mick laBriola

Alfred James Ellis (April 21, 1941 – September 23, 2021), known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown‘s band in the 1960s, appearing on many of Brown’s recordings and co-writing hits like “Cold Sweat” and “Say It Loud – I’m Black and I’m Proud“. He also worked with Van Morrison.

In the 2014 biographical movie Get on Up about James Brown, Ellis is played by Tariq Trotter. Ellis resided in England for the last 30 years of his life.

Ellis was born on April 21, 1941 in Bradenton, Florida to his mother Elizabeth and his father Garfield Devoe Rogers, Jr. His father left when he was a young boy, and In 1949, his mother married Ezell Ellis, an organizer of musicians for local dance bands.^[2] The family settled in Lubbock, Texas, “a highly segregated town”, according to Ellis who gained his nickname “Pee Wee” from musicians staying at the family home. In 1955, a white woman insisted on dancing with his step-father, but interracial mixing enraged a man watching who stabbed him. Ezell Ellis, an African American, died because a hospital refused to treat him based on the colour of his skin.

Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton’s main instrument was slide trombone, but he also occasionally played tuba and flugelhorn.

Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke “Deacon” Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way.

At the age of 12, Slide played in his family’s Indianapolis jazz band, The Duke Hampton Band. By 1952, at the age of 20, he was performing at Carnegie Hall with the Lionel Hampton Band. He played with the Buddy Johnson‘s R&B band from 1955 to 1956, then became a member of Maynard Ferguson‘s band (1957–1959), where he played and arranged, providing excitement on such popular tunes as “The Fugue,” “Three Little Foxes” and “Slides Derangement.” In 1958, he recorded with trombone masters on the classic release of Melba Liston, Melba Liston and Her ‘Bones. As his reputation grew, he soon began working with bands led by Art Blakey, Tadd Dameron, Barry Harris, Thad Jones, Mel Lewis, and Max Roach.

James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician.

He produced film and TV scores in the 1970s, such as the Billy Jack soundtrack and music for Starsky and Hutch, and worked with André Previn‘s Trio in the 1990s.

The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Mississippi, near Laurel. He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. When he was thirteen, he began running away from home to play in bands. Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the Grand Ole Opry radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II.

At basic training, he became friends with John Hammond, who organized weekend jam sessions. He performed in an Army dance band while in Guadalcanal. After his discharge, he called Hammond, looking for work, and Hammond sent him to Ray McKinley.^[1] He spent two years with McKinley’s big band in New York City. He joined the Benny Goodman orchestra, then worked intermittently for the next few years at Café Societyand other clubs in New York.

In 1950, he was hired by NBC as a staff musician. He and Ed Shaughnessy were members of the Today Show band for over ten years. Lowe acted in an episode of the Armstrong Circle Theatre television show that included Walter Matthau and live music by Doc Severinsen.

Joe Bonner (April 20, 1948 – November 20, 2014) was a hard bop and modal jazz pianist, influenced by McCoy Tyner and Art Tatum.

He was born in Rocky Mount, North Carolina and studied at Virginia State College, but indicated that he learned more about music from musicians he worked with. In the seventies he played with Roy Haynes, Freddie Hubbard, Woody Shaw and Billy Harper, among others.

He died of heart disease in Denver at the age of 66.

Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions that endured over a 50-year career. His most famous song is “Oye Como Va“.

He and his music appear in many films such as The Mambo Kings and Fernando Trueba‘s Calle 54. He guest-starred on several television shows, including Sesame Street and The Simpsons two-part episode “Who Shot Mr. Burns?“.

Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, stateside Puerto Ricans residing in New York City’s Spanish Harlem area. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente’s father was the foreman at a razorblade factory. Tito’s racial identity was very important to him and he maintained a heavy accent until his death despite being born in the United States.

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996.

Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.

