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The Crab Nebula is cataloged as M1, the first object on Charles Messier’s famous list of things which are not comets. In fact, the Crab is now known to be a supernova remnant, expanding debris from massive star’s death explosion, witnessed on planet Earth in 1054 AD. This brave new image offers a 21st century view of the Crab Nebula by presenting image data from across the electromagnetic spectrum as wavelengths of visible light. From space, Chandra (X-ray) XMM-Newton (ultraviolet), Hubble (visible), and Spitzer (infrared), data are in purple, blue, green, and yellow hues. From the ground, Very Large Array radio wavelength data is shown in red. One of the most exotic objects known to modern astronomers, the Crab Pulsar, a neutron star spinning 30 times a second, is the bright spot near picture center. Like a cosmic dynamo, this collapsed remnant of the stellar core powers the Crab’s emission across the electromagnetic spectrum. Spanning about 12 light-years, the Crab Nebula is 6,500 light-years away in the constellation Taurus.
Jan Garbarek (born 4 March 1947) is a Norwegian jazz saxophonist, who is also active in classical music and world music.
Garbarek was born in Mysen, Østfold, southeastern Norway, the only child of a former Polish prisoner of war, Czesław Garbarek, and a Norwegian farmer’s daughter. He grew up in Oslo, stateless until the age of seven, as there was no automatic grant of citizenship in Norway at the time. When he was 21, he married the author Vigdis Garbarek. He is the father of musician and composer Anja Garbarek.
Garbarek’s style incorporates a sharp-edged tone, long, keening, sustained notes, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as Electronic Sonata for Souls Loved by Nature). By 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach. Garbarek gained wider recognition through his work with pianist Keith Jarrett‘s European Quartet which released the albums Belonging (1974), My Song (1977) and the live recordings Personal Mountains (1979), and Nude Ants (1979). He was also a featured soloist on Jarrett’s orchestral works Luminessence (1974) and Arbour Zena (1975).
more...Bernard “Barney” Jean Wilen (4 March 1937 – 25 May 1996) was a French tenor and soprano saxophonist and jazz composer.
Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. He began performing in clubs in Nice after being encouraged by Blaise Cendrars who was a friend of his mother. His career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film Ascenseur pour l’Échafaud (Elevator to the Gallows). In 1959, Wilen wrote his two soundtracks Un Témoin Dans la Ville and Jazz sur scène with Kenny Clarke. He wrote a soundtrack for Roger Vadim‘s film Les Liaisons Dangereuses two years later, working with Thelonious Monk. Wilen returned to composing for French films in the 1980s and 1990s. In the mid-to-late 1960s, he became interested in rock, and recorded an album dedicated to Timothy Leary. Wilen toured in Japan for the first time in 1990. He also worked with punk rockers before returning to jazz in the 1990s. Wilen played with modern jazz musicians until his death in 1996. He died of cancer in Paris at the age of 59.
more...Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Born in Johannesburg to Swazi and Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief role in the anti-apartheid film Come Back, Africa, which brought her international attention, and led to her performing in Venice, London, and New York City. In London, she met the American singer Harry Belafonte, who became a mentor and colleague. She moved to New York City, where she became immediately popular, and recorded her first solo album in 1960. Her attempt to return to South Africa that year for her mother’s funeral was prevented by the country’s government.
Makeba’s career flourished in the United States, and she released several albums and songs, her most popular being “Pata Pata” (1967). Along with Belafonte she received a Grammy Award for her 1965 album An Evening with Belafonte/Makeba. She testified against the South African government at the United Nations and became involved in the civil rights movement. She married Stokely Carmichael, a leader of the Black Panther Party, in 1968. As a result, she lost support among white Americans. The US government cancelled her visa while she was travelling abroad, leading her and Carmichael to move to Guinea. She continued to perform, mostly in African countries, including at several independence celebrations. She began to write and perform music more explicitly critical of apartheid; the 1977 song “Soweto Blues“, written by her former husband Hugh Masekela, was about the Soweto uprising. After apartheid was dismantled in 1990, Makeba returned to South Africa. She continued recording and performing, including a 1991 album with Nina Simone and Dizzy Gillespie, and appeared in the 1992 film Sarafina!. She was named a UN goodwill ambassador in 1999, and campaigned for humanitarian causes. She died of a heart attack during a 2008 concert in Italy.
Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. She also made popular several songs critical of apartheid, and became a symbol of opposition to the system, particularly after her right to return was revoked. Upon her death, former South African President Nelson Mandela said that “her music inspired a powerful sense of hope in all of us.”
more...Antonio Lucio Vivaldi 4 March 1678 – 28 July 1741) was an ItalianBaroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest.
Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. His influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers and was paramount in the development of Johann Sebastian Bach‘s instrumental music and the French concerto (Michel Corrette, Jean-Joseph de Mondonville, Louis-Nicholas Clérambault).
Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked as a Catholic priest for 18 months and was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi’s arrival, and Vivaldi himself died in poverty less than a year later.
After almost two centuries of decline, Vivaldi’s musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of Vivaldi’s compositions, once thought lost, have been rediscovered – in one case as recently as 2006. His music remains widely popular in the present day and is regularly played all over the world.
more...Rhumba flamenco with Corazon del Flamenco in Odessa
more...Thursday March 3rd 10am matinee FREE ADMISSION today only. JCC St Louis Park. Music with Todd Russell, Riley Helgeson, Mark Yannie, Tom Lewis and mick laBriola.
