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Perseus A, also called NGC 1275, is an eruptive galaxy at the core of the Perseus Cluster, which is made up of some 1,000 galaxies about 240 million light-years away. The dominant member of the Perseus Cluster, Perseus A is a Seyfert galaxy with an active nucleus, powered by a 340 million-solar-mass black hole in its core. The behemoth galaxy NGC 1275, also known as Perseus A, lies at the centre of Perseus Galaxy Cluster. By combining multi-wavelength images into this single composite, the dynamics of the galaxy become visible. Detail and structure from optical, radio and X-ray wavelengths have been combined for an aesthetically pleasing image which shows the violent events in the galaxy’s heart. NGC 1275 is an active galaxy well-known for its radio source (Perseus A) and is a strong emitter of X-rays due to the presence of the supermassive black hole in its centre. Hubble data from the Advanced Camera for Surveys covers visible-light wavelengths and is shown in the red, green and blue. Radio data from NRAO’s Very Large Array at 0.91 m was also used. In this composite image, dust lanes, star-forming regions, hydrogen filaments, foreground stars, and background galaxies are contributions from the Hubble optical data. The X-ray data contributes to the soft but violet shells around the outside of the centre. The pinkish lobes toward the centre of the galaxy are from radio emission. The radio jets from the black hole fill the X-ray cavities. Chandra data from the ACIS covers X-ray wavelengths from 0.1771 to 4.133 nm (0.3-7 KeV).
more...Leslie Johnson (June 20, 1933 – August 22, 2018), better known as Lazy Lester, was an American blues musician who sang and played the harmonica and guitar. His career spanned the 1950s to 2018.
Best known for regional hits recorded with Ernie Young’s Nashville-based Excello Records, Lester also contributed to songs recorded by other Excello artists, including Slim Harpo, Lightnin’ Slim, and Katie Webster. Cover versions of his songs have been recorded by (among others) the Kinks, the Flamin’ Groovies, Freddy Fender, Dwight Yoakam, Dave Edmunds, Raful Neal, Anson Funderburgh, and the Fabulous Thunderbirds. In the comeback stage of his career (since the late 1980s) he recorded new albums backed by Mike Buck, Sue Foley, Gene Taylor, Kenny Neal, Lucky Peterson, and Jimmie Vaughan.
Lester started playing the guitar around age 11 and began performing in his teens around Baton Rouge with Raful Neal, later co-founding the Rhythm Rockers. In the mid-1950s, Lester was on the margins of the Louisiana blues scene. According to Rolling Stone (February 23, 2006), Buddy Guy, before moving to Chicago, had played in Louisiana with some of the old masters: Lightnin’ Hopkins, Lazy Lester, Slim Harpo. When Guy left for Chicago, in 1957, Lester replaced him, on guitar, in a local band – even though Lester, at that time, did not own such an instrument.
more...Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were “angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register.” Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony.
Dolphy was born and raised in Los Angeles, California. His parents were Eric Dolphy, Sr. and Sadie Gillings, who immigrated to the United States from Panama. He began music lessons at age six, studying clarinet and saxophone privately. While still in junior high, he began to study the oboe, aspiring to a professional symphonic career, and received a two-year scholarship to study at the music school of the University of Southern California. Aged thirteen, he received a “Superior” award on clarinet from the California School Band and Orchestra festival. He attended Dorsey High School, where he continued his musical studies and learned additional instruments
https://www.youtube.com/watch?v=Lw0ETsYu3_g
more...Chester Burton “Chet” Atkins (June 20, 1924 – June 30, 2001), known as “Mr. Guitar” and “The Country Gentleman“, was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele.
Atkins’s signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Skeeter Davis, Waylon Jennings, Roger Whittaker, and many others.
Rolling Stone credited Atkins with inventing the “popwise ‘Nashville sound’ that rescued country music from a commercial slump” and ranked him number 21 on their list of “The 100 Greatest Guitarists of All Time”. Among many other honors, Atkins received 14 Grammy Awards and the Grammy Lifetime Achievement Award. He also received nine Country Music Association awards for Instrumentalist of the Year. He was inducted into the Rock & Roll Hall of Fame, the Country Music Hall of Fame and Museum, and the Musicians Hall of Fame and Museum. George Harrison was also inspired by Chet Atkins; early Beatles songs such as “All My Loving” show the influence.
