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Wardell Joseph Quezergue  March 12, 1930 – September 6, 2011) was an American composer, arranger, record producer and bandleader, known among New Orleans musicians as the “Creole Beethoven”. Steeped in jazz, he was an influential musician whose work shaped the sound of New Orleans rhythm and blues, funk and pop music. His role as an arranger and producer kept him out of the spotlight and enabled him to enhance the careers of many. He was a staple of the New Orleans music scene and the recipient of an honorary doctorate in music.

Quezergue was born in the Seventh Ward of New Orleans into a musical family of creole descent. His father Sidney Quezergue Sr. played guitar and his mother Violetta Guimont played clarinet. His older brothers, Sidney Jr. and Leo, were jazz musicians. Sidney played the trumpet and Leo played the drums. The family played together on Sundays. Quezergue had no formal music training. He was influenced by Louis Armstrong, Harry James and Dizzy Gillespie. As a teenager he played the trumpet professionally and started to compose.

Performing for Shabbat for the Soul service. Mt Zion Temple. Friday 3-11-22 630pm

Harvey Mandel (born March 11, 1945, in Detroit, Michigan, United States) is an American guitarist best known as a member of Canned Heat. He also played with Charlie Musselwhite and John Mayall as well as maintaining a solo career.

Mandel was born in Detroit, Michigan, and grew up in Morton Grove, Illinois, a suburb of Chicago. His first recording was the album Stand Back! Here Comes Charley Musselwhite’s Southside Band in 1966 with Charlie Musselwhite. Described in Legends of Rock Guitar (1997) as a “legendary” album, it was influential in bridging the gap between blues and rock and roll, with Mandel’s “relentless fuzztone, feedback-edged solos, and unusual syncopated phrasing.” He relocated to the San Francisco Bay area, performing often at The Matrix, a club where local favorites like Jerry Garcia or Elvin Bishop would sit in and jam. He then met the pioneering San Francisco disc jockey and producer Abe “Voco” Kesh (Abe Keshishian), who signed Mandel to Philips Records and produced his first solo album, Cristo Redentor, in 1968. Mandel recorded with Barry Goldberg on a bootleg from Cherry Records and recorded with Graham Bond. He cut two more solo LPs for Philips, Righteous(1969) and Games Guitars Play (1970), followed by four more solo albums for the independent record label Janus in the early 1970s, which included Baby Batter.

Robert Keith McFerrin Jr. (born March 11, 1950) is an American folk-jazz vocalist. He is known for his vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

McFerrin’s song “Don’t Worry, Be Happy” was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with instrumentalists, including the pianists Chick Corea, Herbie Hancock, and Joe Zawinul, the drummer Tony Williams, and the cellist Yo-Yo Ma.

McFerrin was born in Manhattan, New York City, United States, the son of operatic baritone Robert McFerrin and singer Sara Copper. He attended Cathedral High School in Los Angeles, Cerritos College, University of Illinois Springfield (then known as Sangamon State University) and California State University, Sacramento.

Astor Pantaleón Piazzolla March 11, 1921 – July 4, 1992) was an Argentine tangocomposer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as “the world’s foremost composer of Tango music”.

Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Italian immigrant parents, Vicente “Nonino” Piazzolla and Assunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Luccain the central region of Tuscany.

In 1925 Astor Piazzolla moved with his family to Greenwich Village in New York City, which in those days was a violent neighbourhood inhabited by a volatile mixture of gangsters and hard-working immigrants. His parents worked long hours and Piazzolla soon learned to take care of himself on the streets despite having a limp. At home he would listen to his father’s records of the tango orchestras of Carlos Gardel and Julio de Caro, and was exposed to jazz and classical music, including Bach, from an early age. He began to play the bandoneon after his father spotted one in a New York pawn shop in 1929.

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Ronnie Earl (born Ronald Horvath, March 10, 1953, Queens, New York, United States) is an American blues guitarist and music instructor.

