mick laBriola

STOP WAR IN UKRAINE Not considered a Flamenco Flamenco or Flamenco Puro but very interesting.

Paul Lorin Kantner (March 17, 1941 – January 28, 2016) was an American rock musician. He is best known as the co-founder, rhythm guitarist, and vocalist of Jefferson Airplane, a leading psychedelic rock band of the counterculture era. He continued these roles as a member of Jefferson Starship, Jefferson Airplane’s successor band.

Jefferson Airplane formed in 1965 when Kantner met Marty Balin. Kantner eventually became the leader of the group and led it through its highly successful late-1960s period. In 1970, while still active with Jefferson Airplane, Kantner and several Bay Area musicians recorded the album Blows Against the Empire, which was co-credited to both Paul Kantner and “Jefferson Starship”.

Jefferson Airplane continued to record and perform until 1973. Kantner revived the Jefferson Starship name in 1974 and continued to record and perform with them through 1984. He later led a reformed Jefferson Starship from 1992 until his death in 2016. Kantner had the longest continuous membership with the band, with 19 years in the original run of Jefferson Airplane and Jefferson Starship and 24 years in the revived Jefferson Starship. At times, he was the only founding Jefferson Airplane member to remain in Jefferson Starship. He was inducted into the Rock and Roll Hall of Fame as a member of Jefferson Airplane in 1996.

Kantner was born on March 17, 1941, in San Francisco, California, the son of Cora Lee (Fortier) and Paul Schell Kantner. Kantner had a half-brother and a half-sister by his father’s first marriage, both much older than he. His father was of German descent, and his mother was of French and German ancestry. His mother died when he was eight years old, and Kantner remembered that he was not allowed to attend her funeral; his father sent him to the circus instead.

Zoletta Lynn Taylor (March 17, 1938 – April 30, 2007) was an American singer. She was the original female member of The Platters from 1954 to 1962, when the group produced most of their popular singles.

Zola Taylor was a member of The Platters until 1962, when she was replaced by singer Barbara Randolph. Taylor was the second of Frankie Lymon‘s three wives. In 1984, on behalf of Emira Lymon, a lawyer and artists’ agent sued to wrest the copyright of Frankie’s hit song “Why Do Fools Fall in Love” away from the current owner. The case became confused when it looked like Lymon had a second and possibly a third widow. Elizabeth Waters claimed to have married Lymon in 1964 in Virginia. However, it turned out she had been married to someone else at the time. As Waters’ claim went to court, Taylor claimed that she had been sexually active with Lymon as early as the “Biggest Rock “n” Roll Show of 1956″ tour. She claimed to have married Lymon in Mexicali, Mexico around 1965, but could not produce a marriage license. The first hearing, held in Philadelphia, was decided in favor of Waters being Lymon’s first wife. Emira Eagle, his third wife, appealed and won a reversal based on her claim that she was Lymon’s first wife.

Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album Inside. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965.

Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor’s degree. In June 1953, Horn gained a master’s from the Manhattan School of Music.

Moving to Los Angeles, he played with Chico Hamilton‘s quintet from 1956 to 1958 and became an established West Coast session player. He played on the Duke Ellington Orchestra’s Suite Thursday and worked with Nat King Cole, Tony Bennett and others. He scored the 1959 animated television series Clutch Cargo. During the same year he appeared briefly in Roger Corman’s film A Bucket of Blood.

https://www.youtube.com/watch?v=Y7LQxDJ-u98

Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. He recorded over 100 songs that became hits on the pop charts. His trio was the model for small jazz ensembles that followed. Cole also acted in films and on television and performed on Broadway. He was the first African-American man to host an American television series. He was the father of singer-songwriter Natalie Cole (1950–2015).

Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. He had three brothers: Eddie (1910–1970), Ike (1927–2001), and Freddy (1931–2020), and a half-sister, Joyce Coles. Each of the Cole brothers pursued careers in music. When Nat King Cole was four years old, the family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister.

Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was “Yes! We Have No Bananas” at the age of four. He began formal lessons at 12,learning jazz, gospel, and classical music on piano “from Johann Sebastian Bach to Sergei Rachmaninoff“. As a youth, he joined the news delivery boys’ “Bud Billiken Club” band for The Chicago Defender.