Atkins was born on June 20, 1924, in Luttrell, Tennessee, near Clinch Mountain. His parents divorced when he was six years old, after which he was raised by his mother. He was the youngest of three boys and a girl. He started out on the ukulele, later moving on to the fiddle, but he made a swap with his brother Lowell when he was nine: an old pistol and some chores for a guitar. He stated in his 1974 autobiography, “We were so poor and everybody around us was so poor that it was the forties before anyone even knew there had been a depression.” Forced to relocate to Fortson, Georgia, outside of Columbus to live with his father because of a critical asthma condition, Atkins was a sensitive youth who became obsessed with music. Because of his illness, he was forced to sleep in a straight-back chair to breathe comfortably. On those nights, he played his guitar until he fell asleep holding it, a habit that lasted his whole life. While living in Fortson, Atkins attended the historic[citation needed]Mountain Hill School. He returned in the 1990s to play a series of charity concerts to save the school from demolition. Stories have been told about the very young Chet who, when a friend or relative would come to visit and play guitar, crowded the musician and put his ear so close to the instrument that it became difficult for the visitor to play.
more...James Corbitt Morris (June 20, 1907 – July 12, 1998), known professionally as Jimmy Driftwood or Jimmie Driftwood, was an American folk music songwriter and musician, most famous for his songs “The Battle of New Orleans” and “Tennessee Stud“. Driftwood wrote more than 6,000 folk songs, of which more than 300 were recorded by various musicians.
Driftwood was born in Timbo, Arkansas, United States on June 20, 1907. His father was folk singer Neil Morris.. He is on the album Songs of the Ozarks. Driftwood learned to play the guitar at a young age on his grandfather’s homemade instrument. Driftwood used that unique guitar throughout his career and noted that its neck was made from a fence rail, its sides from an old ox yoke, and the head and bottom from the headboard of his grandmother’s bed. This homemade instrument produced a pleasant, distinctive, resonant sound.
Driftwood attended John Brown College in northwest Arkansas and later received a degree in education from Arkansas State Teacher’s College. He started writing songs during his teaching career to teach his students history in an entertaining manner.
more...This ethereal image, captured from Chile by the international Gemini Observatory, a Program of NSF’s NOIRLab, looks as delicate as a butterfly’s wing. It is, however, a structure known as the Chamaeleon Infrared Nebula, which is located near the center of the even larger Chamaeleon I dark cloud, one of the nearest star-forming regions in our Milky Way.
more...Robert Allen Palmer (19 January 1949 – 26 September 2003) was an English singer-songwriter, musician, and record producer. He was known for his powerful, distinctive, gritty, soulful voice and sartorial elegance, and for combining soul, jazz, rock, pop, reggae, and blues.
Palmer’s involvement in the music industry began in the 1960s and included a spell with the band Vinegar Joe. He found success both in his solo career and with the Power Station, and had Top 10 songs in the United Kingdom and the United States in the 1980s. Three of his hit singles, “I Didn’t Mean to Turn You On“, “Addicted to Love” and “Simply Irresistible“, were accompanied by stylish music videos directed by British fashion photographer Terence Donovan.
Palmer received a number of awards throughout his career, including two Grammy Awards for Best Male Rock Vocal Performance and an MTV Video Music Award. He was nominated by the Brit Award for Best British Male Solo Artist. He died at age 54, following a heart attack on 26 September 2003.
more...Willis Robert “Billy” Drummond Jr. (born June 19, 1959) is an American jazz drummer.
Billy Drummond was born in Newport News, Virginia, where he grew up listening to the extensive jazz record collection of his father, an amateur drummer and jazz enthusiast. He started playing the drums at four and was performing locally in his own band by the age of eight, and playing music with other kids in the neighborhood, including childhood friends Victor Wooten and his brothers, who lived a few doors away and through whom he met Consuela Lee Moorehead, composer, arranger, music theory professor, and the founder of the Springtree/Snow Hill Institute for the Performing Arts. He attended Shenandoah College and Conservatory of Music on a Classical Percussion scholarship and, upon leaving school, became a member of a local Top 40 band called The Squares with bass phenom Oteil Burbridge.
https://www.youtube.com/watch?v=DDEAVoAqeT8&t=1951s
more...Ernest Ranglin OJ (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm ‘n’ blues and jazz inflections.
Ernest Ranglin was born in Manchester, Jamaica. His family moved to Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin College. Ranglin’s introduction to music was through two uncles who both played guitar. Initially a self-taught guitarist; he received some tutoring on how to sight-read from a violin player named Tommy Tomlins. At the age of 15, Ranglin joined the Val Bennett Orchestra, which was followed by a period of employment with the Eric Deans Orchestra. While performing locally with these orchestras Ranglin was introduced to the jazz pianist Monty Alexander, which led to a lifelong friendship as well as numerous musical collaborations.
