 5, 1996) was an influential R&B singer and bandleader who worked in the New Orleans area.

Joseph Daniel White was born at Charity Hospital in New Orleans, Louisiana, the youngest of seven children. He grew up in the Hollygroveneighborhood and the Seventh Ward. “There was always lots of music around,” he explained. “I sang in church and for plays at school. It was really my teachers who thought I had a good voice and encouraged me.”

White had his professional debut as a twenty-year-old Marine while stationed at Camp Pendleton in California. He recounted his first appearance fronting a band, “We used to go to this club called the Offshore Lounge to listen to music. It was a nice place, we’d see people like Al Hibbler there. Well, they had a house band and one night the vocalist didn’t show. People started asking the band to do requests but they said they couldn’t do them without the singer. I got up and said I could do the requests, and I ended up singing the rest of the night.” After the show the owner approached White with an offer of a full-time job. “I told him I couldn’t (accept) because I was a Marine.” White and the owner reached an agreement in which White sang on weekends for $10 a night.

François Luambo Luanzo Makiadi (6 July 1938 – 12 October 1989) was a Congolese musician. He was a major figure in 20th-century Congolese music, and African music in general, principally as the leader for over 30 years of TPOK Jazz, the most popular and significant African band of its time. He is referred to as Franco Luambo or simply Franco. Known for his mastery of African Rumba, he was nicknamed by fans and critics “Sorcerer of the Guitar” and the “Grand Maître of Zairean Music”, as well as Franco de Mi Amor by female fans. His most known hit, “Mario“, sold more than 200,000 copies and got certified gold.

Born July 6, 1938 in his mother’s hometown of Sona-Bata  in what was then the Belgian Congo, he grew up in the capital city, Léopoldville (now Kinshasa). When his father, a railroad worker, died in 1949, he ended his formal education at age 10 or 11 and helped his mother by playing a homemade guitar, harmonica and other instruments to attract customers to her market stall in Léopoldville’s Ngiri-Ngiri neighborhood. He also honed his guitar-playing by working with Paul “Dewayon” Ebengo, a slightly older friend who had a real guitar.

In 1950, Franco (then age 12), Dewayon (age 16), and others formed a group called Watam, which played together for three years, playing weddings and funerals and with the help of a mentor of Franco’s, the established musician Albert Luampasi, recording a few songs on the Ngoma record label.

https://www.youtube.com/watch?v=SsNEJAxXhCw

Louie Bellson (born Luigi Paulino Alfredo Francesco Antonio Balassoni on July 6, 1924 – February 14, 2009), known by the stage name Louie Bellson (his own preferred spelling, although he is often seen in sources as Louis Bellson), was an American jazz drummer. He was a composer, arranger, bandleader, and jazz educator, and is credited with pioneering the use of two bass drums.

Bellson performed in most of the major capitals around the world. Bellson and his wife, actress and singer Pearl Bailey (married from 1952 until Bailey’s death in 1990), had the second highest number of appearances at the White House (only Bob Hope had more).

Bellson was a vice president at Remo, a drum company. He was inducted into the Modern Drummer Hall of Fame in 1985.

Bellson was born in Rock Falls, Illinois in 1924, where his father owned a music store. He started playing drums at three years of age. While still a young child, Bellson’s father moved the family and music store to Moline, Illinois. At 15, he pioneered using two bass drums at the same time, a technique he invented in his high school art class. At age 17, he triumphed over 40,000 drummers to win the Slingerland National Gene Krupa contest.

https://www.youtube.com/watch?v=FDJJDpY1AMw

Vincent Ector July 5th 1965 hails from the musical city of Philadelphia, Pennsylvania, where he attended the University of Pennsylvania. Trained in Music beginning at age nine through GAMP, a music magnet school in Philadelphia that also enabled him to study at Temple University while still a junior high school student. He then began studying privately with drummers such as, Mickey Roker, Ralph Peterson Jr., and Armand Santarelli, as well as performing for six years as a percussionist with the United States Army Band.

