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Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003 Tyon, NC), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned styles including classical, jazz, blues, folk, R&B, gospel and pop.
The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where she was denied admission despite a well received audition, which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.
To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to “Nina Simone” to disguise herself from family members, having chosen to play “the devil’s music” or so-called “cocktail piano”. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with “I Loves You, Porgy“. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.
more...Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist.
Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote “If You Could See Me Now” for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.
Dameron recorded a single notable project as a leader, The Magic Touch, but was sidelined by health problems; he had several heart attacks before dying of cancer in 1965, at the age of 48. He was buried at Ferncliff Cemetery in Hartsdale, New York.
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This is the seagull nebula cataloged IC 2177 about 3800 light-years away in the direction of the Linicorn constellation.
This is a huge cloud consisting mainly of hydrogen gas, and in other proportions of oxygen, sulfur and other even heavier elements ionized by hot new stars by their intense ultraviolet radiation.
Two large HII clouds make up the seagull nebula. The first is the SH 2- 296 which forms the body and wings of our celestial bird, this formation is a nursery of stars that shape the molecular clouds around by their powerful stellar winds. The second gas cloud is SH 2- 292, which forms the head of the seagull. This cloud is more compact and possibly derives its characteristics from the star HD 53367 (the eye of the seagull).
Other smaller neighboring molecular clouds are part of this cosmic scene including SH 2- 293 and SH 2- 295 which add a degree of wonder to this region of the sky.
The show is not yet over as two open clusters invite each other to the party, these are NGC 2343 and 2335.
Finally, let’s note the gigantic shock wave compressing the cloud near the star catalogued HD 53974. The latter is a blue subgiant whose radial velocity of about 32 km/s is probably the cause of this wave.
Buffy Sainte-Marie, CC (born Beverly Sainte-Marie, c. February 20, 1941) is an Indigenous Canadian–American singer-songwriter, musician, Oscar-winning composer, visual artist, educator, pacifist, and social activist. Throughout her career in all of these areas, her work has focused on issues facing Indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism. She has won recognition, awards and honours for her music as well as her work in education and social activism. Among her most popular songs are “Universal Soldier“, “Cod’ine“, “Until It’s Time for You to Go“, “Now That the Buffalo’s Gone“, and her covers of Mickey Newbury‘s “Mister Can’t You See” and Joni Mitchell‘s “The Circle Game“. Her music has been recorded by Elvis Presley, Neil Diamond, Cher, Donovan, Joe Cocker, Jennifer Warnes, Barbra Streisand, Shirley Bassey, Roberta Flack, Janis Joplin, and Glen Campbell.
In 1983, Sainte-Marie became the first Indigenous person to win an Oscar. Her song “Up Where We Belong“, co-written for the film An Officer and a Gentleman, won both the Academy Award for Best Original Song at the 55th Academy Awards[2] and the Golden Globe for Best Original Song.
In 1997, she founded the Cradleboard Teaching Project, an educational curriculum devoted to better understanding Native Americans.
more...Oscar Marcelo Alemán (February 20, 1909 – October 14, 1980) was an Argentine jazz multi instrumentalist, guitarist, singer, and dancer.
Alemán was born in Machagai, Chaco Province, in northern Argentina. He was the fourth child of seven born to pianist Marcela Pereira, a native Argentine, and Jorge Alemán Morales, of Uruguayan descent, who played guitar in a folk quartet with his children Carlos, Juan, and Jorgelina.
At the age of six, Alemán joined the family ensemble, the Moreira Sextet, and played the cavaquinho, a chordophone related to the ukulele, before taking up the guitar. The group travelled to Buenos Aires to perform at the Parque Japonés, Nuevo Theater, and at the Luna Park. Later they toured in Brazil.
more...James Edwards Yancey (February 20, c. 1895 – September 17, 1951) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as “one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style”.
Jimmy Yancey was born in Chicago, Illinois, most likely in 1895. However, at different times he stated 1900 and 1903, and other sources give 1894 or 1898. Researchers Bob Eagle and Eric LeBlanc suggest 1901.
