mick laBriola

Ida Cox (born Ida M. Prather, February 26, 1888 or 1896 – November 10, 1967) was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as “The Uncrowned Queen of the Blues”.

Cox was born Ida M. Prather, the daughter of Lamax and Susie (Knight) Prather in Toccoa, then Habersham County, Georgia, and grew up in Cedartown, Polk County, Georgia. Many sources give her birth date as February 26, 1896, but the researchers Bob Eagle and Eric LeBlanc have suggested she was born in 1888 and noted other evidence suggesting 1894. Her family lived and worked in the shadow of the Riverside Plantation, the private residence of the wealthy Prather family, from which her namesake came. She faced a future of poverty and few educational and employment opportunities.

Cox joined the local African Methodist Choir at an early age and developed an interest in gospel music and performance. At the age of 14, she left home to tour with White and Clark’s Black & Tan Minstrels. She began her career on stage by playing Topsy, a “pickaninny” role commonly performed in vaudeville shows of the time, often in blackface. Cox’s early experience with touring troupes included stints with other African-American travelling minstrel shows on the Theater Owners Booking Association vaudeville circuit: the Florida Orange Blossom Minstrels, the Silas Green Show, and the Rabbit Foot Minstrels.

Alonso Lobo (February 25, 1555 (baptised) – April 5, 1617) was a Spanish composer of the late Renaissance. Although not as famous as Tomás Luis de Victoria, he was highly regarded at the time, and Victoria himself considered him to be his equal.

Lobo’s music combines the smooth contrapuntal technique of Palestrina with the sombre intensity of Victoria. Some of his music also uses polychoraltechniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian schooloften used many more — the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark’s Basilica). Lobo was influential far beyond the borders of his native Spain: in Portugal, and as far away as Mexico, for the next hundred years or more he was considered to be one of the finest Spanish composers.

The term called “Solea” represents the time to enter into your own soul and be inside yourself with no interference. The dance is more constrained, you are in a control that in the dynamic of the dance, you can see the dancer keeping every movement to herself as if talking with her own soul. Contrary to the flamenco dance “Alegrias” or “Bulerias,” where we see the dancer being more outgoing, the dance is free of control and it is more free-flowing, less restrictive, in Solea, there is a strong conversation with the inner-self.

Nicholas Christian Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins recorded and performed on many British and American pop and rock music releases from the 1960s through the 1990s including many songs by The Rolling Stones, The Kinks and The Who.

Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Community School, and was initially tutored by a local piano teacher; in his teens he won a scholarship to the Royal Academy of Music in London. He suffered from Crohn’s disease for most of his life.

His poor health and repeated surgery later made it difficult for him to tour, and he worked mainly as a session musician for most of his career.Hopkins’ studies were interrupted in 1960 when he left school at 16 to become the pianist with Screaming Lord Sutch‘s Savages until, two years later, he and fellow Savages Bernie Watson, Rick Brown (aka Ricky Fenson) and Carlo Little joined the renowned blues harmonica player Cyril Davies, who had just left Blues Incorporated, and became the Cyril Davies (R&B) All-Stars. Hopkins died on 6 September 1994, at the age of 50, in Nashville, Tennessee, from complications resulting from intestinal surgery related to his lifelong battle with Crohn’s disease. At the time of his death, he was working on his autobiography with Ray Coleman.

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.

The AllMusic Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David ‘Fathead’ Newman.”Newman was a leading exponent of the “Texas Tenor” saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state.

Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.”

Inspired by the jump blues bandleader Louis Jordan, Newman took up the alto saxophone in the seventh grade, and was mentored by former Count Basie saxophonist Buster Smith. He went off to Jarvis Christian College on a music and theology scholarship but quit school after three years and began playing professionally.

Pictured, the Robert C. Byrd Green Bank Telescope (GBT) on the lower right is the largest fully-pointable single-dish radio telescope in the world. With a central dish larger than a football field, the GBT is nestled in the hills of West Virginia, USA in a radio quiet zone where the use of cell phones, WiFi emitters, and even microwave ovens are limited. The GBT explores our universe not only during the night — but during the day, too, since the daytime sky is typically dark in radio waves. Taken in late January, the featured image was planned for months to get the setting locationof Orion just right. The image is a composite of a foreground shot taken over a kilometer away from the GBT, and a background shot built up of long exposures during the previous night. The deep background image of Orion is fitting because the GBT is famous for, among many discoveries, mapping the unusual magnetic field in the Orion Molecular Cloud Complex.

Wayne Escoffery (born 23 February 1975) is an American jazz saxophonist.

Since 2000, he has been working in New York City with Carl Allen, Eric Reed, and the Mingus Big Band. Other musicians performed with include Ralph Peterson, Ben Riley, Ron Carter, Rufus Reid, Bill Charlap, Bruce Barth, Jimmy Cobb, and Eddie Henderson. He has worked with vocalists including Mary Stallings, Cynthia Scott, Nancie Banks, LaVerne Butler, and Carolyn Leonhart. In addition to performing with his own Quartet featuring David Kikoski, Ugonna Okegwo and Ralph Peterson, Escoffery currently performs and tours with Ben Riley‘s Monk Legacy Septet, The Mingus Band, Ron Carter’s great Big Band, Monty Alexander, Amina Figarova and many others. He is currently a member of The Tom Harrell Quintet and has been since 2006. He has also co-produced four of Harrell’s latest recordings.

John Dawson Winter III (February 23, 1944 – July 16, 2014) was an American singer and guitarist. Winter was known for his high-energy blues rock albums and live performances in the late 1960s and 1970s. He also produced three Grammy Award–winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time“.

Johnny Winter was born in Beaumont, Texas, on February 23, 1944. He and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Their father, Leland, Mississippi native John Dawson Winter Jr. (1909–2001), was also a musician who played saxophone and guitar and sang at churches, weddings, Kiwanis and Rotary Club gatherings. Johnny and his brother, both of whom were born with albinism, began performing at an early age. When he was ten years old, the brothers appeared on a local children’s show with Johnny playing ukulele.

Even our own Milky Way Galaxy is thought to have a modest central bar. Prominently barred spiral galaxy NGC 6217, featured here, was captured in spectacular detail in this image taken by the Advanced Camera for Surveys on the orbiting Hubble Space Telescope in 2009. Visible are dark filamentary dust lanes, young clusters of bright blue stars, red emission nebulasof glowing hydrogen gas, a long bar of stars across the center, and a bright active nucleus that likely houses a supermassive black hole. Light takes about 60 million years to reach us from NGC 6217, which spans about 30,000 light years across and can be found toward the constellation of the Little Bear (Ursa Minor). This is the first image of a celestial object taken with the newly repaired Advanced Camera for Surveys (ACS). The camera was restored to operation during the STS-125 Servicing Mission to upgrade the NASA/ESA Hubble Space Telescope. The barred spiral galaxy NGC 6217 was photographed on 13 June and 8 July 2009, as part of the initial testing and calibration of Hubble’s ACS. The galaxy lies up to 90 million light-years away in the north circumpolar constellation Ursa Major.

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S.

Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.