Earl collected blues, jazz, rock and soul records while growing up. He studied American History at C.W. Post College on Long Island for a year and a half, then moved to Boston to pursue a Bachelor’s Degree in Special Education and Education at Boston University where he would graduate in 1975. He spent a short time teaching handicapped children. During his college years, he attended a Muddy Waters concert at the Jazz Workshop in Boston. After seeing Waters perform, Earl took a serious interest in the guitar, which he had first picked up in 1973. His first job was as a rhythm guitarist at The Speakeasy, a blues club in Cambridge, Massachusetts. In addition to playing in the Boston blues scene, Earl traveled twice by Greyhound Bus to Chicago, where he was introduced to the Chicago blues scene by Koko Taylor.

Later he traveled to New Orleans and Austin, Texas, where he spent time with Kim Wilson, Jimmie Vaughan and The Fabulous Thunderbirds. In 1979, he joined the band Roomful of Blues as lead guitarist.

Norman Blake (born March 10, 1938) is a traditional American stringed instrument artist and songwriter.

Blake was born in Chattanooga, Tennessee, and grew up in Sulphur Springs, Alabama. He listened to old-time and country music on the radio by the Carter Family, the Skillet Lickers, Roy Acuff, and the Monroe Brothers (Charlie and Bill Monroe). He learned guitar at age 11 or 12, then mandolin, dobro, and fiddle in his teens. When he was 16, he dropped out of school to play music professionally.

In the 1950s, Blake joined the Dixieland Drifters and performed on radio broadcasts, then joined the Lonesome Travelers. When he was drafted in 1961, he served as an Army radio operator in the Panama Canal Zone. He started a popular band known as the Kobbe Mountaineers. A year later, while he was on leave, he recorded the album Twelve Shades of Bluegrass with the Lonesome Travelers.

https://www.youtube.com/watch?v=chGUHMAoMV8

Kenneth Charles “Jethro” Burns (March 10, 1920 – February 4, 1989) was an American mandolinist and one-half of the comedy duo Homer and Jethro with Henry D. “Homer” Haynes.

Burns was born in Conasauga, Tennessee on March 10, 1920. His family moved to Knoxville, Tennessee when he was three. In 1936, he auditioned for a talent contest at Knoxville radio station WNOX where he met Henry Haynes, also 16. The two formed a duo and WNOX program director Lowell Blanchard gave them the stage names Homer and Jethro after forgetting their names on the air.

Burns was drafted into the US Army and served in Europe during World War II and reunited with Haynes, who had served in the Pacific, in Knoxville in 1945. By 1947, the duo moved to Cincinnati, Ohio and were working at WLW on the station’s Midwestern Hayride. They signed with King Records, where they worked as a house band and recorded singles on their own, and two years later signed with RCA Records. The pair were fired along with other stars by new management at WLW in 1948, and after a brief tour, they moved to Springfield, Missouri and performed on KWTO with Chet Atkins, the Carter Family and Slim Wilson.

https://www.youtube.com/watch?v=wA8SlkSe_hM

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A deep exposure shows the famous dark indentation that looks like a horse’s head, visible just left and below center, and known unsurprisingly as the Horsehead Nebula. The Horsehead Nebula (Barnard 33) is part of a vast complex of dark absorbing dust and bright glowing gas. To bring out details of the Horsehead’s pasture, an astrophotographer artistically combined light accumulated for over 20 hours in hydrogen (orange), oxygen (blue), and sulfur (green). The resulting spectacular picture captured from Raachine, Lebanon, details an intricate tapestry of gaseous wisps and dust-laden filaments that were created and sculpted over eons by stellar winds and ancient supernovas. The featured composition brings up another pareidolic animal icon — that of a lion’s head — in the expansive orange colored gas above the horse’s head. The Flame Nebulais visible just to the left of the Horsehead. The Horsehead Nebula lies 1,500 light years distant towards the constellation of Orion.