His brother, Alonzo Yancey (1897–1944), was also a pianist, and their father was a vaudeville guitarist and singer. By age ten, Yancey had toured across the United States as a tap dancer and singer, and by twenty he had toured throughout Europe. He began teaching himself to play the piano at the age of 15, and by 1915 had gained a sufficient profile to influence younger musicians, including Meade Lux Lewis and Albert Ammons.
Jimmy played in a boogie-woogie style, with a strong-repeated figure in the left hand and melodic decoration in the right, but his playing was delicate and subtle rather than hard driving. He popularized the left-hand figure that became known as the “Yancey bass”, later used in Pee Wee Crayton‘s “Blues After Hours“, Guitar Slim‘s “The Things That I Used to Do”, and many other songs. Yancey favored keys—such as E-flat and A-flat—that were atypical for barrelhouse blues. Distinctively, he ended many pieces in the key of E-flat, even if he had played in a different key until the ending.
more...Frank Isola (February 20, 1925 – December 12, 2004 in Detroit, Michigan) was an American jazz drummer.
Isola was born and raised in Detroit and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II (1943–45), and then studied and performed in California with Bobby Sherwood and Earle Spencer. He then moved to New York City, where he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this he played with Stan Getz (1951–53) and Gerry Mulligan (1953–54), as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.
more...Charles Kynard (20 February 1933 – 8 July 1979) was an American soul jazz/acid jazz organist born in St. Louis, Missouri.
Kynard first played piano then switched to organ and led a trio in Kansas City including Tex Johnson (flute, sax) and Leroy Anderson (drums). In 1963, he settled to Los Angeles and his band featured guitarists Cal Green and Ray Crawford, drummer Johnny Kirkwood.
more...https://www.youtube.com/watch?v=dWk6bJRx1AQ&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io&index=2
more...Maroons three gigs at McCreadys I don’t remember that. And then look who’s in the Cats pic at the Union Bar gheezzz They weren’t supposed to use that pic; I was in the original 4 pc Cats. It was the wild days and then some!
more...The two eye-catching galaxies lie far beyond the Milky Way, at a distance of over 300 million light-years. Their distorted appearance is due to gravitational tides as the pair engage in close encounters. Cataloged as Arp 273 (also as UGC 1810), the galaxies do look peculiar, but interacting galaxies are now understood to be common in the universe. Nearby, the large spiral Andromeda Galaxy is known to be some 2 million light-years away and approaching the Milky Way. The peculiar galaxies of Arp 273 may offer an analog of their far future encounter. Repeated galaxy encounters on a cosmic timescale can ultimately result in a merger into a single galaxy of stars. From our perspective, the bright cores of the Arp 273 galaxies are separated by only a little over 100,000 light-years.
more...William “Smokey” Robinson Jr. (born February 19, 1940) is an American singer, songwriter, record producer, and former record executive director. Robinson was the founder and front man of the Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins as “the Five Chimes” until 1972, when he announced his retirement from the group to focus on his role as Motown’s vice president. However, Robinson returned to the music industry as a solo artist the following year. After the sale of Motown Records in 1988, Robinson left the company in 1990.
Robinson was inducted into the Rock and Roll Hall of Fame in 1987, and was awarded the 2016 Library of Congress Gershwin Prize for his lifetime contributions to popular music.
William Robinson Jr. was born to an African-American father and a mother of African-American and French ancestry into a poor family in the North End area of Detroit, Michigan, United States. His ancestry is part Nigerian, Scandinavian, Portuguese, and Cherokee. His uncle Claude gave him the nickname “Smokey Joe” when he was a child.
more...Louis “Kid Shots” Madison (19 February 1899, New Orleans – September 1948, New Orleans) was an American jazz cornetist.
Madison was born in New Orleans on 19 February 1899. He studied cornet under David Jones, Louis Dumaine, and Joe Howard. In 1915, he was the drummer in the Colored Waif’s Home band with Louis Armstrong. In 1923, he played second cornet with the Tuxedo Brass Band. During the 1930s, he played with the WPA brass band. In the 1940s, he played with the New Orleans Eureka Brass Band. In January 1948, Madison suffered from a stroke and died eight months later.
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