mick laBriola

Stephen Paul Motian (March 25, 1931 – November 22, 2011) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties. He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett‘s band for about a decade (c. 1967–1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band where he worked mostly with younger musicians on interpretations of bebopstandards.

Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. He was of Armenian descent. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.

Motian became a professional musician in 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans‘s trio (1959–64), initially alongside bassist Scott LaFaro and later with Chuck Israels.

Cecil Percival Taylor (March 25, 1929 – April 5, 2018) an American pianist and poet.

Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase “eighty-eight tuned drums” to describe Taylor’s style. He has been referred to as being “like Art Tatum with contemporary-classical leanings”.

Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens. As an only child to a middle-class family, Taylor’s mother encouraged him to play music at an early age. He began playing piano at age six and went on to study at the New York College of Music and New England Conservatory in Boston. At the New England Conservatory, Taylor majored in composition and arranging. During his time there, he also became familiar with contemporary European art music. Bela Bartók and Karlheinz Stockhausen notably influenced his music.

“Sweet Emma” Barrett (March 25, 1897, New Orleans, Louisiana – January 28, 1983) was an American, self-taught jazz pianist and singer who worked with the Original Tuxedo Orchestra between 1923 and 1936, first under Papa Celestin, then William Ridgely. She also worked with Armand Piron, John Robichaux, Sidney Desvigne, and the Preservation Hall Jazz Band.

Born March 25, 1897 in New Orleans, Louisiana. Her father was Capt. William B. Barrett, who she said fought for the North in the Civil War. At the age of 7 she began to play the piano. In the early 1920s, Barrett joined Oscar Celestin‘s Original Tuxedo Jazz Orchestra. In 1928, when the Celestin’s band split, she intermittently played music with Bebe Ridgeley’s Tuxedo Jazz Orchestra for the next 10 years.

Béla Viktor János Bartók  25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary’s greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.

Granaína is a flamenco style of singing and guitar playing from Granada. It is a variant of the Granada fandangos. It was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo, reflecting its Arab-Moorish heritage more strongly than other fandangos.

The famous singer Don Antonio Chacón (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular. Singers usually finish their rendering of the granaína with a media granaína, a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter cante.

Steve Kuhn (born March 24, 1938) is an American jazz pianist, composer, arranger, bandleader, and educator.

Kuhn was born in Brooklyn, New York City, United States. He began studying piano at the age of five and studied under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the “Russian style” of piano playing. At an early age he began improvising classical music. As a teenager he appeared in jazz clubs in the Boston area with Coleman Hawkins, Vic Dickenson, Chet Baker, and Serge Chaloff.

After graduating from Harvard, he attended the Lenox School of Music where he was associated with Ornette Coleman, Don Cherry, and Gary McFarland. The school’s faculty included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This allowed Kuhn to play, study, and create with some of the most forward-thinking innovators of jazz improvisation and composition; it culminated with his joining trumpeter Kenny Dorham‘s group for an extended time and (briefly) John Coltrane‘s quartet at New York’s Jazz Gallery club.

https://www.youtube.com/watch?v=LfnH2NXQV1k

Nils-Aslak Valkeapää, known as Áillohaš in the Northern Sami language (23 March 1943 – 26 November 2001), was a Finnish Sami writer, musician and artist. He was born in Enontekiö in Lapland province, Finland. He lived most of his life in Käsivarsi, close to the border of Sweden, and also in Skibotn in Norway. Valkeapää was born to a family of traditional reindeer herders, but was trained as a school teacher. His most well-known international debut was when he performed at the opening ceremony of the 1994 Winter Olympic Games in Lillehammer, Norway. He received the Nordic Council Literature Prize for The Sun, My Father in 1991.

The traditional Sami singing of the joik was important in his music, as well as in his painting and in written works. He was first recognised as an artist for his joik during the 1960s, with his first recording Joikuja from 1968, which contained modernised joik. Valkeapeää wrote the music to the motion picture Ofelaš, internationally known as The Pathfinder in 1987, which was directed by Nils Gaup. As a writer, he mainly wrote in Sami with his work translated into other languages and eventually published eight collections of poems. One of his best known is Beaivi áhčážan which has been translated to English, titled The Sun, My Father.

Nils-Aslak Valkeapää died in his sleep in Espoo on 26 November 2001.

Iverson Minter (March 23, 1932 – February 25, 2012), known as Louisiana Red, was an American blues guitarist, harmonica player, and singer, who recorded more than 50 albums. He was best known for his song “Sweet Blood Call”.

Born in Bessemer, Alabama, Minter lost his parents early in life; his mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan in 1937. He was brought up by a series of relatives in various towns and cities. Red recorded for Chess in 1949, before joining the Army. He was trained as a parachutist with the 82nd Airborne and was sent to Korea in 1951. The 82nd Airborne was not deployed as a complete unit in Korea, but soldiers from this unit were dispatched as Rangers in the 2nd, 3rd and 7th Infantry Divisions. Minter said he was assigned to the 3rd Infantry Division.

After leaving the Army, he played with John Lee Hooker in Detroit for two years in the late 1950s. He recorded for Checker Records in 1952, billed as Rocky Fuller.

Granville Henry “Stick” McGhee (March 23, 1918 – August 15, 1961) was an American jump blues guitarist, singer and songwriter, best known for his blues song “Drinkin’ Wine, Spo-Dee-O-Dee”, which he wrote with J. Mayo Williams

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. He received his nickname when he was a child. He used a stick to push a wagon carrying his older brother Brownie McGhee, who had contracted polio. Granville began playing the guitar when he was thirteen years old. After his freshman year he dropped out of high school and worked with his father at the Eastman Kodak subsidiary, Tennessee Eastman Company in Kingsport. In 1940, Granville quit his job and moved to Portsmouth, Virginia, and then to New York City. He entered the military in 1942 and served in the U.S. Army during World War II. After being discharged in 1946, he settled in New York.