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The lazily winding spiral arms of the galaxy NGC 5921 snake across this image from the NASA/ESA Hubble Space Telescope. This galaxy lies approximately 80 million light-years from Earth, and much like our own galaxy, the Milky Way, contains a prominent bar. Roughly half of all spiral galaxies are thought to contain bars, and these bars affect their parent galaxies by fuelling star formation and affecting the motion of stars and interstellar gas. Appropriately, given NGC 5921’s serpentine spiral arms, this galaxy resides in the constellation Serpens in the northern celestial hemisphere. Serpens is the only one of the 88 modern constellations to consist of two unconnected regions — Serpens Caput and Serpens Cauda. These two regions — whose names mean the Serpent’s Head and the Serpent’s Tail, respectively — are separated by Ophiuchus, the Serpent Bearer. The scientific study behind this image was also split into two parts — observations from Hubble’s Wide Field Camera 3 and observations from the ground-based Gemini Observatory. These two observatories joined forces to better understand the relationship between galaxies like NGC 5921 and the supermassive black holes they contain. Hubble’s contribution to the study was to determine the masses of stars in the galaxies and also to take measurements that help calibrate the observations from Gemini. Together, the Hubble and Gemini observations provided astronomers with a census of nearby supermassive black holes in a diverse variety of galaxies.
more...Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as “the father of South African jazz“. Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as “Soweto Blues” and “Bring Him Back Home“. He also had a number-one US pop hit in 1968 with his version of “Grazing in the Grass“.
Hugh Ramapolo Masekela was born in the township of KwaGuqa in Witbank (now called Emalahleni), South Africa, to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His younger sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film Young Man with a Horn (in which Kirk Douglas plays a character modelled on American jazz cornetist Bix Beiderbecke), Masekela took up playing the trumpet. His first trumpet was bought for him from a local music store by Archbishop Trevor Huddleston, the anti-apartheid chaplain at St. Peter’s Secondary School now known as St. Martin’s School (Rosettenville)
more...Alfredo “Chocolate” Armenteros (4 April 1928 – 6 January 2016) was a Cuban trumpeter. He played with artists such as Arsenio Rodríguez, Generoso Jiménez, Chico O’Farrill, Orchestra Harlow, Eddie Palmieri, Cachao and Sonora Matancera. Due to his characteristic approach to Afro-Cuban trumpet playing as well as his extensive recording career, several monographs have been written on his music.
Armenteros was born on April 4, 1928, in Santa Clara, Las Villas Province, Cuba. He first began playing in a band led by the sonero/composer René Álvarez called Conjunto Los Astros and soon after with Arsenio Rodríguez. The nickname “Chocolate” was bestowed on him owing to a case of mistaken identity, when someone took him for Kid Chocolate, the champion boxer. After the Cuban Revolution, Armenteros moved to New York, where he lived until his death.
Armenteros went on to play with José Fajardo, Beny Moré, Tito Puente, César Concepción, Machito, Wynton Marsalis, Eddie Palmieri, Marcelino Guerra, Charlie Palmieri, John Santos, Israel “Cachao” López, Noro Morales, Johnny Pacheco, and many others. He was a member of La Sonora Matancera from 1977 to 1980. He died of prostate cancer on 6 January 2016.
more...McKinley Morganfield (April 4, 1913 – April 30, 1983), known professionally as Muddy Waters, was an American blues singer-songwriter and musician who was an important figure in the post-war blues scene, and is often cited as the “father of modern Chicago blues“. His style of playing has been described as “raining down Delta beatitude“.
Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professional musician. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano—recorded several blues classics, some with the bassist and songwriter Willie Dixon. These songs included “Hoochie Coochie Man,” “I Just Want to Make Love to You” and “I’m Ready“. In 1958, he traveled to England, laying the foundations of the resurgence of interest in the blues there. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960.
Muddy Waters’ music has influenced various American music genres, including rock and roll and rock music.
Muddy Waters’s place and date of birth are not conclusively known. He stated that he was born in Rolling Fork, Mississippi, in 1915, but other evidence suggests that he was born in Jug’s Corner, in neighboring Issaquena County, in 1913. In the 1930s and 1940s, before his rise to fame, the year of his birth was reported as 1913 on his marriage license, recording notes, and musicians’ union card. A 1955 interview in the Chicago Defender is the earliest in which he stated 1915 as the year of his birth, and he continued to say this in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid-1940s, lists him as being born April 4, 1913. His gravestone gives his birth year as 1915.
more...ASEFA (Hebrew for gathering) is led by ethnomusicologist and multi-instrumentalist Samuel Torjman Thomas. The ensemble traverses several Mediterranean musical traditions, drawing upon a rich intercultural mix of Hebraic and Islamic traditions from North Africa and the Middle East while delving into Andalusian and Maqam-based musical dialects. Songs are performed in Hebrew, Arabic, Spanish, and Ladino. Dr. Torjman Thomas performs on oud, vocals, nay, and bendir, accompanied by violinist Jeremy Brown and hand percussionist Mick LaBriola.
