mick laBriola

Jon Hassell (March 22, 1937 – June 26, 2021) was an American trumpet player and composer. He was best known for developing the concept of “Fourth World” music, which describes a “unified primitive/futurist sound” combining elements of various world ethnic traditions with modern electronictechniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.

Born in Tennessee, Hassell studied contemporary classical music in New York and later in Germany under composer Karlheinz Stockhausen. He subsequently worked with minimalist composers Terry Riley (on a 1968 recording of In C) and La Monte Young (as part of his Theatre of Eternal Music group), and studied under Hindustani singer Pandit Pran Nath. His association with Brian Eno in the early 1980s would introduce Hassell to a larger audience. He subsequently worked with musical artists such as Talking Heads, David Sylvian, Farafina, Peter Gabriel, Tears for Fears, Ani DiFranco, Techno Animal, Ry Cooder, Moritz von Oswald, and Carl Craig.

Born in Memphis, Tennessee, United States, Hassell received his master’s degree from the Eastman School of Music in Rochester, New York. During this time he became involved in European serial music, especially the work of Karlheinz Stockhausen, and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music (founded and directed by Stockhausen) for two years, where he met Irmin Schmidt and Holger Czukay, who would later go on to form Can .

This cosmic portrait — captured with the NASA/ESA Hubble Space Telescope’s Wide Field Camera 3 — shows a stunning view of the spiral galaxy NGC 4571, which lies approximately 60 million light-years from Earth in the constellation Coma Berenices. This constellation — whose name translates as Bernice’s Hair — was named after an Egyptian queen who lived more than 2200 years ago. As majestic as spiral galaxies like NGC 4571 are, they are far from the largest structures known to astronomers. NGC 4571 is part of the Virgo cluster, which contains more than a thousand galaxies. This cluster is in turn part of the larger Virgo supercluster, which also encompasses the Local Group which contains our own galaxy, the Milky Way. Even larger than superclusters are galaxy filaments  — the largest known structures in the Universe. This image comes from a large programme of observations designed to produce a treasure trove of combined observations from two great observatories: Hubble and ALMA. ALMA, The Atacama Large Millimeter/submillimeter Array, is a vast telescope consisting of 66 high-precision antennas high in the Chilean Andes, which together observe at wavelengths between infrared and radio waves. This allows ALMA to detect the clouds of cool interstellar dust which give rise to new stars. Hubble’s razor-sharp observations at ultraviolet wavelengths, meanwhile, allows astronomers to pinpoint the location of hot, luminous, newly formed stars. Together, the ALMA and Hubble observations provide a vital repository of data to astronomers studying star formation, as well as laying the groundwork for future science with the NASA/ESA/CSA James Webb Space Telescope.

Solomon Vincent McDonald Burke (born James Solomon McDonald, March 21, 1936 or 1940 – October 10, 2010 Philadelphia, PA) was an American preacher and singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called “a key transitional figure bridging R&B and soul”, and was known for his “prodigious output”.

He had a string of hits including “Cry to Me“, “If You Need Me“, “Got to Get You Off My Mind“, “Down in the Valley“, and “Everybody Needs Somebody to Love“. Burke was referred to honorifically as “King Solomon”, the “King of Rock ‘n’ Soul”, “Bishop of Soul”, and the “Muhammad Ali of soul”. Due to his minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett, and Otis Redding, Burke has been described as the genre’s “most unfairly overlooked singer” of its golden age. Atlantic Records executive Jerry Wexler referred to Burke as “the greatest male soul singer of all time”.

Burke’s most famous recordings, which spanned five years in the early 1960s, bridged the gap between mainstream R&B and grittier R&B.Burke was “a singer whose smooth, powerful articulation and mingling of sacred and profane themes helped define soul music in the early 1960s.” He drew from his roots—gospel, jazz, country, and blues—as well as developing his own style at a time when R&B, and rock were both still in their infancy. Described as both “Rabelaisian“ and also as a “spiritual enigma”, “perhaps more than any other artist, the ample figure of Solomon Burke symbolized the ways that spirituality and commerce, ecstasy and entertainment, sex and salvation, individualism and brotherhood, could blend in the world of 1960s soul music.”

During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock and Roll Hall of Fameas a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Annual Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums. Rolling Stone ranked Burke as No. 89 on its 2008 list of “100 Greatest Singers of All Time”.

The Whirlpool Galaxy, also known as Messier 51a, M51a, and NGC 5194, is an interacting grand-design spiral galaxy with a Seyfert 2 active galactic nucleus. It lies in the constellation Canes Venatici, and was the first galaxy to be classified as a spiral galaxy. Its distance is 31 million light-years away from Earth.

