mick laBriola

Donald McLean III (born October 2, 1945) is an American singer-songwriter and guitarist, known to fans as the “American Troubadour” or “King of the Trail”. He is best known for his 1971 hit “American Pie“, an eight-and-a-half-minute folk rock song that has been referred to as a “cultural touchstone”. His other hit singles include “Vincent“, “Dreidel”, “Castles in the Air“, and “Wonderful Baby“, as well as renditions of Roy Orbison‘s “Crying” and the Skyliners‘ “Since I Don’t Have You“.

McLean’s song “And I Love You So” has been recorded by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others. In 2000, Madonna had a hit with a rendition of “American Pie”.

In 2004, McLean was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that “American Pie” had reached five million airplays and “Vincent” three million.

Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.

Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 — a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett, who commented to Roberts’ father that Roberts, at the age of 15, “… has his own style of playing and there’s nothing else I can show him. He plays better than I do.” By the time he was 15, he was playing professionally locally, predominantly blues-based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in The Independent Newsletter by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player. At the time Roberts and his close friend and roommate, guitarist Howard Heitmeyer, would start their day by practicing 3 or 4 hours, catch an afternoon movie, returning to practice until they went to the clubs in the evening.

When Roberts reached the age of 17 he was involved with a class that was begun by Joseph Schillinger, a composer/theorist. Fabian Andre had been commissioned to teach the class. Some of the students who had taken the class included George Gershwin, Tommy Dorsey, Benny Goodman and Oscar Levant. Schillinger applied mathematical principles to art which appealed to Roberts. To be able to take the course he made a deal with Andre; he’d sweep the floors after class to help defray the cost of his tuition. By the late ‘40s Roberts was playing with one of his boyhood friends, Pete Jolly – a well known jazz pianist – and they toured Washington and Idaho in early 1950.

Ellen McIlwaine (October 1, 1945 – June 23, 2021) was an American-born singer-songwriter and musician best known for her career as a solo singer, songwriter and slide guitarist.

Born in Nashville, Tennessee, United States, McIlwaine was adopted by missionaries and raised in Kobe, Japan, giving her exposure to multiple languages and cultures. She attended the Canadian Academyschool in Kobe, graduating in 1963. Her first experience in music was playing on piano Ray Charles, Fats Domino and Professor Longhair songs that she heard on Japanese radio. On moving back to the United States she bought a guitar, beginning a stage career in Atlanta, Georgia in the mid-1960s.

In 1966, McIlwaine had a stint in New York City’s Greenwich Village where she opened every night at the Cafe Au Go Go, playing with Jimi Hendrix, and opening for Muddy Waters, Sonny Terry and Brownie McGhee, and Big Joe Williams. She returned to Atlanta to form the band Fear Itself, a psychedelic blues rock band.

Curtis Lundy (born October 1, 1955) is an American double bass player, composer, producer, choir director and arranger. Lundy is best known for his work as part of jazz vocalist Betty Carter‘s band. He is the brother of vocalist Carmen Lundy, with whom he has also recorded.

David Holland (born 1 October 1946) is an English double bassist, bass guitarist, cellist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.

His extensive discography ranges from solo performances to pieces for big band. Holland runs his own independent record label, Dare2, which he launched in 2005. After moving to London in 1964, Holland played double bass in small venues and studied with James Edward Merrett, principal bassist of the Philharmonia Orchestra and, later, the BBC Symphony Orchestra. Merrett trained him to sight read and then recommended he apply to the Guildhall School of Music and Drama. Holland received a full-time scholarship for the three-year programme. At 20, Holland was keeping a busy schedule in school, studios and Ronnie Scott’s Jazz Club, London’s premier jazz club, where he often played in bands that supported such touring American jazz saxophonists as Coleman Hawkins, Ben Webster and Joe Henderson. He also linked up with other British jazz musicians, including guitarist John McLaughlin, saxophonists Evan Parker and John Surman, South Africa-born London-based pianist Chris McGregor, and drummer John Stevens, and performed on the Spontaneous Music Ensemble’s 1968 album Karyobin. He also began a working relationship with Canada-born, England-based trumpeter Kenny Wheeler that continued until Wheeler’s death in 2014.

Albert Gene Collins (October 1, 1932 – November 24, 1993 Leona, TX) was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title “The Master of the Telecaster”.

At 18, Collins started his own group, the Rhythm Rockers, in which he honed his craft. During this time he was employed for four years at a ranch in Normangee, Texas; he then worked as a truck driver for various companies for 12 years.

Collins played an Epiphone guitar during his first two years with the Rhythm Rockers, but in 1952, after seeing Clarence “Gatemouth” Brown playing a Fender Esquire, he decided to purchase a Fender. He wanted a Telecaster, but because of the cost he chose to buy an Esquire, which he took to the Parker Music Company in Houston to be fitted with a Telecaster neck pickup. This was his main guitar until he moved to California, and it was the guitar that he used on his earliest recordings, including his signature song, “Frosty”. For the rest of his career he played a “maple cap”–necked natural ash body Fender 1966 Custom Telecaster with a Gibson PAF humbucking pickup retrofitted into the neck position, which became the basis for a Fender Custom Artist signature model in 1990.