Samuel R. Torjman Thomas, Ph.D. is a multi-instrumentalist (saxophone, oud, vocals, nay, clarinet, percussion), composer, bandleader, and a professor of ethnomusicology, Sephardic (Jewish) studies, and interdisciplinary studies. As an artist-scholar, his work centers on musics of the Middle East and North Africa, worldwide Jewish musical traditions, jazz traditions, improvisation, and composition. Dr. Torjman Thomas is bandleader of ASEFA, ASEFA-Jazz, and Traveling in Pairs, as well as artistic director of the New York Andalus Ensemble – a multiethnic large ensemble featuring a choir and instrumentalists performing traditional musics of North Africa and Spain, in Hebrew, Arabic, and Spanish. Dr. Samuel Torjman Thomas is also a faculty member in both the ALEPH and Academy of Jewish Religion Cantorial Programs, as well as Director of Musical Arts at Brooklyn’s Sephardic Community Center (JCC). He is a frequent guest speaker, ḥazzan, and facilitator in ecumenical spaces, cultural institutions, and music and spiritual retreats worldwide.
Face coverings encouraged.
Sponsors:
- Chapel Arts Series at the University of St. Thomas
- Jay Phillips Center for Interreligious Studies at the University of St. Thomas
- Rimon: The Minnesota Jewish Arts Council
- Center for Jewish Studies at the University of Minnesota (Twin Cities)
Contact
Email: [email protected]
The Black Eye Galaxy (also called Sleeping Beauty Galaxy or Evil Eye Galaxy and designated Messier 64, M64, or NGC 4826) is a relatively isolated spiral galaxy 17 million light-years away in the mildly northern constellation of Coma Berenices. It was discovered by Edward Pigott in March 1779, and independently by Johann Elert Bode in April of the same year, as well as by Charles Messier the next year. A dark band of absorbing dust partially in front of its bright nucleus gave rise to its nicknames of the “Black Eye”, “Evil Eye”, or “Sleeping Beauty” galaxy. M64 is well known among amateur astronomers due to its form in small telescopes and visibility across inhabited latitudes.
This galaxy is inclined 60° to the line-of-sight and has a position angle of 112°. At the distance of this galaxy, it has a linear scale of 65 ly (20 pc) per arcsecond. The morphological classification in the De Vaucouleurs system is (R)SA(rs)ab, where the ‘(R)’ indicates an outer ring-like structure, ‘SA’ denotes a non-barred spiral, ‘(rs)’ means a transitional inner ring/spiral structure, and ‘ab’ says the spiral arms are fairly tightly wound. Ann et al. (2015) gave it a class of SABa, suggesting a weakly barred spiral galaxy with tightly wound arms.
M64 is a type 2 Seyfert galaxy with an HII/LINER nucleus. The central region is a weak source of radio emission. A soft X-ray source has been detected at the nucleus, which is most likely coming from the circumnuclear region rather than directly from an active galactic nucleus.There is an inner disk of molecular gas that is truncated at a radius of 2,300 ly (700 pc). At present, the non-rotational motions of this disk do not significantly feed the core, but the disk does produce a vigorous rate of star formation, with also approximately 100 billion stars inside the galaxy. There is also evidence of a recent large inflow of mass.
more...James Harrell McGriff (April 3, 1936 – May 24, 2008) was an American hard bop and soul-jazz organist and organ trio bandleader.
Born in Germantown, Pennsylvania, United States, McGriff started playing piano at the age of five and by his teens had also learned to play vibes, alto sax, drums and upright bass. He played bass in his first group, a piano trio. When he joined the United States Army, McGriff served as a military policeman during the Korean War. He later became a police officer in Philadelphia for two years.
Music kept drawing McGriff’s attention away from the police force. His childhood friend, organist Jimmy Smith, had begun earning a substantial reputation in jazz for his Blue Note albums (the two played together once in 1967) and McGriff became entranced by the organ sound while Richard “Groove” Holmes played at his sister’s wedding. Holmes went on to become McGriff’s teacher and friend and they recorded together on two occasions in 1973 for two Groove Merchant records.
