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Robert Pete Williams (March 14, 1914 – December 31, 1980) was an American Louisiana blues musician. His music characteristically employed unconventional structures and guitar tunings, and his songs are often about the time he served in prison. His song “I’ve Grown So Ugly” has been covered by Captain Beefheart, on his album Safe as Milk (1967), and by The Black Keys, on Rubber Factory (2004).

Williams was born in Zachary, Louisiana, to a family of sharecroppers. He had no formal schooling, and spent his childhood picking cotton and cutting sugar cane. In 1928, he moved to Baton Rouge, Louisiana and worked in a lumberyard. At the age of 20, Williams fashioned a crude guitar by attaching five copper strings to a cigar box, and soon after bought a cheap, mass-produced one. Williams was taught by Frank and Robert Metty, and was at first chiefly influenced by Peetie Wheatstraw and Blind Lemon Jefferson. He began to play for small events such as Church gatherings, fish fries, suppers, and dances. From the 1930s to the 1950s, Williams played music and continued to work in the lumberyards of Baton Rouge.

Shirley Scott (March 14, 1934 – March 10, 2002) was an American jazz organist. Her music was noted for its mixture of bebop, blues and gospelelements. She was known by the nickname “Queen of the Organ”.

Scott was born in Philadelphia, Pennsylvania. Her father operated a jazz club in the basement of the family home and her brother played Saxophone. At the age of eight, Scott began piano lessons. After enrolling at Philadelphia High School for Girls, where she was awarded a scholarship, Scott switched to trumpet and played in the all-city schools band. She studied for bachelor and master’s degrees at Cheyney University. Later in life Scott would return to the university as a teacher. As a performer in the 1950s, she played the Hammond B-3 organ. Her recordings with Eddie “Lockjaw” Davis included the hit “In the Kitchen”. Influenced by gospel and blues, she played soul jazz in the 1960s with Stanley Turrentine, who became her husband during the same decade; the couple divorced in 1971.

Although organ trios declined in popularity during the 1970s, they resurged in the 1980s and she recorded again. In the 1990s, she recorded as pianist in a trio and performed at venues in Philadelphia.

Scott won an $8 million settlement in 2000 against American Home Products, the manufacturers of the diet drug fen-phen. She died of heart failure in 2002.

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Airglow. Now air glows all of the time, but it is usually hard to see. A disturbance however — like an approaching storm — may cause noticeable rippling in the Earth’s atmosphere. These gravity waves are oscillations in air analogous to those created when a rock is thrown in calm water. Red airglow likely originates from OH molecules about 87-kilometers high, excited by ultraviolet light from the Sun, while orange and green airglow is likely caused by sodium and oxygen atoms slightly higher up. While driving near Keluke Lake in Qinghai Provence in China a few years ago, the photographer originally noticed mainly the impressive central band of the Milky Way Galaxy. Stopping to photograph it, surprisingly, the resulting sensitive camera image showed airglow bands to be quite prominent and span the entire sky. The featured image has been digitally enhanced to make the colors more vibrant.

Richard Allen “Blue“ Mitchell (March 13, 1930 – May 21, 1979) was an American jazz, rhythm and blues, soul, rock and funk trumpeter and composer, recording albums as leader and sideman for Riverside, Mainstream Records, and Blue Note.

Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname “Blue”. After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell performed with the Harold Land quintet until he died from cancer on May 21, 1979, in Los Angeles, aged 49.

Roy Owen Haynes (born March 13, 1925) is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. “Snap Crackle” was a nickname given to him in the 1950s.

He has led bands such as the Hip Ensemble. His albums Fountain of Youth and Whereas were nominated for a Grammy Award. He was inducted into the Modern Drummer Hall of Fame in 1999. His son Graham Haynes is a cornetist; another son Craig Holiday Haynes and grandson Marcus Gilmore are both drummers.

