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Khadja Nin (born 27 June 1959) is a Burundian singer and musician.

Nin was born in Burundi, the youngest of a family of eight. Her father was a diplomat. She studied music at an early age like most of her brothers and sisters. With her exceptional singing voice, at the age of seven she became one of the lead vocalists in the Bujumbura choir and performed in the local cathedral. She left Burundi for Zaire in 1975 and married in 1978. In 1980 she emigrated to Belgium with her two-year-old son. In 1985 she obtained a contract with BMG. Her second album, a 1994 release entitled Ya Pili, was critically acclaimed.

Her breakthrough came in 1996 with her widely popular album Sambolera, which was sung in Swahili, Kirundi, and French. In 1997 she performed the song “Sailing” in a duet with Montserrat Caballé on the album Friends For Life. She successfully used a blend between African rhythms and modern pop to create her own unique brand of music. One of her most popular songs is Sina Mali, Sina Deni, a translated cover version of Stevie Wonder‘s song Free.

The first album was released in 1992, sung in Swahili. But it is best known in France in 1995 with the tube Sambolera mali sound, a title of the second album, Ya Pili (The second). The third album is a compilation of old and new titles. Jeanne Moreau makes the clip illustrating her song Mama, where she talks about her mother, on her fourth album Ya … . The texts of this album are in Swahili or Kirundi (for the chorus of the title Mama). The album also includes a cover of a piece by Gabonese musician Pierre Akendengué, Africa Obota, and a title of Stevie Wonder, Free that she renamed Sina mali, sina deni (I am neither rich nor indebted). Another piece pays tribute to Nelson Mandela, and a song calls for easing the embargo imposed on Burundi.

George Braith (born George Timothy Braithwaite on June 26, 1939) is a soul-jazz saxophonist from New York.

Braith is known for playing multiple horns at once, a technique pioneered by Roland Kirk. Braith is credited with the invention of the Braithophone, two different horns (straight alto and soprano) mended together by extensions, valves and connections.

Braith is featured in a mosaic in the 72nd street station of the Second Avenue Subway in the New York City Subway system.

Of Braith’s album Musart Thom Jurek at AllMusic wrote, “Musart is his masterpiece; it is one of the most diverse yet refined albums to come out of the ’60s, and has few peers even today.”

Johnny “Big Moose” Walker (June 27, 1927 – November 27, 1999) was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.

Walker was primarily a piano player but was also proficient on the electronic organ and the bass guitar (he played the bass guitar when backing Muddy Waters). He recorded solo albums and accompanied other musicians in concert and on recordings.

John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, partly of Native American ancestry. He acquired his best-known stage name in his childhood in Greenville, Mississippi, derived from his long, flowing hair. He learned to play several instruments, including the church organ, guitar, vibraphone and tuba.

For reasons unknown, star V838 Mon‘s outer surface suddenly greatly expanded with the result that it became one of the brighter stars in the Milky Way Galaxy in early 2002. Then, just as suddenly, it shrunk and faded. A stellar flash like this had never been seen before — supernovas and novas expel matter out into space. Although the V838 Mon flash appears to expel material into space, what is seen in the featured image from the Hubble Space Telescope is actually an outwardly expanding light echo of the original flash. In a light echo, light from the flash is reflected by successively more distant surfaces in the complex array of ambient interstellar dust that already surrounded the star. V838 Mon lies about 20,000 light years away toward the constellation of the unicorn (Monoceros), while the light echo above spans about six light years in diameter.

Samuel Lawrence Taylor (June 26, 1942 – August 19, 2019) was an American bass guitarist, best known for his work as a member of Canned Heat from 1967. Before joining Canned Heat he had been a sessionbassist for The Monkees and Jerry Lee Lewis. He was the younger brother of Mel Taylor, long-time drummer of The Ventures.

Gilberto Passos Gil Moreira (born 26 June 1942), known professionally as Gilberto Gil(Brazilian Portuguese: [ʒiwˈbɛʁtu ˈʒiw]), is a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil’s Minister of Culture in the administration of President Luiz Inácio Lula da Silva. Gil’s musical style incorporates an eclectic range of influences, including rock, Brazilian genres including samba, African music, and reggae.

Reginald “Reggie” Workman (born June 26, 1937 in Philadelphia, Pennsylvania) is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey.

Early in his career, Workman worked in jazz groups led by Gigi Gryce, Donald Byrd, Duke Jordan and Booker Little. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis. He was present for the saxophonist’s Live at the Village Vanguard sessions, and also recorded with a second bassist (Art Davis) on the 1961 album, Olé Coltrane. Workman left Coltrane’s group at the end of the year, following a European tour.

In 1962, Workman joined Art Blakey‘s Jazz Messengers (replacing long-time Blakey bassist Jymie Merritt), and worked alongside Freddie Hubbard, Wayne Shorter, and Cedar Walton for most of this period. Workman left Blakey’s group in 1964.

Robert David Grusin (born June 26, 1934) is an American composer, arranger, producer, and pianist. He has composed many scores for feature films and television, and has won numerous awards for his soundtrack and record work, including an Academy Award and ten Grammy Awards. He is the co-founder of GRP Records.

Grusin was born in Littleton, Colorado, to Henri and Rosabelle (née de Poyster) Grusin. His mother was a pianist and his father was a violinist from Riga, Latvia. He has one Jewish parent.

He studied music at the University of Colorado at Boulder and was awarded his degree in 1956. His teachers included Cecil Effinger and Wayne Scott, pianist, arranger and professor of jazz.

Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903– August 14, 1958 Lake Dick, AK) was an American blues singer, songwriter and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences. Through the 1930s and 1940s he successfully navigated a transition in style to a more urban blues sound popular with working-class African-American audiences. In the 1950s a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century.

Joe Chambers (born June 25, 1942 in Chester, Pennsylvania, United States) is an American jazz drummer, pianist, vibraphonist and composer. He attended the Philadelphia Conservatory for one year. In the 1960s and 1970s, Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea. During this period, his compositions appeared on some of the albums in which he made guest appearances, such as those with Freddie Hubbard and Bobby Hutcherson. He has released eight albums as a bandleader and been a member of several incarnations of Max Roach‘s M’Boom percussion ensemble.

He has also taught, including at the New School for Jazz and Contemporary Music in New York City, where he leads the Outlaw Band. In 2008, he was hired to be the Thomas S. Kenan Distinguished Professor of Jazz in the Department of Music at the University of North Carolina Wilmington.

Clifton Chenier (June 25, 1925 – December 12, 1987), a Louisiana French-speaking native of Leonville, Louisiana, near Opelousas, was a performer and recording artist of zydeco, which arose from Cajun and Creole music, with R&B, jazz, and blues influences. He played the accordion and won a Grammy Award in 1983.

He was known as the King of Zydeco, and also billed as the King of the South.

Chenier began his recording career in 1954, when he signed with Elko Records and released Cliston’s Blues [sic], a regional success. In 1955 he signed with Specialty Records and garnered his first national hit with his label debut “Ay-Tete Fi” (Hey, Little Girl) (a cover of Professor Longhair‘s song). The national success of the release led to numerous tours with popular rhythm and blues performers such as Ray Charles, Etta James, and Lowell Fulson. He also toured in the early days with Clarence Garlow, billed as the Two Crazy Frenchmen. Chenier was signed with Chess Records in Chicago, followed by the Arhoolie label.