mick laBriola

Ian Ernest Gilmore Evans (né Green; May 13, 1912 – March 20, 1988) was a Canadian–American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.

Gil Evans was born in Toronto, Canada on May 13, 1912 to Margaret Julia McConnachy. Little is known about Evans’ biological father, although a family friend said that he was a doctor who had died before Evans was born. Originally named Gilmore Ian Ernest Green, Evans took the last name of his step-father, John Evans, a miner. The family moved frequently, living in Saskatchewan, British Columbia, Washington, Idaho, Montana, and Oregon, migrating to wherever Evans’ father could find work. Eventually, the family ended up in California, first in Berkeley, where Evans attended the ninth and tenth grades, then in Stockton, where he attended Stockton High School, graduating in 1930. During this time, Evans’ father took a job with the Western Pacific Railroad, and Evans began living with friends, later renting a room in a boarding house. After graduating, Evans attended the College of the Pacific in Stockton but then transferred to Modesto Junior College.After a year in Modesto, Evans left and moved back to Stockton.

William McKinley “Red” Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano.

William “Red” Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine.

Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson.

Tanjore Balasaraswati, also known as Balasaraswati (13 May 1918 – 9 February 1984), was an Indian dancer, and her rendering of Bharatanatyam, a classical dance style originated in the South Indian state of Tamil Nadu, made this style of dancing well known in different parts of India and many parts of the world.

She was awarded the Padma Bhushan in 1957 and the Padma Vibhushan in 1977, the third and the second highest civilian honours given by the Government of India. In 1981 she was awarded the Sangeetha Kalasikhamani award of The Indian Fine Arts Society, Chennai.

Balasaraswati was a seventh generation representative of a traditional matrilineal family of temple musicians and dancers (devadasis, who traditionally enjoyed high social status), who have been described as the greatest single repository of the traditional performing arts of music and dance of the southern region of India. Her ancestor, Papammal, was a musician and dancer patronized in the mid-eighteenth century by the court of Thanjavur. Her grandmother, Veenai Dhanammal (1867–1938), is considered by many to be the most influential musician of the early twentieth century. Her mother, Jayammal (1890–1967) was a singer who encouraged the training of Balasaraswati and was her accompanist.

Zambra  (from Andalusi Arabic zamra, originally from classical Arabic zamr) is a style of flamenco dance, typical of the Roma of the provinces of Granada and Almería (Andalusia, Spain).

It is believed that the zambra is a continuation of earlier Morisco styles of dance. It became typical during wedding ceremonies, although nowadays it is particularly commonly danced for tourists in the caves of Sacromonte (Granada) and in the caves of Almería. In modern times, it has been espoused by flamenco dancers Carmen Amaya, Lola Flores, and Puela Lunaris. It is danced barefoot with finger cymbals; the blouse is tied under the bust and the skirt is very tight around the hips, then flares out and has a ruffle at the end.

Gary Peacock (May 12, 1935 – September 4, 2020) was an American jazz double bassist. He recorded a dozen albums under his own name,and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock’s “sound, choice of notes, and, above all, the buoyancy of his playing.” Marilyn Crispell called Peacock a “sensitive musician with a great harmonic sense.”

Peacock was born in Burley, Idaho, on May 12, 1935; his father worked as a business consultant for grocery stores, and his mother was a homemaker. He grew up in Yakima, Washington, where he attended Yakima Senior High School, now called A.C. Davis High School. His earliest musical experiences involved playing piano, trumpet, and drums. When he was 15, he heard live jazz for the first time, attending a Jazz at the Philharmonic concert featuring Oscar Peterson and Ray Brown. Peacock graduated in 1953; while playing for his class, he had a profound experience, stating: “I was playing the drums, and had the experience of being played rather than playing… I realized that something transformative had happened… and there was this certainty. From the bottom of my feet to the top of my head, it was totally clear: ‘Oh, this is the direction to go.

Gerald Foster Wiggins (May 12, 1922 – July 13, 2008) was an American jazz pianist and organist.

Wiggins was born in New York City on May 12, 1922. He studied classical music, but switched to jazz in his teens. Wiggins began as a professional career as a musician accompanying comedian Stepin Fetchit. Wiggins worked with Louis Armstrong and Benny Carter. He was in the military from 1944 to 1946. In the 1940s, he moved to Los Angeles, where he played music for television and film. He also worked with singers like Lena Horne (1950–51), Kay Starr, and Eartha Kitt. In 1960, his best recording as an organist appeared, Wiggin’ Out, known for the quality of its music and fresh, clear sound. He recorded another LP at the organ with saxophonist Teddy Edwards. “In the 1960s he worked as a music director and vocal coach in film studios,” including “a lengthy stint as vocal coach for Marilyn Monroe.” In the 1970s he often collaborated with vocalist Helen Humes.

Claude Hudson “Butch” Trucks (May 11, 1947 – January 24, 2017) was an American drummer. He was best known as a founding member of The Allman Brothers Band. Trucks was born and raised in Jacksonville, Florida. He played in various groups before forming the 31st of February while at Florida State University in the mid 1960s. He joined the Allman Brothers Band in 1969. Their 1971 live release, At Fillmore East, represented an artistic and commercial breakthrough. The group became one of the most popular bands of the era on the strength of their live performances and several successful albums. Though the band broke up and re-formed various times, Trucks remained a constant in their 45-year career. Trucks died of a self-inflicted gunshot wound on January 24, 2017.

Eric Victor Burdon (born 11 May 1941) is an English singer-songwriter and actor. He was previously the vocalist of rhythm and blues and rock band the Animals and funk band War. He is regarded as one of the British Invasion‘s most distinctive singers with his deep, powerful blues-rock voice. He is also known for his aggressive stage performances.

In 2008, he was ranked 57th in Rolling Stone‘s list The 100 Greatest Singers of All Time.

https://www.youtube.com/watch?v=IC6uXVGVnq0

Frederick Roach (May 11, 1931 – October 3, 1980) was an American soul jazz Hammond B3 organist born in The Bronx, New York, United States. Roach made his record debut in 1960 with saxophonist Ike Quebec on the albums Heavy Soul and It Might as Well Be Spring and played with Willis Jackson. From 1962-64 he recorded 5 albums as a leader for the Blue Note Records label and also recorded with Donald Byrd on the album I’m Tryin’ to Get Home. Roach’s original writing, steady basslines, and highly musical fleet-fingered right hand set him apart. From 1966-67 he recorded three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. He left the music business in 1970 and became involved in theater, playwriting and film. Reportedly, he moved to California to the film industry, where he suffered a heart attack and died in 1980.

Carla Bley (born Lovella May Borg; May 11, 1936) is an American jazz composer, pianist, organist and bandleader. An important figure in the free jazz movement of the 1960s, she is perhaps best known for her jazz opera Escalator over the Hill (released as a triple LP set), as well as a book of compositions that have been performed by many other artists, including Gary Burton, Jimmy Giuffre, George Russell, Art Farmer, John Scofield and her ex-husband Paul Bley.

Bley was born in Oakland, California, United States, to Emil Borg (1899–1990), a piano teacher and church choirmaster, who encouraged her to sing and to learn to play the piano, and Arline Anderson (1907–1944), who died when Bley was eight years old. After giving up the church to immerse herself in roller skating at the age of fourteen, she moved to New York at seventeen and became a cigarette girl at Birdland, where she met jazz pianist Paul Bley. She toured with him under the name Karen Borg, before she changed her name in 1957 to Carla Borg and married Paul Bley the same year adopting the Bley name. He encouraged her to start composing. The couple later divorced but she kept his surname professionally.