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Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English musician and composer, best known as the founder and original leader of the Rolling Stones. Initially a slide guitarist, Jones went on to play a wide variety of instruments on Rolling Stones recordings and in concerts, from lead and rhythm guitar and sitar to various keyboard and wind instruments.

After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones’s fellow band members Keith Richards and Mick Jagger began to take over the band’s musical direction, especially after they became a successful songwriting team. Jones and fellow guitarist Richards also developed a unique style of guitar play that Richards refers to as the “ancient art of weaving” in which both players would play rhythm and lead parts together. Richards continued the style with later guitarists, and the sound became a Rolling Stones trademark. Jones, however, did not get along with the band’s manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones’s blues background, and with whom he got into many fights.

When Jones developed alcohol and drug problems, his performance in the studio became increasingly unreliable, leading to a diminished role within the band he had founded. In June 1969, the Rolling Stones dismissed Jones; guitarist Mick Taylor took his place in the group. Less than a month later, at 27 years of age, Jones died by drowning in the swimming pool at his home. Jones’s death was referenced in songs by many other pop bands, and Pete Townshend and Jim Morrison wrote poems about it. Referring to Jones, the Rolling Stones’ Bill Wyman lamented the waste of a great innovator. In 1989, the Rolling Stones, including Jones, were inducted into the Rock and Roll Hall of Fame.

John Aloysius Fahey  February 28, 1939 – February 22, 2001 Washington DC) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.

Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on Rolling Stone magazine’s “100 Greatest Guitarists of All Time” list.

William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo, was an American Latin  jazzpercussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.

Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States.^[1][5] His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums. In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band’s concerts, sometimes filling in on percussion.

At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player.

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Chuck Wayne (February 27, 1923 – July 29, 1997 NY,NY) was a jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman‘s First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett‘s music director and accompanist. He developed a systematic method for playing jazz guitar.

Wayne was known for a bebop style influenced by saxophone players of his time, especially Charlie Parker and Coleman Hawkins. In an era when many guitarists used four-square, mandolin-style picking, with rigid up-down stroke articulation, Wayne developed a technique not widely adopted by others until decades later. He also developed a comprehensive approach to guitar chords and arpeggios – based on generic tetrad forms spanning all possible inversions, in varying degrees of open voicing. This highly analytic approach to the fretboard was later documented in a series of theory books, some released posthumously.

Mitch Ryder (born William Sherille Levise, Jr.; February 26, 1945) is an American musician who has recorded more than 25 albums over more than four decades.

Ryder formed his first band, Tempest, when he was at Warren High School, and the group gained some notice playing at a Detroit soul music club called The Village. Ryder next appeared fronting a band named Billy Lee & The Rivieras, which had limited success until they met songwriter / record producer Bob Crewe. Crewe renamed the group Mitch Ryder & The Detroit Wheels, and they recorded several hit records for his DynoVoice Records and New Voice labels in the mid to late 1960s, most notably 1964’s “Devil with a Blue Dress On“, their highest-charting single at number four, as well as “Jenny Take a Ride!”, which reached number 10 in 1965, and “Sock It to Me, Baby!”, a number six hit in 1967. The Detroit Wheels were John Badanjek on drums, Mark Manko on lead guitar, Joe Kubert (not to be confused with the comic book illustrator Joe Kubert) on rhythm guitar, Jim McCarty (not to be confused with the Yardbirds drummer of the same name) on lead guitar and Jim McAllister on bass.

David Pell (February 26, 1925 – May 7, 2017) was an American jazz saxophonist, bandleader and record producer. He was best known for leading a cool jazz octet in the 1950s.

Pell played in his teens with the big bands of Tony Pastor, Bob Astor, and Bobby Sherwood. In the 1940s he moved to California, where he played on Bob Crosby‘s radio show in 1946 and became a member of Les Brown‘s band from 1947 to 1955.

In 1953, he began working with his own ensembles, mostly as an octet with Pell on tenor saxophone, another saxophone (either a baritone or an alto), trumpet, trombone, guitar, and a piano-bass-drums rhythm section). Among the octet players were Pepper Adams, Benny Carter, Mel Lewis, Red Mitchell, Marty Paich, Art Pepper and, early his career, John Williams. These ensembles recorded in the 1950s for Atlantic, Kapp, Coral, Capitol, and RCA Victor. Pell also worked as a sideman for Shorty Rogers, Pete Rugolo, Benny Goodman, and Gene Krupa. He produced music in the 1950s and 1960s for Tops, Uni and Liberty; among his credits were singles by Gary Lewis & the Playboys.

In 1961, Pell switched to alto saxophone and clarinet for a tribute album to John Kirby, who led a small group in the 1930s and 1940s.

Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017 NOLA), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single “The Fat Man” is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song’s co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price‘s “Lawdy Miss Clawdy” (1952) and scoring a string of mainstream hits beginning with “Ain’t That a Shame” (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.

Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a “huge influence on me when I started out” and described him as “the real king of rock ‘n’ roll”. The artist himself did not define his work as rock and roll, saying of the genre “It wasn’t anything but the same rhythm and blues I’d been playing down in New Orleans”. Four of Domino’s records were named to the Grammy Hall of Fame for their significance: “Blueberry Hill“, “Ain’t That A Shame“, “Walking to New Orleans” and “The Fat Man”. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. The Associated Press estimates that during his career, Domino “sold more than 110 million records”.