The featured emission nebula, shown in scientifically assigned colors, is cataloged as IC 2944 but known as the Running Chicken Nebula for the shape of its greater appearance. Seen toward the bottom of the image are small, dark molecular clouds rich in obscuring cosmic dust. Called Thackeray’s Globules for their discoverer, these “eggs” are potential sites for the gravitational condensation of new stars, although their fates are uncertain as they are also being rapidly eroded away by the intense radiation from nearby young stars. Together with patchy glowing gas and complex regions of reflecting dust, these massive and energetic stars form the open cluster Collinder 249. This gorgeous skyscape spans about 60 light-years at the nebula’s estimated 6,500 light-year distance.

George Bernard Worrell, Jr. (April 19, 1944 – June 24, 2016) was an American keyboardist and record producer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by Jon Pareles of The New York Times as “the kind of sideman who is as influential as some bandleaders.”

Worrell was born in Long Branch, New Jersey, and grew up in Plainfield, New Jersey, where his family moved when he was eight.^[1] A musical prodigy, he began formal piano lessons by age three and wrote a concerto at age eight. He went on to study at the Juilliard School and received a degree from the New England Conservatory of Music in 1967. As a college student, Worrell played with a group called Chubby & The Turnpikes; this ensemble eventually evolved into Tavares.

Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, composer and musician. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy, and with a member of that team, Peter Cook, collaborated on the BBC television series Not Only… But Also. As a popular double act, Moore’s buffoonery contrasted with Cook’s deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance. They worked together on other projects until the mid 1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.

His career as a comedy film actor was marked by hit films, particularly Bedazzled (1967), set in Swinging Sixties London (in which he co-starred with Cook) and Hollywood productions Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984).

Richard Cully was born on April 19th, 1949 in Manhattan, New York.  He began his musical career at the age of 16 studying with James Rago,  Julliard graduate in percussion, presently the timpanist with the Louisville Symphony Orchestra and Professor of Percussion at the University of Louisville. While still in high school, he formed a very popular quartet, (The Charades).  He attended the prestigious Berklee College of Music in Boston, studying with Alan Dawson and continued his studies with former ìTonight Showî drummer Ed Shaughnessy. His early career included performing a variety of musical styles: pop, rock, disco, jazz and country.   In 1982, he formed the DICK CULLY BIG BAND, a high energy, exciting unit performing a wide variety of arrangements for all age groups.  In 1984, he became an artist/endorser for the world famous Slingerland Drum Company and was recognized as a ìWorld Class Drummerî by the Pro-Mark Corporation of Houston, Texas, the worldís largest manufacturer of drumsticks.

He has worked with numerous celebrities including: Toni Tennille, Sandy Duncan, Florence Henderson, Frank Gorshin, Ray Anthony, Buddy Morrow, Skitch Henderson, Patti Page, Nanette Fabray, band leader Les Elgart, noted big band singer Connie Haines, pop star Bobby Rydell, TV personality Dennis James and comedians Foster Brooks and George Kirby.  In 1989, the Dick Cully Big Band was chosen as ìOne of the best bands in the nationî by Down Beat magazine, the undisputed musical authority, and has been featured numerous times on the Black Entertainment Networkís ìJazz Discoveryî television program.

Mr. Cully’s legion of fans include numerous great drummers such as; Joe Morello, Louie Bellson, Vic Firth, Anton Fig, Butch Miles, Roy Burns, Dennis Chambers, Ellis Tollin, Stanley Kaye, Dom Famularo, Herb Brochstein, Al Miller,  Joe Ascione, Kenny Loomer, Jim Chapin, Donny Osborne Jr., Ronnie Benedict, Harry Cangany Jr.,  Dave Mancini and Ed Shaughnessy. Percussion manufacturers including; Stingray, Zildjian, Remo Percussion Products, Vic Firth Drumsticks as well as the National Drum Association and the International Buddy Rich Fan Club have applauded his talent. Mr. Cully is a recognized teacher and clinician and the author of  Instructional Drum Videos “THE WORKOUT” and ìSecrets of the Worldís Greatest Drummerî and “More Secrets of the World’s Greatest Drummer”, which are in-depth analysis of the late Buddy Rich on VHS and are available for