Blog
Tango is usually played either por media (on the fifth string in A phyrgian, relative to the capo) or por arriba (on the fifth string in E phyrgian, relative to the capo). Its compas is a simple four-count, with accents on the 2, 3, and 4. This basic count is often grouped in sets of two or four, making for musical phrases in 8 or 16 counts. Though the accents on the 2, 3, and 4 can be combined in different ways, the one count is always de-emphasized.
more...This spectacular intergalactic skyscape features Arp 227, a curious system of galaxies from the 1966 Atlas of Peculiar Galaxies. Some 100 million light-years distant within the boundaries of the constellation Pisces, Arp 227 consists of the two galaxies prominent above and left of center, the shell galaxy NGC 474 and its blue, spiral-armed neighbor NGC 470. The readily apparent shells and star streams of NGC 474 are likely tidal features originating from the accretion of another smaller galaxy during close gravitational encounters that began over a billion years ago. The large galaxy on the bottom righthand side of the deep image, NGC 467, appears to be surrounded by faint shells and streams too, evidence of another merging galaxy system. Intriguing background galaxies are scattered around the field that also includes spiky foreground stars. Of course, those stars lie well within our own Milky Way Galaxy. The telescopic field of view spans 25 arc minutes or just under 1/2 degree on the sky.
more...Howard Rumsey (November 7, 1917 – July 15, 2015) was an American jazz double-bassist known for his leadership of the Lighthouse All-Stars in the 1950s.
Born in Brawley, California, United States, Rumsey first began playing the piano, followed by the drums and finally the bass. After jobs with Vido Musso and Johnnie Davis, Rumsey became part of Stan Kenton‘s first band. Rumsey soon left Kenton after an argument. He played with Charlie Barnet and Barney Bigard before taking a short hiatus from music. Following this absence, Rumsey returned to the Los Angeles jazz scene to form the group the Lighthouse All-Stars. For most of the 1950s this group played each Sunday at the Lighthouse Cafe in Hermosa Beach. During its lifetime, the Lighthouse All-Stars were one of the primary modern jazz institutions on the west coast, providing a home for many Los Angeles musicians.
more...David Spencer Ware (November 7, 1949 – October 18, 2012 Plainfield, NJ) was an American jazz saxophonist, composer, and bandleader. Ware’s debut album as a leader was recorded in 1977 – together with pianist Gene Ashton (aka Cooper-Moore) and drummer Marc Edwards – and released by HatHut in 1979. He performed and recorded with the groups of pianist Cecil Taylor and drummer Andrew Cyrille in the mid-late 1970s. He formed his own quartet in 1989. The group was originally composed of Ware, pianist Matthew Shipp, bassist William Parker, and drummer Marc Edwards. While Shipp and Parker were members for the group’s entire existence, the drum chair was later occupied by Whit Dickey, Susie Ibarra, and Guillermo E. Brown.
more...
Roberta Joan “Joni” Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. Among her accolades are eleven Grammy Awards, and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her “one of the greatest songwriters ever”, and AllMusic has stated, “Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century.”
Mitchell began singing in small nightclubs in Saskatoon and throughout western Canada, before moving on to the nightclubs of Toronto. She moved to the United States and began touring in 1965. Some of her original songs (“Urge for Going”, “Chelsea Morning“, “Both Sides, Now“, “The Circle Game“) were recorded by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like “Big Yellow Taxi” and “Woodstock“. Her 1971 album Blue is often cited as one of the greatest albums of all time; it was rated the 30th best album ever made in Rolling Stone‘s 2003 list of the “500 Greatest Albums of All Time“, rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented “turning points and pinnacles in 20th-century popular music”. NPR ranked Blue number 1 on a 2017 list of Greatest Albums Made By Women.
Mitchell began exploring more jazz-influenced ideas on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris“ and became her best-selling album. Mitchell’s vocal range began to shift from mezzo-soprano to that of a wide-ranging contralto around 1975. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-Western beats. Starting in the mid-1970s, she began working with noted jazz musicians including Jaco Pastorius, Tom Scott, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded the Grammy Lifetime Achievement Award in 2002.