Haynes was born in the Roxbury section of Boston, Massachusetts, United States. His younger brother, Michael E. Haynes, would become an important leader in the black community of Massachusetts, working with Martin Luther King Jr. during the civil rights movement, representing Roxbury in the Massachusetts House of Representatives, and for forty years serving as pastor of the Twelfth Baptist Church, where King had been a member while he pursued his doctoral degree at Boston University

Otis Verries Hicks, known as Lightnin’ Slim (March 13, 1913 – July 27, 1974), was an American Louisiana blues musician, who recorded for Excello Records and played in a style similar to its other Louisiana artists. The blues critic ED Denson ranked him as one of the five great bluesmen of the 1950s, along with Muddy Waters, Little Walter, Howlin’ Wolf and Sonny Boy Williamson.

According to most sources, Otis Hicks was born on a farm outside St. Louis, Missouri, but the researchers Bob Eagle and Eric LeBlanc stated, on the basis of his draft card, that he was born in Good Pine, Louisiana. Prison records from Louisiana State Penitentiary discovered by researcher Gene Tomko also corroborate his birthplace as Good Pine, Louisiana. He moved to Baton Rouge at the age of thirteen. Taught guitar by his older brother Layfield, Slim was playing in bars in Baton Rouge by the late 1940s.

His first recording was “Bad Luck Blues” (“If it wasn’t for bad luck, I wouldn’t have no luck at all”), released by J. D. “Jay” Miller‘s Feature Records in 1954. It was Miller, who had a penchant for picking colourful artists’ names, who christened him “Lightnin’ Slim”. Slim then recorded for Excello Records for twelve years, starting in the mid-1950s, often collaborating with his brother-in-law Slim Harpo and with the harmonica player Lazy Lester.

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Don Drummond (12 March 1932 – 6 May 1969) was a Jamaican ska trombonist and composer. He was one of the original members of The Skatalites, and composed many of their tunes. In 1966, Drummond was convicted of murdering his 23-year-old lover, Anita “Marguerita” Mahfood.

Drummond was born at the Jubilee Hospital in Kingston, Jamaica, to Doris Monroe and Uriah Drummond. He was educated at Kingston’s Alpha Boys School, where he later taught his younger schoolmate Rico Rodriguez to play the trombone.

His musical career began in 1950 with the Eric Dean’s All-Stars where he performed jazz. He continued into the 1960s with others, including Kenny Williams.

After performing jazz for a decade, Drummond began performing ska and in 1964 he joined The Skatalites. With Drummond’s politicized conversion to the Rastafari movement, other band members followed his lead. He became a household name in Jamaica, before suffering mental health problems. It has been said that pianist George Shearing rated him as being among the world’s top five trombone players. On 2 January 1965, Drummond’s live-in lover, Anita “Marguerita” Mahfood, was found dead with four stab wounds to the chest. Drummond reported to the police that Mahfood had stabbed herself, but, in 1966, he was found guilty of her murder. Drummond was ruled criminally insane and imprisoned at Bellevue Asylum, Kingston, where he remained until his death four years later. The official cause of death was “natural causes”, possibly heart failure caused by malnutrition or improper medication, but other theories were put forward; some of his colleagues believed it was a government plot against the Kingston musical scene, and some believed that he was killed by gangsters as revenge for the murder of Mahfood.

Wardell Joseph Quezergue  March 12, 1930 – September 6, 2011) was an American composer, arranger, record producer and bandleader, known among New Orleans musicians as the “Creole Beethoven”. Steeped in jazz, he was an influential musician whose work shaped the sound of New Orleans rhythm and blues, funk and pop music. His role as an arranger and producer kept him out of the spotlight and enabled him to enhance the careers of many. He was a staple of the New Orleans music scene and the recipient of an honorary doctorate in music.

Quezergue was born in the Seventh Ward of New Orleans into a musical family of creole descent. His father Sidney Quezergue Sr. played guitar and his mother Violetta Guimont played clarinet. His older brothers, Sidney Jr. and Leo, were jazz musicians. Sidney played the trumpet and Leo played the drums. The family played together on Sundays. Quezergue had no formal music training. He was influenced by Louis Armstrong, Harry James and Dizzy Gillespie. As a teenager he played the trumpet professionally and started to compose.