mick laBriola

John Christopher Williams AO OBE (born 24 April 1941) is an Australian virtuosic classical guitarist renowned for his ensemble playing as well as his interpretation and promotion of the modern classical guitar repertoire. In 1973, he shared a Grammy Award in the Best Chamber Music Performancecategory with fellow guitarist Julian Bream for Together (released in the US as Julian and John (Works by Lawes, Carulli, Albéniz, Granados)).Guitar historian Graham Wade has said that “John is perhaps the most technically accomplished guitarist the world has seen.

https://www.youtube.com/watch?v=B5y-2rUcsoU

Joe Henderson (April 24, 1937 – June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.

Born in Lima, Ohio, United States, Henderson was one of five sisters and nine brothers. He was encouraged by his parents Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them “for being so understanding and tolerant” during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Henderson’s brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano. He was particularly enamored of his brother’s record collection. It seems that a hometown drummer, John Jarette, advised Henderson to listen to musicians like Lester Young, Stan Getz, Dexter Gordon and Charlie Parker. He also liked Flip Phillips, Lee Konitz and the Jazz at the Philharmonic recordings. However, Parker became his greatest inspiration. His first approach to the saxophone was under the tutelage of Herbert Murphy in high school. In this period of time, he wrote several scores for the school band.

John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed “the Little Giant” for his short stature and forceful playing, Griffin’s career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie “Lockjaw” Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.

Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker’s brother.

Alto saxophone was still his instrument of choice when he joined Lionel Hampton‘s big band, three days after his high school graduation, but Hampton encouraged him to take up the tenor, playing alongside Arnett Cobb. He first appeared on a Los Angeles recording with Hampton’s band in 1945 at the age of 17.

Milton Banana (born Antônio de Souza) (23 April 1935 – 22 May 1999) was a bossa nova jazz drummer. A self-taught musician, he is best known for his collaboration with João Gilberto and Stan Getz and for his work with the trio he founded.

Vernice “Bunky” Green (born April 23, 1935) is an American jazz alto saxophonist and educator. Green was raised in Milwaukee, Wisconsin, where he played the alto saxophone, mainly at a local club called “The Brass Rail”.

His first break came when he was hired in New York City by Charles Mingus as a replacement for Jackie McLean in the 1950s. His brief stint with the bass player and composer made a deep impression. Mingus’ sparing use of notation and his belief that there was no such thing as a wrong note had a lasting influence on Green’s own style.

Green moved to Chicago, Illinois, where he performed with players such as Sonny Stitt, Louie Bellson, Andrew Hill, Yusef Lateef, and Ira Sullivan. Originally strongly influenced by Charlie Parker, Green spent a period reassessing his style and studying, emerging with a highly distinctive sound that has deeply influenced a number of younger saxophonists, including Steve Coleman and Greg Osby.

Charles Edward “Cow Cow” Davenport (April 23, 1894 – December 3, 1955) was an American boogie-woogie and piano blues player as well as a vaudeville entertainer. He also played the organ and sang.

Davenport, who also made recordings under the pseudonyms of Bat The Humming Bird, George Hamilton and The Georgia Grinder, is a member of the Alabama Music Hall of Fame.

He was born in Anniston, Alabama, United States, one of eight children. Davenport started to play the piano at age 12. His father objected strongly to his musical aspirations and sent him to a theological seminary, where he was expelled for playing ragtime.

Davenport’s career began in the 1920s when he joined the K.G. Barkoot Traveling Carnival. His initial profile came as accompanist to blues musiciansDora Carr and Ivy Smith. Davenport and Carr performed as a vaudeville act as “Davenport & Co”, and he performed with Smith as the “Chicago Steppers”. He also performed with Tampa Red. Davenport recorded for many record labels, and was a talent scout and artist for Vocalion Records. Davenport suffered a stroke in 1938 and lost movement in his hands. He was washing dishes when he was found by the jazz pianist Art Hodes. Hodes assisted in his rehabilitation and helped him find new recording contracts.

Performing for Friday Shabbat Service at Mt Zion Temple in St Paul. 630pm

Howard Pyle Wyeth (April 22, 1944 – March 27, 1996), also known as Howie Wyeth, was an American drummer and pianist. Wyeth is remembered for work with the saxophonist James Moody, the rockabilly singer Robert Gordon, the electric guitarist Link Wray, the rhythm and blues singer Don Covay, and the folk singer Christine Lavin. Best known as a drummer for Bob Dylan, he was a member of the Wyeth family of American artists.

Wyeth was born in Jersey City, New Jersey. His mother Caroline Pyle, Howard Pyle’s niece, was interested in the Wyeth family, flirted with some of them, and married Nathaniel C. Wyeth. He had four brothers, John, David, N. Convers, and Andrew, and one sister, Melinda who died very young. A fifth brother (the oldest), Newell died with his grandfather in 1945 when their car stalled on a railroad crossing near their home and they were struck by a milk train. Wyeth married once, to Rona Morrow, and later divorced. Catherine Wheeler was his partner for seventeen years, from his mid-thirties on.

Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the extent of his work in this short period, but also by his impeccable timekeeping and virtuosic improvisations. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis‘s “first great quintet” (1955–63) and with pianist Wynton Kelly (1963–68).

Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. “I got along pretty well, but it’s quite a job to carry it around in those long parades, and I didn’t like the instrument that much”.

Joe Cuba (April 22, 1931 – February 15, 2009), was an American conga drummer of Puerto Rican descent widely regarded as the “Father of Latin Boogaloo“.

Joe Cuba (birth name: Gilberto Miguel Calderón) was born in Harlem, New York, United States. Cuba’s parents moved from Puerto Rico to New York City in the late 1920s, and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building, where his father had become the owner of a candy store, located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band.

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz double bassist, pianist, composer, and bandleader. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,^[1] with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock.

Mingus’s compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus’s collected papers—including scores, sound recordings, correspondence and photos—in what they described as “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”.

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus Junior was largely raised in the Watts area of Los Angeles. His maternal grandfather was a Chinese British subject from Hong Kong, and his maternal grandmother was an African-American from the southern United States. Mingus was the great-great-great-grandson of the family’s founding patriarch who was, by most accounts, a German immigrant. His ancestry included German American, African American, and Native American.