The galaxy and its companion, NGC 5195, are easily observed by amateur astronomers, and the two galaxies may be seen with binoculars. The Whirlpool Galaxy has been extensively observed by professional astronomers, who study it to understand galaxy structure (particularly structure associated with the spiral arms) and galaxy interactions.

Lee “Scratch” Perry OD (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.

Rainford Hugh Perry was born on 20 March 1936 in Kendal, Jamaica, in the parish of Hanover, the third child of Ina Davis and Henry Perry. His mother had strong African traditions originating from her Yoruba ancestry that she passed on to her son. His parents were both laborers, but his father later became a professional dancer.

Lee left school at age 15 and lived in Hanover where he did not have much regard for working, and preferred to play dominoes and live according to his own desires. He eventually wound up in Clarendon where he got into the dance and music scene and earned the nickname “The Neat Little Thing”. Lee later moved to Kingston after experiencing a mystical connection to stones (“When the stones clash, I hear like the thunder clash… and I hear words… These words send me to Kingston. Kingston means King’s Stone, the Son of the King… the stone that I was throwing in Negril send me to King Stone for my graduation.”) where he apprenticed at Studio One.

https://www.youtube.com/watch?v=y651C7aNXRc

Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973, AK) was an American singer and guitarist. She attained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar that was extremely important to the origins of rock and roll. She was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as “the original soul sister” and “the Godmother of rock and roll”. She influenced early rock-and-roll musicians, including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley and Jerry Lee Lewis.

Tharpe was a pioneer in her guitar technique; she was among the first popular recording artists to use heavy distortion on her electric guitar, presaging the rise of electric blues. Her guitar playing technique had a profound influence on the development of British blues in the 1960s; in particular a European tour with Muddy Waters in 1964 with a stop in Manchester on 7 May is cited by prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards.

Willing to cross the line between sacred and secular by performing her music of “light” in the “darkness” of nightclubs and concert halls with big bandsbehind her, Tharpe pushed spiritual music into the mainstream and helped pioneer the rise of pop-gospel, beginning in 1938 with the recording “Rock Me” and with her 1939 hit “This Train“. Her unique music left a lasting mark on more conventional gospel artists such as Ira Tucker, Sr., of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the pop world, she never left gospel music.

Tharpe’s 1944 release “Down by the Riverside” was selected for the National Recording Registry of the U.S. Library of Congress in 2004, which noted that it “captures her spirited guitar playing and unique vocal style, demonstrating clearly her influence on early rhythm-and-blues performers” and cited her influence on “many gospel, jazz, and rock artists”. (“Down by the Riverside” was recorded by Tharpe on December 2, 1948, in New York City, and issued as Decca single 48106.) Her 1945 hit “Strange Things Happening Every Day“, recorded in late 1944, featured Tharpe’s vocals and electric guitar, with Sammy Price (piano), bass and drums. It was the first gospel record to cross over, hitting no. 2 on the Billboard “race records” chart, the term then used for what later became the R&B chart, in April 1945. The recording has been cited as a precursor of rock and roll, and alternatively has been called the first rock and roll record. In May 2018, Tharpe was inducted into the Rock and Roll Hall of Fame as an Early Influence.

Harold Mabern Jr. (March 20, 1936 – September 17, 2019) was an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”.

Mabern was born in Memphis, Tennessee on March 20, 1936. He initially started learning drums before switching to learning piano. He had access to a piano from his teens, after his father, who worked in a lumber yard, saved to buy him one. Mabern learned by watching and emulating pianists Charles Thomas and Phineas Newborn Jr. Mabern attended Douglass High School, before transferring to Manassas High School; he played with saxophonists Frank Strozier, George Coleman and trumpeter Booker Little at this time, but was most influenced by Newborn, Jr. In 1954, after graduating, Mabern moved to Chicago, intending to attend the American Conservatory of Music. He was unable to afford to attend music college because of a change in his parents’ financial circumstances, but had private lessons there for six months and developed his reading ability by playing with trombonist Morris Ellis’ big band. He also developed by listening to Ahmad Jamal and others in clubs, and “playing and practicing 12 hours a day” for the next five years, but he remained self-taught as a pianist. Mabern went on to play with Walter Perkins‘ MJT + 3 and others in Chicago.

Mabern learned orchestration techniques from bassist Bill Lee, and comping and chord voicing from pianists Chris Anderson and Billy Wallace.