A mere 46 million light-years distant, spiral galaxy NGC 2841 can be found in the northern constellation of Ursa Major. This deep view of the gorgeous island universe was captured during 32 clear nights in November, December 2021 and January 2022. It shows off a striking yellow nucleus, galactic disk, and faint outer regions. Dust lanes, small star-forming regions, and young star clusters are embedded in the patchy, tightlywound spiral arms. In contrast, many other spirals exhibit grand, sweeping arms with large star-forming regions. NGC 2841 has a diameter of over 150,000 light-years, even larger than our own Milky Way. X-ray imagessuggest that resulting winds and stellar explosions create plumes of hot gas extending into a halo around NGC 2841.
John Primer (born March 5, 1945, Camden, Mississippi, United States) is an American Chicago blues and electric blues singer and guitarist who played behind Junior Wells in the house band at Theresa’s Lounge and as a member of the bands of Willie Dixon, Muddy Waters and Magic Slimbefore launching an award-winning career as a front man, carrying forward the traditional Windy City sound into the 21st century.
Born into a family of Mississippi sharecroppers, Primer grew up imbued with a strong work ethic from his forebears and in a farming community that was deeply involved in the blues tradition, singing work songs in the field during the week and spirituals in church on Sundays. Living on the Mansell Plantation in rural Madison County, he lived in a shack with no running water and a leaking roof with his large, extended family. He shared a bed with cousins, and lost his father at age 22 after a truck accident when he was four years old.
more...Dupree Bolton (3 March 1929 – 5 June 1993) was a jazz trumpeter from Oklahoma City, Oklahoma, known for his recordings with Harold Land and Curtis Amy.
Dupree Bolton was born in Oklahoma City, Oklahoma on 3 March 1929. His father was likewise a musician who earned a meager living working in the defense industry. The Bolton family later moved to Southern California where Dupree spent most of his childhood and teenage years. Dupree picked up the trumpet at an early age, becoming a professional musician by the time he was around 15 – running away from home to join Jay McShann’s band.
more...James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman’s albums Ornette on Tenor and The Art of the Improvisers. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career.
more...Arthel Lane “Doc” Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. Watson won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson’s fingerstyle and flatpicking skills, as well as his knowledge of traditional American music, were highly regarded. Blind from a young age, he performed publicly both in a dance band and solo, as well as for over 15 years with his son, guitarist Merle Watson, until Merle’s death in 1985 in an accident on the family farm.
Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname “Doc” during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted “Call him Doc!”, presumably in reference to the literary character Sherlock Holmes‘s companion, Doctor Watson. The name stuck.
An eye infection caused Watson to lose his vision before his second birthday. He attended North Carolina’s school for the blind, the Governor Morehead School, in Raleigh, North Carolina.
more...Free Admission Wednesday 3-2-22 10am matinee @ the JCC St Louis Park. Youtube video filming. Music with Todd Russell, Riley Helgeson, Mark Yannie, Tom Lewis and mick laBriola.
Last month, the Sun produced the largest prominence ever imaged together with a complete solar disk. The record image, featured, was captured in ultraviolet light by the Sun-orbiting Solar Orbiter spacecraft. A quiescent solar prominence is a cloud of hot gas held above the Sun’s surface by the Sun’s magnetic field. This solar prominence was huge — spanning a length rivaling the diameter of the Sun itself. Solar prominences may erupt unpredictably and expel hot gas into the Solar System via a Coronal Mass Ejection (CME). When a CME strikes the Earth and its magnetosphere, bright auroras may occur. This prominence did produce a CME, but it was directed well away from the Earth. Although surely related to the Sun’s changing magnetic field, the energy mechanism that creates and sustains a solar prominence remains a topic of research.
Lewis Allan Reed (March 2, 1942 – October 27, 2013 NY, NY) was an American musician, singer, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. The Velvet Underground was not a commercial success during its existence, but became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed’s distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
After leaving the band in 1970, Reed released twenty solo studio albums. His second, Transformer (1972), was produced by David Bowie and arranged by Mick Ronson, and brought him mainstream recognition. The album is considered an influential landmark of the glam rock genre, anchored by Reed’s most successful single, “Walk on the Wild Side“. After Transformer, the less commercial but critically acclaimed Berlinpeaked at No. 7 on the UK Albums Chart. Rock ‘n’ Roll Animal (a live album released in 1974) sold strongly, and Sally Can’t Dance (1974) peaked at No. 10 on the Billboard 200; but for a long period after, Reed’s work did not translate into sales, leading him deeper into drug addiction and alcoholism. Reed cleaned up in the early 1980s, and gradually returned to prominence with The Blue Mask and New Sensations(1984), reaching a critical and commercial career peak with his 1989 album New York.
Reed participated in the re-formation of the Velvet Underground in the 1990s, and made several more albums, including a collaboration album with John Cale titled Songs for Drella which was a tribute to their former mentor Andy Warhol. Magic and Loss (1992) would become Reed’s highest-charting album on the UK Albums Chart, peaking at No. 6.
He contributed music to two theatrical interpretations of 19th century writers, one of which he developed into an album titled The Raven. He married his third wife Laurie Anderson in 2008, and recorded the collaboration album Lulu with Metallica. He died in 2013 of liver disease. Reed has been inducted into the Rock and Roll Hall of Fame twice; as a member of the Velvet Underground in 1996 and as a solo act in 2015.
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