As a performer, he has worked with jazz luminaries that include: NEA Jazz Masters, Freddie Hubbard, Randy Weston, James Moody, Slide Hampton and Jimmy Heath as well as Gloria Lynne, Charles Earland, Bobby Watson, Lou Donaldson, Grover Washington Jr., Dr Lonnie Smith, Ron Carter, Claudio Roditi, John Lee, Ralph Peterson Jr., Melvin Sparks, and Shirley Scott.

Most recently, Vincent produced his third CD as a leader entitled “Organatomy”, which features Grammy nominated Brazilian jazz great Claudio Roditi on one of his original compositions. His second CD as a leader entitled “Renewal of the Spirit” features Bobby Watson on Saxophones and four of Vincent’s original compositions. He is featured performing on drum set, djembe and sangba African drums. His first CD, “Rhythm Master” features the great Eddie Henderson on trumpet. Vincent also produced a tribute recording for the late Charles Earland on the High Note record label. This recording features Joey DeFrancesco, Pat Martino and Eric Alexander. Vincent can also be heard on recordings by: Gloria Lynne, Ben E. King, Jimmy Bruno, Onaje Allan Gumbs and Charles Earland, as well as appearing as a musician on ABC television’s “One Life to Live” daytime soap opera, which features Vincent’s recorded drum performance. He performs regularly in New York City with several ensembles such as, The Grammy Award winning Charles Mingus Orchestra & Big Band, The Orrin Evans Quartet and Captain Black Big Band and his own band in venues such as; Smoke, The Iridium, Dizzy’s Club Coca-Cola, Smalls and The Jazz Standard among others.

Arthur Murray Blythe (May 7, 1940 – March 27, 2017) was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying “one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing” and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.

Born in Los Angeles, Blythe lived in San Diego, returning to Los Angeles when he was 19 years old. He took up the alto saxophone at the age of nine, playing R&B until his mid-teens when he discovered jazz. In the mid-1960s, Blythe was part of the Underground Musicians and Artists Association (UGMAA), founded by Horace Tapscott, on whose 1969 The Giant Is Awakened he made his recording debut.

Overton Amos Lemons (July 5, 1913 – October 7, 1966), known as Smiley Lewis, was an American New Orleans rhythm and blues singer and guitarist. The music journalist Tony Russell wrote that “Lewis was the unluckiest man in New Orleans. He hit on a formula for slow-rocking, small-band numbers like ‘The Bells Are Ringing’ and ‘I Hear You Knocking‘ only to have Fats Domino come up behind him with similar music with a more ingratiating delivery. Lewis was practically drowned in Domino’s backwash.”

Lemons was born in DeQuincy, Louisiana, a rural hamlet near Lake Charles, to Jeffrey and Lillie Mae Lemons. He was the second of three sons. His mother died while he was a child, and later he named a song and several automobiles after her. In his mid-teens, he hopped a slow-moving freight train with some friends, who jumped off when the train began to speed up. Lewis alone remained on the train, getting off when it reached its stop in New Orleans. He found boarding with a Caucasian family in the Irish Channel neighborhood and eventually adopted their surname, Lewis.

Inayat Khan Rehmat Khan (Urdu: عنایت خان رحمت خان ) (5 July 1882 – 5 February 1927) was an Indian professor of musicology, singer, exponent of the saraswati vina, poet, philosopher, and pioneer of the transmission of Sufism to the West.^[2] At the urging of his students, and on the basis of his ancestral Sufi tradition and four-fold training and authorization at the hands of Sayyid Abu Hashim Madani (d. 1907) of Hyderabad, he established an order of Sufism (the Sufi Order) in London in 1914. By the time of his death in 1927, centers had been established throughout Europe and North America, and multiple volumes of his teachings had been published.

Inayat Khan was born in Baroda to a noble Mughal family. His paternal ancestors, comprising yüzkhans (Mughal lords) and bakshys (shamans), were Turkmen from the Chagatai Khanate who settled in Sialkot, Punjab during the reign of Amir Timur. Inayat Khan’s maternal grandfather, Sangitratna Maulabakhsh Sho’le Khan, was a pioneering Hindustani classical musician and educator known as “the Beethoven of India.” His maternal grandmother, Qasim Bibi, was from the royal house of Tipu Sultan of Mysore.