mick laBriola

Juan de Dios Ventura Soriano (8 March 1940 – 28 July 2021), better known as Johnny Ventura nicknamed El Caballo Mayor, was a Dominican singer and band leader of merengue and salsa. The merengue legend was a legislator of the Lower House between 1982 and 1986. He also served as vicemayor of Santo Domingo from 1994 to 1998, and as mayor of Santo Domingo from 1998 to 2002.

He began his career as a singer when he presented himself with some friends in a program of devotees which was broadcast by La Voz de la Alegríaweekly. The young Ventura, only 16 years of age, obtained first place of the participants. A little later, he started appearing in the programs of devotees which were sponsored by La Voz Dominicana. When Ventura Soriano appeared for the first time in the TV show: La TV busca una estrella, that was broadcast Friday night at seven, they rang the bell. In the following week, like a champion, Juan de Dios returned to be welcomed in the same competition. He practiced, worked and was crowned for the hit. Then he won first prize. Thereupon he won a lot of prizes in the devotees programs, until he was finally rewarded with the much desired scholarship which the broadcasting company, property of José Arismendy Trujillo Molina, gave for young talents. With La Voz Dominicana Juan de Dios studied music, vocal techniques and expression. This made Ventura one of the most famous singers in Latin America.

William Edward Childs (born March 8, 1957) is an American jazz pianist, composer, arranger and conductor from Los Angeles, California, United States.

When he was sixteen he attended the Community School of the Performing Arts sponsored by the University of Southern California. He studied music theory with Marienne Uszler and piano with John Weisenfluh. From 1975–’79 he attended the University of Southern California and received a degree in composition under the tutelage of Robert Linn.

While still a teen, Childs was playing professionally and he made his recording debut in 1977 with the J. J. Johnson Quintet during a tour of Japan, documented as “the Yokohama Concert”. He gained significant attention during the six years (1978–84) he spent in trumpeter Freddie Hubbard‘s group. His early influences as a pianist included Herbie Hancock, Keith Emerson, and Chick Corea and as a composer, Paul Hindemith, Maurice Ravel and Igor Stravinsky. Childs nevertheless had an original conception of his own from near the start, developing his own voice as both a pianist and a composer in jazz and classical music genres.

Gábor István Szabó (March 8, 1936 – February 26, 1982) was a Hungarian American guitarist whose style incorporated jazz, pop, rock, and Hungarian music.

Szabó was born in Budapest, Hungary. He began playing guitar at the age of 14. In the aftermath of the Hungarian revolution of 1956, he moved to California and later attended the Berklee College of Music in Boston between 1958 and 1960. While visiting family in Budapest during the Christmas holiday, Szabó was admitted to the hospital and finally succumbed to the liver and kidney ailments he suffered from and died on February 26, 1982. He was buried in Farkasréti Cemetery.

George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.

Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd.

Alcide Louis “Slow Drag” Pavageau (March 7, 1888 – January 19, 1969) was an American jazz guitarist and double-bassist.

Pavageau was born in New Orleans, Louisiana. He started his career as a dancer, mastering a dance called the Slow Drag which resulted in his nickname. He learned the guitar as a young man from his cousin Ulysses Picou, a singer in New Orleans. Pavageau came from a musical family and was related to families like the Tios, Picous and Pirons who formed some of the earliest jazz bands. He played Buddy Petit, Bunk Johnson, and Herb Morand. Johnson bragged that he taught Louis Armstrong how to play cornet by ear. He started playing bass in 1927 when he was 39 years old and joined George Lewis‘s band from 1943 and also played in Bunk Johnson‘s band in New York City in 1945. He toured with Lewis through the end of the 1950s. In 1961, while playing with the Louis Cottrell Trio, he recorded New Orleans: The Living Legends for Riverside. He worked at Preservation Hall in the 1960s and recorded one album as a leader in 1965 in addition to frequent recording with Lewis.

Pavageau was the son of Ferreol “Joseph” Pavageau and Alice Philippe. He was the descendant of a marriage between two of the oldest Creole families in New Orleans. His family traced their roots to wealthy French planters who were displaced by the Haitian Revolution and friends of Bienville, the founder of New Orleans. For almost 40 years he was the Grand Marshal of the Second Line of the Mardi Gras Parade. The second line is known for twirling ornamental umbrellas during their gatherings. The twirling of umbrellas may have been adapted from the early Italian immigrant custom of using umbrellas at funeral processions. Alcide died in 1969 in New Orleans at the age of 80.

Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionismalong with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France’s greatest living composer.

Born to a music-loving family, Ravel attended France’s premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers’ piano music, of which his 1922 version of Mussorgsky‘s Pictures at an Exhibition is the best known.

A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.

Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.

Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

In 2002, Purim was the recipient of one of Brazil’s highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called “The Queen of Brazilian Jazz”.

Purim was born in Rio de Janeiro, Brazil, to Jewish parents who were classical musicians. Her father Naum Purim played violin and her mother Rachel Vaisberg was a pianist. When her father was out of the house, her mother played jazz.

John Leslie “Wes” Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound.

Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.

Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname “Wes” was a child’s abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped out of school to sell coal and ice, gradually saving enough money to buy his brother Wes a four-string tenor guitar from a pawn shop in 1935. Although Montgomery spent many hours with the guitar, he discounted this time later in life, saying he had to start over when he got his first six-string several years later. Montgomery died of a heart attack on June 15, 1968, while at home in Indianapolis. His grandson is actor Anthony Montgomery, who played Travis Mayweather on Star Trek: Enterprise.

https://www.youtube.com/watch?v=SZkmozm0UII

Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro.

Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory.

In 1946–47, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker’s health near to collapse, he played “Max is Making Wax”, “Lover Man“, and “The Gypsy”