McGriff bought his first Hammond B-3 organ in 1956, spent six months learning the instrument, then studied at New York’s Juilliard School. He also studied privately with Milt Buckner, Jimmy Smith, and Sonny Gatewood. He was influenced by the energy and dynamics of organist Buckner and the diplomatic aplomb of Count Basie, and by local organists such as Howard “The Demon” Whaley and Austin Mitchell.
more...Rocco Scott LaFaro (April 3, 1936 – July 6, 1961) was an American jazz double bassist known for his work with the Bill Evans Trio. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine’s top 100 bass players of all time.
Born in Newark, New Jersey, United States, the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. After three months at Ithaca College, he concentrated on bass. He played in groups at the College Spa and Joe’s Restaurant on State Street in downtown Ithaca.
more...James Wesley “Bubber” Miley (April 3, 1903 – May 20, 1932) was an American early jazz trumpet and cornet player, specializing in the use of the plunger mute.
Miley was born in Aiken, South Carolina, United States, into a musical family. At the age of six, he and his family moved to New York City where, as a child, he occasionally sang for money on the streets, and later, at the age of 14, studied to play the trombone and cornet.
In 1920, after having served in the Navy for 18 months, he joined a jazz formation named the Carolina Five, and remained a member for the next three years, playing small clubs and boat rides all around New York City. After leaving the band at the age of 19, Miley briefly toured the Southern States with a show titled The Sunny South, and then joined Mamie Smith‘s Jazz Hounds, replacing trumpeter Johnny Dunn. They regularly performed in clubs around New York City and Chicago. While touring in Chicago, he heard King Oliver‘s Creole Jazz Band playing and was captivated by Oliver’s use of mutes. Soon Miley found his own voice by combining the straight and plunger mute with a growling sound. Miley’s alcoholism terminally affected his life. On May 20, 1932, at the age of 29, he died of tuberculosis, on Welfare Island, now Roosevelt Island, in New York City. Miley lived just a little longer than his contemporary, jazz cornetist Bix Beiderbecke, whose life was also cut short due to alcohol abuse.
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NGC 1232 is an intermediate spiral galaxy about 60 million light-years away in the constellation Eridanus. It was discovered by German-British astronomer William Herschel on 20 October 1784.
It is dominated by millions of bright stars and dark dust, in spiral arms rotating about the center. Open clusters containing bright blue stars are sprinkled along these spiral arms, with dark lanes of dense interstellar dust between. Less visible are dimmer stars and interstellar gas, comprising such a high mass that they dominate the dynamics of the inner galaxy. Not visible is matter of unknown form called dark matter, needed to explain the motions of the visible material in the outer galaxy. The galaxy is approximately 200,000 light-years across, in between the sizes of the Andromeda Galaxy and our home galaxy, the Milky Way.
NGC 1232 and its satellite are part of the Eridanus cluster of galaxies, along with NGC 1300.
more...Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016 Lawton, OK) was an American musician and songwriter who was involved with numerous bestselling records during his 60-year career that spanned multiple genres, including rock and roll, country, gospel, bluegrass, rhythm and blues, southern rock, blues rock, folk, surf and Tulsa Sound.
He collaborated with many notable artists and recorded at least 31 albums and 430 songs. He wrote “Delta Lady”, recorded by Joe Cocker, and organized and performed with Cocker’s Mad Dogs & Englishmen tour in 1970. His “A Song for You“, which was named to the Grammy Hall of Fame in 2018, has been recorded by more than 200 artists, and his song “This Masquerade” by more than 75.
As a pianist, he played in his early years on albums by the Beach Boys, Dick Dale, and Jan and Dean. On his first album, Leon Russell, in 1970, the musicians included Eric Clapton, Ringo Starr, and George Harrison. One of his early fans, Elton John said that Russell was a “mentor” and an “inspiration”. They recorded their album The Union in 2010, earning them a Grammy nomination.
Russell produced and played in recording sessions for Bob Dylan, Frank Sinatra, Ike & Tina Turner, the Rolling Stones, and many other artists. He wrote and recorded the hits “Tight Rope” and “Lady Blue“. He performed at The Concert for Bangladesh in 1971, along with Harrison, Dylan, and Clapton for which he earned a Grammy Award.
His recordings earned six gold records. He received two Grammy Awards from seven nominations. In 2011, he was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.
more...Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984) was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames “Prince of Motown” and “Prince of Soul”.