Lovie Lee (March 17, 1909 – May 23, 1997) was an American electric blues pianist and singer. He is best known for his work accompanying Muddy Waters. He also recorded a solo album, in 1992. He was the “adoptive stepfather” of the bluesman Carey Bell and thus the “grandfather” of Lurrie Bell.

He was born Edward Lee Watson in Chattanooga, Tennessee, and grew up in Meridian, Mississippi. He taught himself to play the piano and began performing in various churches and at rodeos and vaudeville shows. He had already acquired the nickname Lovie from a doting aunt. He found part-time employment playing with the Swinging Cats in the early 1950s. The group included Carey Bell, who Lee took under his “fatherly” protection, and together they moved to Chicago, in September 1956. Lee worked during the day in a woodworking factory, and for many years played in the evening in numerous Chicago blues nightclubs, including Porter’s Lounge. He was well known around Chicago for his blues piano playing. He later worked as an upholsterer, but he kept together his backing band, the Sensationals.

SUPPORT UKRAINE

Star forming regions known as “EGGs”, are being uncovered at the end of this giant pillar of gas and dust in the Eagle Nebula (M16). Short for evaporating gaseous globules, EGGs are dense regions of mostly molecular hydrogen gas that fragment and gravitationally collapse to form stars. Light from the hottest and brightest of these new stars heats the end of the pillar and causes further evaporation of gas and dust — revealing yet more EGGs and more young stars. This featured picture was created from exposures spanning over 30 hours with the Earth-orbiting Hubble Space Telescope in 2014, and digitally processed with modern software by experienced volunteers in Argentina. Newborn stars will gradually destroy their birth pillars over the next 100,000 years or so — if a supernova doesn’t destroy them first.

Jerry Jeff Walker (born Ronald Clyde Crosby; March 16, 1942 – October 23, 2020) was an American country music and folk singer-songwriter. He was a leading figure in the outlaw country music movement. He was best known for having written the 1968 song “Mr. Bojangles“.

Walker was born Ronald Clyde Crosby in Oneonta, New York, on March 16, 1942. His father, Mel, worked as a sports referee and bartender; his mother, Alma (Conrow), was a housewife. His maternal grandparents played for square dances in the Oneonta area^[4] – his grandmother, Jessie Conroe, playing piano, while his grandfather played fiddle. During the late 1950s, Crosby was a member of a local Oneonta teen band called The Tones.

Pianist Jeter Thompson, whose leadership of the groups Quartette Trés Bien and Trio Trés Bien made him a significant figure on the St. Louis jazz scene from the Gaslight Square era into the 21st century, died on Friday, December 1. He was 87 years old.

Born in St. Louis on March 16, 1930, Thompson started playing piano at five years old, and made his first professional appearance at age 16 in 1946, performing with saxophonist Emmett Carter at a downtown club called the Coconut Grove.

He went to Sumner High School, where in 1948 he was senior class president, and subsequently attended Stowe College for two years, earning an associates degree. He then joined the U. S. Air Force, serving in Korea.

Returning home in 1954, Thompson played various local gigs until the formation in 1959 of Quartette Trés Bien, which in its best-known lineup included bassist Richard Simmons, drummer Albert St. James, and percussionist Percy James.

The group became a popular attraction in the then-booming Gaslight Square entertainment district, serving as the house band at The Dark Side, where in 1962 they were filmed as part of an episode of the CBS drama Route 66.

In 1963, Thompson and his bandmates became partners in the Trés Bien Club, located on the south side of Olive St. near the Gaslight Club. Around that same time, they were approached by Norman Wienstroer to record for his St. Louis-based label Norman Records.

The group made two albums for Norman, Boss Trés Bien and Kilimanjaro, and in 1965 also backed singer Jeanne Trevor on her debut recording for the label. Wienstroer subsequently helped the Quartette gain the attention of Decca Records, which re-issued their first two albums and would release eight more recordings of them over the next few years.

Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins‘ album Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald‘s full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.

After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of his death, he was one of the most widely admired jazz pianists and had influenced both his contemporaries and later generations of players.

Flanagan was born in Conant Gardens, Detroit, Michigan, on March 16, 1930. He was the youngest of six children – five boys and a girl.^[1] His parents were both originally from Georgia. His father, Johnson Sr, was a postman, and his mother, Ida Mae, worked in the garment industry.

At the age of six, Flanagan’s parents gave him a clarinet for Christmas. He learned to read music from playing the clarinet, but within a few years he preferred the piano.

STOP THE WAR IN UKRAINE