Mitchell produced or co-produced most of her albums and designed most of her own album covers, describing herself as a “painter derailed by circumstance”. A critic of the music industry, she quit touring and released her 19th and last album of original songs in 2007. She gave occasional interviews and made appearances to speak on various causes over the next two decades, though the rupture of a brain aneurysm in 2015 led to a long period of recovery and therapy. A series of retrospective compilations were released over the time period, culminating in the Joni Mitchell Archives, a project to publish much of the unreleased material from her long career. She returned to public appearances in 2021, accepting several awards in person, including a Kennedy Center Honor. Mitchell returned to live performance with an unannounced show at the June 2022 Newport Folk Festival and has made several other appearances since, including a headlining show in 2023.
more...What is sure is that over 900 large stone statues called moais exist there. The Rapa Nui (Easter Island) moais stand, on average, over twice as tall as a person and have over 200 times as much mass. It is thought that the unusual statues were created about 600 years ago in the images of local leaders of a vibrant and ancient civilization. Rapa Nui has been declared by UNESCO to a World Heritage Site. Pictured here, some of the stone giants were imaged last month under the central band of our Milky Way galaxy. Previously unknown moais are still being discovered.
more...
Arturo Sandoval (born November 6, 1949) is a Cuban-American jazz trumpeter, pianist, timbalero, and composer. While living in his native Cuba, Sandoval was influenced by jazz musicians Charlie Parker, Clifford Brown, and Dizzy Gillespie. In 1977 he met Gillespie, who became his friend and mentor and helped him defect from Cuba while on tour with the United Nations Orchestra. Sandoval became an American naturalized citizen in 1998. His life was the subject of the film For Love or Country: The Arturo Sandoval Story (2000) starring Andy García.
Sandoval has won 10 Grammy Awards, Billboard Awards and one Emmy Award. He performed at the White House[1] and at the Super Bowl (1995).
more...Douglas Wayne Sahm (November 6, 1941 – November 18, 1999) was an American musician, singer-songwriter, and multi-instrumentalist from San Antonio, Texas. He is regarded as a key Tex-Mex music and Texan Music performer. San Antonio’s conjuntoand blues and later the hippie scene of San Francisco helped create his blend of music, with which he found success performing in 1970s Austin, Texas.
He made his recording debut as “Little Doug” in 1955. In 1965, Huey P. Meauxproduced Sahm and the Sir Douglas Quintet’s “She’s About a Mover.” Atlantic Recordssigned Sahm and released his debut solo album Doug Sahm and Band in 1973. In 1989, Sahm formed the supergroup the Texas Tornados with fellow Tex-Mex musicians Augie Meyers, Freddy Fender and Flaco Jiménez. The Texas Tornados toured successfully, and one of their releases earned a Grammy Award. In 1999, Sahm died during a vacation trip.
more...John Philip Sousa ( November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as “The March King” or the “American March King”, to distinguish him from his British counterpart Kenneth J. Alford. Among Sousa’s best-known marches are “The Stars and Stripes Forever” (National March of the United States of America), “Semper Fidelis” (official march of the United States Marine Corps), “The Liberty Bell“, “The Thunderer“, and “The Washington Post“.
Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. Sousa’s father enlisted him in the United States Marine Band as an apprentice in 1868. Sousa left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880, Sousa rejoined the Marine Band and served there for 12 years as director, after which he was hired to conduct a band organized by David Blakely, P.S. Gilmore‘s former agent. Blakely wanted to compete with Gilmore. From 1880 until his death, Sousa focused exclusively on conducting and writing music. He aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.
Upon the United States joining World War I, Sousa was awarded a wartime commission of lieutenant to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until his death in 1932. In the 1920s, Sousa was promoted to the permanent rank of lieutenant commander in the naval reserve.
more...
The Great Nebula in Orion, an immense, nearby starbirth region, is probably the most famous of all astronomical nebulas. Here, glowing gas surrounds hot young stars at the edge of an immense interstellar molecular cloudonly 1500 light-years away. In the featured deep image in assigned colors highlighted by emission in oxygen and hydrogen, wisps and sheets of dust and gas are particularly evident. The Great Nebula in Orion can be found with the unaided eye near the easily identifiable belt of three stars in the popular constellation Orion. In addition to housing a bright open cluster of stars known as the Trapezium, the Orion Nebula contains many stellar nurseries. These nurseries contain much hydrogen gas, hot young stars, proplyds, and stellar jets spewing material at high speeds. Also known as M42, the Orion Nebula spans about 40 light years and is located in the same spiral arm of our Galaxy as the Sun.
more...
More Posts
- Clarence “Frogman” Henry
- Harry Babasin
- Lennie Tristano
- Buster Bennett
- Flamenco Fridays with Israel Fernández y Diego Del Morao
- Daily Roots with Joe Yorke & The Eastonian Singers – Judgement Tree
- The Cosmos with NGC 1333
- Andy Narell
- Bill Frisell
- Wilson Pickett
- Big Daddy Kinsey
- José Mangual
- World Music with Dalinda
- Daily Roots with the Co Operators and Perkie
- Happy St Patricks Day 2021
- The Cosmos with NGC 1499
- John Sebastian
- Paul Horn
- Nat King Cole
- Lovie Lee