mick laBriola

Will our Milky Way Galaxy collide one day with its larger neighbor, the Andromeda Galaxy? Most likely, yes. Careful plotting of slight displacements of M31’s stars relative to background galaxies on recent Hubble Space Telescope images indicate that the center of M31 could be on a direct collision course with the center of our home galaxy. Still, the errors in sideways velocity appear sufficiently large to admit a good chance that the central parts of the two galaxies will miss, slightly, but will become close enough for their outer halos to become gravitationally entangled. Once that happens, the two galaxies will become bound, dance around, and eventually merge to become one large elliptical galaxy — over the next few billion years. Pictured here is a combination of images depicting the sky of a world (Earth?) in the distant future when the outer parts of each galaxy begin to collide. The exact future of our Milky Way and the entire surrounding Local Group of Galaxies is likely to remain an active topic of research for years to come.

Steven Siro Vai (/vaɪ/; born June 6, 1960 Clare Place, NY) is an American guitarist, composer, songwriter, and producer. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of eighteen as a transcriptionist for Frank Zappa, and played in Zappa’s band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date. He has recorded and toured with Alcatrazz, David Lee Roth, and Whitesnake, as well as recording with artists such as Public Image Ltd, Mary J. Blige, Spinal Tap, and Alice Cooper. Additionally, Vai has toured with live-only acts G3, Zappa Plays Zappa, and the Experience Hendrix tour, as well as headlining international tours.

Vai has been described as a “highly individualistic player” and part of a generation of “heavy rock and metal virtuosi who came to the fore in the 1980s”.^[5] He released his first solo album Flex-Able in 1984, while his most successful release, Passion and Warfare (1990), was described as “the richest and best hard rock guitar-virtuoso album of the ’80s”.^[6] He was voted the “10th Greatest Guitarist” by Guitar World magazine, and has sold over 15 million records.

Montgomery Bernard “Monty” Alexander (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Nat King Cole, Oscar Peterson, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty’s recording career has covered many of the well known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.

Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mother sent him to classical music lessons at the age of six and he became interested in jazz piano at the age of 14. He began playing in clubs, and on recording sessions by Clue J & His Blues Blasters, subbing for Aubrey Adams, whom he describes as his hero, when he was unable to play. Two years later, he directed a dance orchestra (Monty and the Cyclones) and played in the local clubs covering much of the 1960s early rock and pop dance hits. Performances at the Carib Theater in Jamaica by Louis Armstrong and Nat King Cole left a strong impression on the young pianist.

Laura Phillips Anderson (born June 5, 1947), known as Laurie Anderson, is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, focusing particularly on language, technology, and visual imagery. She became more widely known outside the art world when her single “O Superman” reached number two on the UK singles chart in 1981. She also starred in and directed the 1986 concert film Home of the Brave.

Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she collaborated with Interval Research to develop an instrument she called a “talking stick,” a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds.

Anderson met singer-songwriter Lou Reed in 1992, and she was married to him from April 2008 until his death in 2013.

Jerry González (June 5, 1949 – October 1, 2018) was an American bandleader, trumpeter and percussionist of Puerto Rican descent. Together with his brother, bassist Andy González, he played an important role in the development of Latin jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo‘s Conjunto Libre, and from 1980 to 2018 they directed The Fort Apache Band. From 2000 to 2018, Jerry González resided in Madrid, where he fronted Los Piratas del Flamenco and El Comando de la Clave. In October 2018, he died of a heart attack after a fire in his home in Madrid.

Jerry González was born in 1949 in Manhattan, on 158th Street and 3rd Avenue, and moved to the Edenwald Houses in the Eastchester section of the Bronx at the age of 4. He was raised in a strong musical atmosphere, with the strains of Latin, Afro-Cuban and jazz music always in his ear, establishing his musical appreciation and molding his future work as an artist. His father, Jerry González Sr., was a master of ceremonies and lead singer for bands during the Palladium era and sang with musicians like Claudio Ferrer. In junior high school he began playing trumpet and congas and jamming with local bands. After deciding this was his calling, González completed his formal studies at New York College of Music and New York University. He started his professional career playing with Lewellyn Mathews in the 1964 New York World’s Fair. In 1970 he started playing congas with Dizzy Gillespie. With Gillespie’s support and encouragement, González was able to fuse the African-based rhythms onto jazz elements without compromising the essence of either.

Performing for Patty Lacy with Victor Zupanc for Sauer Foundation Saturday June 4th 2022 6-7pm

Michael George Campbell (4 June 1954 – 15 March 2008), better known as Mikey Dread, was a Jamaican singer, producer, and broadcaster. He was one of the most influential performers and innovators in reggae music.

Born in Port Antonio, one of five children, from an early age, Campbell showed a natural aptitude for engineering and electronics. As a teenager he performed with the Safari and Sound of Music sound systems, and worked on his high school’s radio station.

He studied electrical engineering at the College of Arts, Science and Technology, and in 1976, started out as an engineer with the Jamaica Broadcasting Corporation (JBC). Campbell wasn’t impressed that the JBC’s playlists mainly consisted of bland, foreign pop music at a time when some of the most potent reggae was being recorded in Jamaica. He convinced his JBC bosses to give him his own radio program called Dread at the Controls, where he played almost exclusively reggae. Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well known for its fun and adventurous sonic style, Dread at the Controls became a hit all over Jamaica. Examples of Mikey Dread’s distinctive radio chatter can be heard on the US release of the RAS label LP African Anthem Dubwise.

Francisco de Jesús Rivera Figueras (born 4 June 1948), known as Paquito D’Rivera, is a Cuban-American alto saxophonist, clarinetist and composer. He was a member of the Cuban songo band Irakereand, since the 1980s, he has established himself as a bandleader in the United States. His smooth saxophone tone and his frequent combination of Latin jazz and classical music have become his trademarks.

Francisco de Jesús Rivera Figueras was born on 4 June 1948 in Havana, Cuba. His father played classical saxophone, entertained his son with Duke Ellington and Benny Goodman records, and he sold musical instruments. He took D’Rivera to clubs like the Tropicana (frequented by his musician friends and customers) and to concert bands and orchestras.

At age five, D’Rivera began saxophone lessons by his father. In 1960, he attended the Havana Conservatory of Music, where he learned saxophone and clarinet and met Chucho Valdés. In 1965, he was a featured soloist with the Cuban National Symphony Orchestra. He and Valdés founded Orchestra Cubana de Música Moderna and then in 1973 the group Irakere, which fused jazz, rock, classical, and Cuban music.

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth(1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.

Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in “territory” bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging charts for Jordan’s band.

In 1952, Nelson underwent military service in the United States Marines Corps playing woodwinds in the 3rd Marine Division band in Japan and Korea. It was in Japan that Nelson attended a concert by the Tokyo Philharmonic Orchestra and heard Maurice Ravel‘s Ma mere l’Oye and Paul Hindemith‘s Symphony in E Flat. Nelson later recalled that this “‘was the first time that I had heard really modern music for back in St. Louis I hadn’t even known that Negroes were allowed to go to concerts. I realized everything didn’t have to sound like Beethoven or Brahms … . It was then that I decided to become a composer’.