During the 1950s Ranglin played guitar on calypso and mento releases, some of which were recorded for the tourist market. The 1958 album The Wrigglers Sing Calypso at the Arawak is representative of the type of calypso floor show that Jamaican bands performed at hotels (some of the tracks from the original album were included on the 2010 CD release Jamaica – Mento 1951-1958). He was employed as a guitarist by the Jamaica Broadcasting Corporation (JBC) between the years 1958 and 1965 with public radio broadcasting (radio services had been established earlier with the first broadcast transmitted in November 1939)commencing in 1959 and television broadcasting commencing in 1963. Ranglin also played with Cluett Johnson’s studio band Clue J and the Blues Blasters; recording several tracks for Coxsone Dodd at Federal Studios, including the Theophilus Beckford hit “Easy Snapping” (recorded in 1956 and released in 1959), which he arranged and played guitar on. Ranglin also played on the Beckford tracks “Jack and Jill Shuffle” and “Shuffling Jug.”
more...Supergiant star Gamma Cygni is at the center of the Northern Cross. Near the plane of our Milky Way galaxy, that famous asterism flies high in northern summer night skies in the constellation Cygnus the Swan. Known by the proper name Sadr, Gamma Cygni also lies just below center in this telescopic skyscape, with colors mapped from both broadband and narrowband image data. The field of view spans about 3 degrees (six Full Moons) on the sky and includes emission nebula IC 1318 and open star cluster NGC 6910. Filling the upper part of the frame and shaped like two glowing cosmic wings divided by a long dark dust lane, IC 1318’s popular name is understandably the Butterfly Nebula. Right of Gamma Cygni, are the young, still tightly grouped stars of NGC 6910. The distance to Gamma Cygni is around 560 parsecs or 1,800 light-years. Estimates for IC 1318 and NGC 6910 range from 2,000 to 5,000 light-years.
more...Prince Lincoln Thompson, known as Sax (10 July 1949 in Jonestown, Kingston, Jamaica – 14 January 1999 in London, England), was a Jamaican singer, musician and songwriter with the reggae band the Royal Rasses, and a member of the Rastafari movement. He was noted for his high falsetto singing voice, very different from his spoken voice.
He began his recording career as a harmony singer along with Cedric Myton of The Congos in 1967, in a band called The Tartans, who then split up in 1969. In 1971 he was taken on by Coxsone Dodd, and recorded three songs with him at Studio One called “Daughters of Zion”, “True Experience” and “Live Up to Your Name”. In 1974, he recorded the Humanity album with Cedric Myton, Clinton Hall and Keith Peterkin, and set up the God Sent label. He had two hit singles with “Kingston 11” and “Love the Way It Should Be”.
more...Sir James Paul McCartney CH MBE (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame as co-lead vocalist, co-songwriter and bassist for the Beatles. One of the most successful composers and performers of all time, he is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre-rock ‘n’ roll pop to classicaland electronica. His songwriting partnership with John Lennon remains the most successful in history.
Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock ‘n’ roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon’s skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called “the cute Beatle”, McCartney later involved himself with the London avant-garde and spearheaded the incorporation of experimental aesthetics into the Beatles’ studio productions. Starting with the 1967 album Sgt. Pepper’s Lonely Hearts Club Band, he gradually became the band’s de facto leader, providing the creative impetus for most of their music and film projects. Many of his Beatles songs, including “And I Love Her“, “Yesterday“, “Eleanor Rigby“, and “Blackbird“, rank among the most covered songs in history.
After the Beatles disbanded, he debuted as a solo artist with the 1970 album McCartney and formed the band Wings with his first wife, Linda, and Denny Laine. Led by McCartney, Wings was one of the most successful bands of the 1970s, with more than a dozen international top 10 singles and albums. He resumed his solo career in 1980 and has toured as a solo artist since 1989. Without Wings, his UK or US number-one hits have included “Uncle Albert/Admiral Halsey” (with Linda), “Coming Up“, “Pipes of Peace“, “Ebony and Ivory” (with Stevie Wonder), and “Say Say Say” (with Michael Jackson). Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney has written or co-written 32 songs that have topped the Billboard Hot 100, and, as of 2009, had sales of 25.5 million RIAA-certified units in the US. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), an Academy Award, 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965 and a knighthood in 1997 for services to music. As of 2020, he is one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
more...Ray McKinley (June 18, 1910 – May 7, 1995) was an American jazz drummer, singer, and bandleader.
Born in Fort Worth, Texas, United States, McKinley’s parents bought him his first drum set at the age of nine. Soon after he began playing with a local band called The Jolly Jazz Band in the Dallas–Fort Worth area. He left home when he was 15 and played with Milt Shaw’s Detroiters and the Smith Ballew and Duncan-Marin bands. His first substantial professional engagement came in 1934 with the Dorsey Brothers’ Orchestra. It was with the Smith Ballew band in 1929 that McKinley met Glenn Miller. The two formed a friendship that lasted from 1929 until Miller’s death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained.
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