mick laBriola

On May 31 tens of parallel meteor streaks were recorded in this 8 degree wide field of view of planet Earth’s limb from space. The image is one of a series of 5 minute long observations by the orbiting Yangwang-1 space telescope. It was captured at 03:43 UT, near the peak of the Tau Herculid meteor shower. As predicted, the meteor shower was an active one this year, caused as Earth swept through a relatively dense stream of debris from disintegrating Comet 73P/Schwassmann-Wachmann 3, but was lacking bright meteors. Nearly all of the Tau Herculid meteors in the Yangwang-1 image are too faint to be detected by groundbased instruments. But on that date patient earthbound skywatchers under clear skies still enjoyed a memorable showing of the Tau Herculids.

Anthony Braxton (born June 4, 1945 Chicago) is an American experimental composer, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double–LP record For Alto, the first full-length album of solo saxophone music.

A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and the ensemble arrangements of Creative Orchestra Music 1976, which was named the 1977 DownBeat Critics’ Poll Album of the Year. Many of his projects are ongoing, such as the Diamond Curtain Wall works, in which Braxton implements audio programming language SuperCollider;^[8]the Ghost Trance Music series, inspired by his studies of the Native American Ghost Dance; and Echo Echo Mirror House Music, in which musicians “play” iPods containing the bulk of Braxton’s oeuvre. He has released the first six operas in a series called the Trillium Opera Complex.

Braxton identifies as a “trans-idiomatic” composer and has repeatedly opposed the idea of a rigid dichotomy between improvisation and composition. He has written extensively about the “language music” system that forms the basis for his work and developed a philosophy of “world creativity” in his Tri-Axium Writings.

Braxton taught at Mills College from 1985 to 1990 and was Professor of Music at Wesleyan University from 1990 until his retirement at the end of 2013. He is the artistic director of the Tri-Centric Foundation, a nonprofit he founded in 1994 to support the preservation and production of works by Braxton and other artists “in pursuit of ‘trans-idiomatic’ creativity.

With this creative astro-collaboration you can follow the plane of our Milky Way Galaxy as it bridges northern and southern hemisphere skies. To construct the expansive composite nightscape, skies over Observatorio El Sauce in Chile (top) were imaged on the same date but 6 hours later than the skies over the Saint-Veran observatory in the French Alps. The 6 hour time-lag allowed Earth’s rotation to align the Milky Way above domes at the two sites. All exposures were made with similar cameras and lenses mounted on simple tripods. A faint greenish airglow is visible in the dark Chilean sky that also features the Large and Small Magellanic Clouds near the observatory dome. In the French Alps light pollution is apparent, but the distant Andromeda Galaxy can still be spotted near the horizon in the northern night. On planet Earth the two observatories are separated by about 10,000 kilometers.

Curtis Lee Mayfield (3 June 1942 – 26 December 1999 Chicago, Ill) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. He first achieved success and recognition with the Rock and Roll Hall of Fame-inducted group The Impressions during the civil rights movement of the late 1950s and the 1960s, and later worked as a solo artist.

Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which was ranked at no. 24 on Rolling Stone‘s list of the 500 Greatest Songs of All Time. The song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998.

After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time.

Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on 13 August 1990.^[10] Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995. He is a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes at the age of 57 on 26 December 1999. Mayfield died from complications of type 2 diabetes at 7:20 AM (11:20 GMT) on Sunday, 26 December 1999, at the North Fulton Regional Hospital in Roswell, Georgia. He was survived by his wife, Altheida Mayfield; his mother, Mariam Jackson; 10 children; two sisters, Carolyn Falls and Judy Mayfield; a brother, Kenneth Mayfield; and seven grandchildren.

Grachan Moncur III (born June 3, 1937) is an American jazz trombonist. He is the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.

Born in New York City, United States, (his paternal grandfather was from the Bahamas) and raised in Newark, New Jersey, Grachan Moncur III began playing the cello at the age of nine, and switched to the trombone when he was 11. In high school, he attended the Laurinburg Institute in North Carolina, the private school where Dizzy Gillespie had studied. While still at school, he began sitting in with touring jazz musicians on their way through town, including Art Blakey and Jackie McLean, with whom he formed a lasting friendship.

