mick laBriola

John Paul Pizzarelli Jr. (born April 6, 1960, in Paterson, New Jersey) is an American jazz guitarist and vocalist. He has recorded over twenty solo albums and has appeared on more than forty albums by other recording artists, including Paul McCartney, James Taylor, Rosemary Clooney; his father, jazz guitarist Bucky Pizzarelli; and his wife, singer Jessica Molaskey.

The son of swing guitarist Bucky Pizzarelli, John Pizzarelli was born in Paterson, New Jersey. He started on guitar when he was six and played trumpet through his college years. He attended Don Bosco Preparatory High School, an all-boys Catholic school. In his teens, he performed with Benny Goodman, Les Paul, Zoot Sims, Slam Stewart, and Clark Terry.

Pizzarelli attended the University of Tampa and William Paterson University, though he has said that his most important teacher was his father from 1980 to 1990. During the 1980s, he established himself as a jazz guitarist and a vocalist. He released his debut solo album, I’m Hip (Please Don’t Tell My Father), in 1983.

Randolph Edward “Randy” Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection.

Weston’s piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines. Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston.

Described as “America’s African Musical Ambassador”, Weston once said: “What I do I do because it’s about teaching and informing everyone about our most natural cultural phenomenon. It’s really about Africa and her music.”

Randolph Edward Weston was born on April 6, 1926, to Vivian (née Moore) and Frank Weston and was raised in Brooklyn, New York, where his father owned a restaurant. His mother was from Virginia and his father was of Jamaican–Panamanian descent, a staunch Garveyite, who passed self-reliant values to his son. Weston studied classical piano as a child and took dance lessons. He graduated from Boys High School in Bedford-Stuyvesant, where he had been sent by his father because of the school’s reputation for high standards. Weston took piano lessons from someone known as Professor Atwell who, unlike his former piano teacher Mrs Lucy Chapman, allowed him to play songs outside the classical music repertoire.

Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.

Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk‘s quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk.

Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital in Seattle at the age of 64.

Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who “helped define the sound of modern jazz drumming”.

As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor’s Wailers. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957.

https://www.youtube.com/watch?v=1P_5xohzDFU

Walter Horton (April 6, 1921 – December 8, 1981), known as Big Walter (Horton) or Walter “Shakey” Horton, was an American blues harmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the history of blues. Willie Dixon once called Horton “the best harmonica player I ever heard.”

Robert Palmer named him as “one of the three great harmonica soloists of modern blues”, with the two others being cited as Little Walter and Sonny Boy Williamson II. Also known as “Mumbles”, “Shakey”, along with “Tangle Eye” and “Shakey Head” (because of his head motion while playing the harmonica, along with him suffering from nystagmus), Horton was known for his unique tongue-blocking techniques and tone.

Horton was born in Horn Lake, Mississippi. He claimed to be born in 1917, but his birth date is often cited as April 6, 1918. Various sources give the year as 1917 or 1921, although it is most likely he was born in 1921. He was playing the harmonica by the time he was five years old^[5][9] when his father gave him a harmonica as a gift. Horton dropped out of school at the age of seven.

The vortex was really an aurora, and since auroras are created by particles striking the Earth from space, they do not create a vacuum. This rapidly developing auroral display was caused by a Coronal Mass Ejection from the Sun that passed by the Earth closely enough to cause a ripple in Earth’s magnetosphere. The upper red parts of the aurora occur over 250 kilometers high with its red glow created by atmospheric atomic oxygen directly energized by incoming particles. The lower green parts of the aurora occur over 100 kilometers high with its green glow created by atmospheric atomic oxygen energized indirectly by collisions with first-energized molecular nitrogen. Below 100 kilometers, there is little atomic oxygen, which is why auroras end abruptly. The concentric cylinders depict a dramatic auroral corona as seen from the side. The featured image was created from a single 3-second exposure taken in mid-March over Lake Myvatn in Iceland.

Adolph Stanley Levey known professionally as Stan Levey (April 5, 1926 – April 19, 2005) was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had stint with bandleader Stan Kenton. Levey retired from music in the 1970s to work as a photographer.

He was born in Philadelphia, Pennsylvania, United States, Levey is considered one of the earliest bebop drummers, and one of the very few white drummers involved in the formative years of bebop. He played in Philadelphia with Dizzy Gillespie‘s group in 1942, at the age of 16. Soon after, he went to New York City, where he and Gillespie worked on 52nd Street with Charlie Parker and Oscar Pettiford. 

https://www.youtube.com/watch?v=ym4y9Y0E4QI

Billy Bland (April 5, 1932, Wilmington, North Carolina – March 22, 2017, New York City) was an American R&B singer and songwriter.

Bland, the youngest of 19 children, first sang professionally in 1947 in New York City, and sang with a group called The Bees in the 1950s on New Orleans‘s Imperial Records. In 1954, “Toy Bell” by the group caused some unrest by veering into the dirty blues genre. Dave Bartholomew brought them to New Orleans, where they recorded a song he had written and recorded twice before: firstly in 1952 for King Records as “My Ding-a-Ling,” and later that year for Imperial as “Little Girl Sing Ting-A-Ling.” Bland later pursued a solo career.

In 1960, Bland heard Titus Turner recording the song “Let the Little Girl Dance” in the studio, and demonstrated for Turner how to sing it (along with guitarist Mickey Baker and other session musicians). The event was recorded by record producer Henry Glover, and was eventually released as a single. The tune was a hit in the US, peaking at number 11 on the US Billboard R&B chart. and number 7 on the Billboard Hot 100. Bland had two other minor hits that year, “Harmony” (U.S. Hot 100 number 91) and “You Were Born to Be Loved” (U.S. Hot 100 number 94). He recorded until 1963 for Old Town, and then quit the music industry. In the 1980s, he ran a soul food restaurant in Harlem. Bland died on March 22, 2017, at age 84.

Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as “the father of South African jazz“. Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as “Soweto Blues” and “Bring Him Back Home“. He also had a number-one US pop hit in 1968 with his version of “Grazing in the Grass“.

Hugh Ramapolo Masekela was born in the township of KwaGuqa in Witbank (now called Emalahleni), South Africa, to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His younger sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film Young Man with a Horn (in which Kirk Douglas plays a character modelled on American jazz cornetist Bix Beiderbecke), Masekela took up playing the trumpet. His first trumpet was bought for him from a local music store by Archbishop Trevor Huddleston, the anti-apartheid chaplain at St. Peter’s Secondary School now known as St. Martin’s School (Rosettenville)