mick laBriola

The main galaxy, spiral galaxy NGC 4651, is about the size of our Milky Way, while its stellar parasol appears to extend some 100 thousand light-years above this galaxy’s bright disk. A small galaxy was likely torn apart by repeated encounters as it swept back and forth on eccentric orbits through NGC 4651. The remaining stars will surely fall back and become part of a combined larger galaxy over the next few million years. The featured image was captured by the Canada-France-Hawaii Telescope(CFHT) in Hawaii, USA. The Umbrella Galaxy lies about 50 million light-years distant toward the well-groomed northern constellation Coma Berenices.

Winston Rodney OD (born 1 March 1945), better known by the stage name Burning Spear, is a Jamaican roots reggae singer-songwriter, vocalist and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s.

Winston Rodney was born in Saint Ann’s Bay, Saint Ann, Jamaica. As a young man he listened to the R&B, soul and jazz music transmitted by the US radio stations whose broadcasts reached Jamaica. Curtis Mayfield is cited by Rodney as a major US musical influence along with James Brown. Rodney was deeply influenced as a young man by the views of the political activist Marcus Garvey, especially with regard to the exploration of the themes of Pan-Africanism and self-determination. In 1969, Bob Marley, who was also from Saint Ann, advised Rodney to approach Coxsone Dodd‘s Studio One label after Rodney sought his advice during a casual conversation.

Ralph Towner (born March 1, 1940) is an American multi-instrumentalist, composer, arranger and bandleader. He plays the twelve-string guitar, classical guitar, piano, synthesizer, percussion,trumpet and french horn.

Towner was born into a musical family in Chehalis, Washington, United States. His mother was a piano teacher and his father a trumpet player. Towner learned to improvise on the piano at the age of three. He began his career as a conservatory-trained classical pianist, attending the University of Oregon from 1958-1963, where he also studied composition with Homer Keller. He studied classical guitar at the Vienna Academy of Music with Karl Scheit from 1963–64 and 1967-68.

He joined world music pioneer Paul Winter‘s “Consort” ensemble in the late 1960s. He first played jazz in New York City in the late 1960s as a pianist and was strongly influenced by the renowned jazz pianist Bill Evans. He began improvising on classical and 12-string guitars in the late 1960s and early 1970s and formed alliances with musicians who had worked with Evans, including flautist Jeremy Steig, bassists Eddie Gómez, Marc Johnson, Gary Peacock, and drummer Jack DeJohnette.

Benny Powell (March 1, 1930 – June 26, 2010) was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone.

Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton’s band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie’s 1955 recording of “April in Paris“.

After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones–Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the Merv Griffin Show, and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his career Powell worked as an educator, including as part of the Jazzmobile project. Having moved back to New York in the 1980s, he began teaching at the New School for Jazz and Contemporary Music in 1994.

He died in a Manhattan hospital at the age of 80, following back surgery.

Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English musician and composer, best known as the founder and original leader of the Rolling Stones. Initially a slide guitarist, Jones went on to play a wide variety of instruments on Rolling Stones recordings and in concerts, from lead and rhythm guitar and sitar to various keyboard and wind instruments.

After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones’s fellow band members Keith Richards and Mick Jagger began to take over the band’s musical direction, especially after they became a successful songwriting team. Jones and fellow guitarist Richards also developed a unique style of guitar play that Richards refers to as the “ancient art of weaving” in which both players would play rhythm and lead parts together. Richards continued the style with later guitarists, and the sound became a Rolling Stones trademark. Jones, however, did not get along with the band’s manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones’s blues background, and with whom he got into many fights.

When Jones developed alcohol and drug problems, his performance in the studio became increasingly unreliable, leading to a diminished role within the band he had founded. In June 1969, the Rolling Stones dismissed Jones; guitarist Mick Taylor took his place in the group. Less than a month later, at 27 years of age, Jones died by drowning in the swimming pool at his home. Jones’s death was referenced in songs by many other pop bands, and Pete Townshend and Jim Morrison wrote poems about it. Referring to Jones, the Rolling Stones’ Bill Wyman lamented the waste of a great innovator. In 1989, the Rolling Stones, including Jones, were inducted into the Rock and Roll Hall of Fame.

John Aloysius Fahey  February 28, 1939 – February 22, 2001 Washington DC) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.

Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on Rolling Stone magazine’s “100 Greatest Guitarists of All Time” list.

William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo, was an American Latin  jazzpercussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.

Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States.^[1][5] His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums. In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band’s concerts, sometimes filling in on percussion.

At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player.

SUPPORT UKRAINE

Chuck Wayne (February 27, 1923 – July 29, 1997 NY,NY) was a jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman‘s First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett‘s music director and accompanist. He developed a systematic method for playing jazz guitar.

Wayne was known for a bebop style influenced by saxophone players of his time, especially Charlie Parker and Coleman Hawkins. In an era when many guitarists used four-square, mandolin-style picking, with rigid up-down stroke articulation, Wayne developed a technique not widely adopted by others until decades later. He also developed a comprehensive approach to guitar chords and arpeggios – based on generic tetrad forms spanning all possible inversions, in varying degrees of open voicing. This highly analytic approach to the fretboard was later documented in a series of theory books, some released posthumously.