After high school, Moncur toured with Ray Charles (1959–62), Art Farmer and Benny Golson‘s Jazztet (1962), and Sonny Rollins. He took part in two Jackie McLean albums for Blue Note in the early 1960s, One Step Beyond and Destination… Out!, to which he also contributed the bulk of compositions. He recorded two albums of his own for Blue Note, Evolution (1963) with Jackie McLean and Lee Morgan, and Some Other Stuff (1964) with Herbie Hancock and Wayne Shorter.

Moncur joined Archie Shepp‘s ensemble, and recorded with other avant-garde players such as Marion Brown, Beaver Harris and Roswell Rudd (another free jazz trombonist). During a stay in Paris in the summer of 1969, he recorded two albums as a leader for the BYG Actuel label, New Africa and Aco Dei de Madrugada, as well as appearing as a sideman on other releases of the label. In 1974, the Jazz Composer’s Orchestra commissioned him to write Echoes of Prayer (1974), a jazz symphony featuring a full orchestra plus vocalists and jazz soloists. His sixth album as a leader, Shadows (1977) was released only in Japan. Unfortunately, he was subsequently plagued by health problems and copyright disputes and recorded only rarely. Through the 1980s, he recorded with Cassandra Wilson (1985), played occasionally with the Paris Reunion Band and Frank Lowe, appeared on Big John Patton‘s Soul Connection (1983), but mostly concentrated on teaching. In 2004, he re-emerged with a new album, Exploration, on Capri Records featuring Moncur’s compositions arranged by Mark Masters for an octet including Tim Hagans and Gary Bartz.

Josephine Baker (born Freda Josephine McDonald; naturalised French Joséphine Baker; 3 June 1906 – 12 April 1975) was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in the revue Un vent de folie in 1927 caused a sensation in the city. Her costume, consisting of only a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.

She aided the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de Guerre by the French military, and was named a Chevalier of the Légion d’honneur by General Charles de Gaulle. Baker sang: “I have two loves, my country and Paris.”

Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.

On 30 November 2021, she was interred in the Panthéon in Paris, the first black woman to receive one of the highest honors in France. As her resting place remains in Monaco Cemetery, a cenotaph was installed in vault 13 of the crypt in the Panthéon.

The NASA/ESA Hubble Space Telescope provides us this week with a spectacular image of the bright star-forming ring that surrounds the heart of the barred spiral galaxy NGC 1097. In this image, the larger-scale structure of the galaxy is barely visible: its comparatively dim spiral arms, which surround its heart in a loose embrace, reach out beyond the edges of this frame. This face-on galaxy, lying 45 million light-years away from Earth in the southern constellation of Fornax (The Furnace), is particularly attractive for astronomers. NGC 1097 is a Seyfert galaxy. Lurking at the very centre of the galaxy, a supermassive black hole 100 million times the mass of our Sun is gradually sucking in the matter around it. The area immediately around the black hole shines powerfully with radiation coming from the material falling in. The distinctive ring around the black hole is bursting with new star formation due to an inflow of material toward the central bar of the galaxy. These star-forming regions are glowing brightly thanks to emission from clouds of ionised hydrogen. The ring is around 5000 light-years across, although the spiral arms of the galaxy extend tens of thousands of light-years beyond it. NGC 1097 is also pretty exciting for supernova hunters. The galaxy experienced three supernovae (the violent deaths of high-mass stars) in the 11-year span between 1992 and 2003. This is definitely a galaxy worth checking on a regular basis. However, what it is really exciting about NGC 1097 is that it is not wandering alone through space. It has two small galaxy companions, which dance “the dance of stars and the dance of space” like the gracious dancer of the famous poem The Dancer by Khalil Gibran. The satellite galaxies are NGC 1097A, an elliptical galaxy orbiting 42 000 light-years from the centre of NGC 1097 and a small dwarf galaxy named NGC 1097B. Both galaxies are located out beyond the frames of this image and they cannot be seen

Sir Edward William Elgar, 1st Baronet, OM, GCVO  2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King’s Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.

In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar’s music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere.

Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.