Gaye’s Motown songs include “Ain’t That Peculiar“, “How Sweet It Is (To Be Loved By You)“, and “I Heard It Through the Grapevine“. Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums What’s Going On and Let’s Get It On and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. He was a tax exile in Europe in the early 1980s; he released “Sexual Healing” in 1982, which won him his first two Grammy Awards on the album Midnight Love. Gaye’s last televised appearances were at the 1983 NBA All-Star Game, where he sang “The Star-Spangled Banner“; Motown 25: Yesterday, Today, Forever; and Soul Train.
On April 1, 1984, the eve of his 45th birthday, Gaye was shot and mortally wounded by his father, Marvin Gay Sr., at their house in Hancock Park, Los Angeles, after an argument. Gay Sr. later pleaded no contest to voluntary manslaughter, and received a six-year suspended sentence and five years of probation.
Many institutions have posthumously bestowed Gaye with awards and other honors including the Grammy Lifetime Achievement Award, and inductions into the Rhythm and Blues Music Hall of Fame, the Songwriters Hall of Fame, and the Rock and Roll Hall of Fame. Gaye intervened in a fight between his parents on the afternoon of April 1, 1984, in the family house in the Hancock Park district of Los Angeles, and he became involved in a physical altercation with his father, Marvin Gay Sr. who shot Gaye twice, once in the chest, piercing his heart, and then into Gaye’s shoulder. The shooting took place in Gaye’s bedroom at 12:38 p.m. The first shot proved fatal. Gaye was pronounced dead at 1:01 p.m. after his body arrived at California Hospital Medical Center, one day short of his 45th birthday.
more...Larry Coryell (born Lorenz Albert Van DeLinder III; April 2, 1943 – February 19, 2017) was an American jazz guitarist.
Larry Coryell was born in Galveston, Texas, United States. He never knew his biological father, a musician. He was raised by his stepfather Gene, a chemical engineer, and his mother Cora, who encouraged him to learn piano when he was four years old.
In his teens he switched to guitar. After his family moved to Richland, Washington, he took lessons from a teacher who lent him albums by Les Paul, Johnny Smith, Barney Kessel, and Tal Farlow. When asked what jazz guitar albums influenced him, Coryell cited On View at the Five Spot Cafe by Kenny Burrell, Red Norvo with Strings, and The Incredible Jazz Guitar of Wes Montgomery. He liked blues and pop music and tried to play jazz when he was eighteen. He said that hearing Wes Montgomery changed his life.
Coryell graduated from Richland High School, where he played in local bands the Jailers, the Rumblers, the Royals, and the Flames. He also played with the Checkers from Yakima. He then moved to Seattle to attend the University of Washington.
more...Booker Little Jr. (April 2, 1938 – October 5, 1961) was an American jazz trumpeter and composer. He appeared on many recordings in his short career, both as a sideman and as a leader. Little performed with Max Roach, John Coltrane, and Eric Dolphy and was strongly influenced by Sonny Rollins and Clifford Brown. He died aged 23.
Booker Little Jr. was born in Memphis, Tennessee to Booker, a Pullman porter who was a trombonist, and his wife Ophelia Little, who was a church organist. He also was the brother of Helena, Vivian, and Vera Little (Vera later sung with the London Opera Company). From a musically inclined family, Little naturally gravitated towards music. Like his father, he attempted to learn the trombone but instead choose clarinet at the age of 12. At 14, he finally settled on trumpet as his band director urged him play that instrument. In 1952, Little attended Manassas High School where he would begin his development on trumpet and later graduate. Being in Memphis, Little was able to develop his talent with contemporaries such as Phineas Newborn Jr., George Coleman, Frank Strozier, and his cousin Louis Smith. He was performing with Newborn on a casual basis by his mid-teens.
After graduating, he moved to Chicago, Illinois to continue his studies at the Chicago Conservatory in 1954. At the conservatory, he continued to study trumpet but also incorporated studies in composition, theory, and orchestration with a minor in piano. He would later on graduate with a bachelors degree in his main instrument. As a sophomore, Little met Sonny Rollins. For about nine months, they both stayed at the YMCA where Rollins would influence Little greatly by encouraging him to find his own sound versus mimicking other musicians. After years of physical pain, Little died of complications resulting from uremia on October 5, 1961, in New York City at the age 23. He was survived by his wife, two sons Booker T. III and Larry Cornelius, and two daughters Cornelia and Ana Dorsey.
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