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Granaína is a flamenco style of singing and guitar playing from Granada. It is a variant of the Granada fandangos. It was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo, reflecting its Arab-Moorish heritage more strongly than other fandangos.

The famous singer Don Antonio Chacón (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular. Singers usually finish their rendering of the granaína with a media granaína, a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter cante.

Steve Kuhn (born March 24, 1938) is an American jazz pianist, composer, arranger, bandleader, and educator.

Kuhn was born in Brooklyn, New York City, United States. He began studying piano at the age of five and studied under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the “Russian style” of piano playing. At an early age he began improvising classical music. As a teenager he appeared in jazz clubs in the Boston area with Coleman Hawkins, Vic Dickenson, Chet Baker, and Serge Chaloff.

After graduating from Harvard, he attended the Lenox School of Music where he was associated with Ornette Coleman, Don Cherry, and Gary McFarland. The school’s faculty included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This allowed Kuhn to play, study, and create with some of the most forward-thinking innovators of jazz improvisation and composition; it culminated with his joining trumpeter Kenny Dorham‘s group for an extended time and (briefly) John Coltrane‘s quartet at New York’s Jazz Gallery club.

https://www.youtube.com/watch?v=LfnH2NXQV1k

Nils-Aslak Valkeapää, known as Áillohaš in the Northern Sami language (23 March 1943 – 26 November 2001), was a Finnish Sami writer, musician and artist. He was born in Enontekiö in Lapland province, Finland. He lived most of his life in Käsivarsi, close to the border of Sweden, and also in Skibotn in Norway. Valkeapää was born to a family of traditional reindeer herders, but was trained as a school teacher. His most well-known international debut was when he performed at the opening ceremony of the 1994 Winter Olympic Games in Lillehammer, Norway. He received the Nordic Council Literature Prize for The Sun, My Father in 1991.

The traditional Sami singing of the joik was important in his music, as well as in his painting and in written works. He was first recognised as an artist for his joik during the 1960s, with his first recording Joikuja from 1968, which contained modernised joik. Valkeapeää wrote the music to the motion picture Ofelaš, internationally known as The Pathfinder in 1987, which was directed by Nils Gaup. As a writer, he mainly wrote in Sami with his work translated into other languages and eventually published eight collections of poems. One of his best known is Beaivi áhčážan which has been translated to English, titled The Sun, My Father.

Nils-Aslak Valkeapää died in his sleep in Espoo on 26 November 2001.

Iverson Minter (March 23, 1932 – February 25, 2012), known as Louisiana Red, was an American blues guitarist, harmonica player, and singer, who recorded more than 50 albums. He was best known for his song “Sweet Blood Call”.

Born in Bessemer, Alabama, Minter lost his parents early in life; his mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan in 1937. He was brought up by a series of relatives in various towns and cities. Red recorded for Chess in 1949, before joining the Army. He was trained as a parachutist with the 82nd Airborne and was sent to Korea in 1951. The 82nd Airborne was not deployed as a complete unit in Korea, but soldiers from this unit were dispatched as Rangers in the 2nd, 3rd and 7th Infantry Divisions. Minter said he was assigned to the 3rd Infantry Division.

After leaving the Army, he played with John Lee Hooker in Detroit for two years in the late 1950s. He recorded for Checker Records in 1952, billed as Rocky Fuller.

Granville Henry “Stick” McGhee (March 23, 1918 – August 15, 1961) was an American jump blues guitarist, singer and songwriter, best known for his blues song “Drinkin’ Wine, Spo-Dee-O-Dee”, which he wrote with J. Mayo Williams

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. He received his nickname when he was a child. He used a stick to push a wagon carrying his older brother Brownie McGhee, who had contracted polio. Granville began playing the guitar when he was thirteen years old. After his freshman year he dropped out of high school and worked with his father at the Eastman Kodak subsidiary, Tennessee Eastman Company in Kingsport. In 1940, Granville quit his job and moved to Portsmouth, Virginia, and then to New York City. He entered the military in 1942 and served in the U.S. Army during World War II. After being discharged in 1946, he settled in New York.

An aurora. A large coronal mass ejection occurred on our Sun earlier this month, throwing a cloud of fast-moving electrons, protons, and ions toward the Earth. Part of this cloud impacted our Earth’s magnetosphere and, bolstered by a sudden gap, resulted in spectacular auroras being seen at some high northern latitudes. Featured here is a particularly photogenic auroral corona captured above a forest in Sweden from a scenic perch overlooking the city of Östersund. To some, this shimmering green glow of recombining atmospheric oxygen might appear like a large whale, but feel free to share what it looks like to you. The unusually quiet Sun of the past few years has now passed. As our Sun now approaches a solar maximum in its 11-year solar magnetic cycle, dramatic auroras like this are sure to continue.

George Washington Benson (born March 22, 1943) is an American guitarist, singer, and songwriter. He began his professional career at the age of 19 as a jazz guitarist.

A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin’ was certified triple-platinum, hitting no. 1 on the Billboardalbum chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. Benson has been honored with a staron the Hollywood Walk of Fame.

Benson was born and raised in the Hill District of Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of nine, he started to record. Out of the four sides he cut, two were released: “She Makes Me Mad” backed with “It Should Have Been Me”, with RCA Victor in New York; although one source indicates this record was released under the name “Little Georgie”,the 45rpm label is printed with the name George Benson. The single was produced by Leroy Kirkland for RCA’s rhythm and blues label, Groove Records. As he has stated in an interview, Benson’s introduction to showbusiness had an effect on his schooling. When this was discovered (tied with the failure of his single) his guitar was impounded. Luckily, after he spent time in a juvenile detention centre his stepfather made him a new guitar.

Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson’s playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz. Anderson was also noted for having mentored numerous young musicians. Critic Ben Ratliff called him “a father figure of experimental jazz in Chicago”. Writer John Corbett referred to him as “scene caretaker, underground booster, indefatigable cultural worker, quiet force for good.”In 2001, author John Litweiler called Anderson “the finest tenor saxophonist in free jazz/underground jazz/outside jazz today.”

Anderson was born in Monroe, Louisiana. When he was ten, his parents separated, and he moved to Evanston, Illinois, where he initially lived with his mother and aunt in a one-room apartment. When Anderson was a teenager, a friend introduced him to the music of Charlie Parker, and he soon decided he wanted to play saxophone, purchasing his first instrument for $45. He listened to Lester Young, Johnny Hodges, Dexter Gordon, Gene Ammons, and Illinois Jacquet, all of whom would influence his playing. He also heard Young and Parker in concert on multiple occasions.Unlike many musicians at the time, Anderson did not play with dance bands or school ensembles, and instead focused on practicing, taking private lessons, and studying music theory at the Roy Knapp Conservatory in Chicago, all the while supporting his family by working as a waiter. He also began making an effort to develop a personal sound on his instrument, with the goal of combining Ammons’ “big sound” with Parker’s speed.

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