mick laBriola

Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist.

Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote “If You Could See Me Now” for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.

Dameron recorded a single notable project as a leader, The Magic Touch, but was sidelined by health problems; he had several heart attacks before dying of cancer in 1965, at the age of 48. He was buried at Ferncliff Cemetery in Hartsdale, New York.

Oscar Marcelo Alemán (February 20, 1909 – October 14, 1980) was an Argentine jazz multi instrumentalist, guitarist, singer, and dancer.

Alemán was born in Machagai, Chaco Province, in northern Argentina. He was the fourth child of seven born to pianist Marcela Pereira, a native Argentine, and Jorge Alemán Morales, of Uruguayan descent, who played guitar in a folk quartet with his children Carlos, Juan, and Jorgelina.

At the age of six, Alemán joined the family ensemble, the Moreira Sextet, and played the cavaquinho, a chordophone related to the ukulele, before taking up the guitar. The group travelled to Buenos Aires to perform at the Parque Japonés, Nuevo Theater, and at the Luna Park. Later they toured in Brazil.

James Edwards Yancey (February 20, c. 1895 – September 17, 1951) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as “one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style”.

Jimmy Yancey was born in Chicago, Illinois, most likely in 1895. However, at different times he stated 1900 and 1903, and other sources give 1894 or 1898. Researchers Bob Eagle and Eric LeBlanc suggest 1901.

His brother, Alonzo Yancey (1897–1944), was also a pianist, and their father was a vaudeville guitarist and singer. By age ten, Yancey had toured across the United States as a tap dancer and singer, and by twenty he had toured throughout Europe. He began teaching himself to play the piano at the age of 15, and by 1915 had gained a sufficient profile to influence younger musicians, including Meade Lux Lewis and Albert Ammons.

Jimmy played in a boogie-woogie style, with a strong-repeated figure in the left hand and melodic decoration in the right, but his playing was delicate and subtle rather than hard driving. He popularized the left-hand figure that became known as the “Yancey bass”, later used in Pee Wee Crayton‘s “Blues After Hours“, Guitar Slim‘s “The Things That I Used to Do”, and many other songs. Yancey favored keys—such as E-flat and A-flat—that were atypical for barrelhouse blues. Distinctively, he ended many pieces in the key of E-flat, even if he had played in a different key until the ending.

Frank Isola (February 20, 1925 – December 12, 2004 in Detroit, Michigan) was an American jazz drummer.

Isola was born and raised in Detroit and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II (1943–45), and then studied and performed in California with Bobby Sherwood and Earle Spencer. He then moved to New York City, where he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this he played with Stan Getz (1951–53) and Gerry Mulligan (1953–54), as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.

Charles Kynard (20 February 1933 – 8 July 1979) was an American soul jazz/acid jazz organist born in St. Louis, Missouri.

Kynard first played piano then switched to organ and led a trio in Kansas City including Tex Johnson (flute, sax) and Leroy Anderson (drums). In 1963, he settled to Los Angeles and his band featured guitarists Cal Green and Ray Crawford, drummer Johnny Kirkwood.

https://www.youtube.com/watch?v=dWk6bJRx1AQ&list=PLEB3LPVcGcWZ0hsQ5_jgSMhawAnDzy1io&index=2

William “Smokey” Robinson Jr. (born February 19, 1940) is an American singer, songwriter, record producer, and former record executive director. Robinson was the founder and front man of the Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins as “the Five Chimes” until 1972, when he announced his retirement from the group to focus on his role as Motown’s vice president. However, Robinson returned to the music industry as a solo artist the following year. After the sale of Motown Records in 1988, Robinson left the company in 1990.

Robinson was inducted into the Rock and Roll Hall of Fame in 1987, and was awarded the 2016 Library of Congress Gershwin Prize for his lifetime contributions to popular music.

William Robinson Jr. was born to an African-American father and a mother of African-American and French ancestry into a poor family in the North End area of Detroit, Michigan, United States. His ancestry is part Nigerian, Scandinavian, Portuguese, and Cherokee. His uncle Claude gave him the nickname “Smokey Joe” when he was a child.

Louis “Kid Shots” Madison (19 February 1899, New Orleans – September 1948, New Orleans) was an American jazz cornetist.

Madison was born in New Orleans on 19 February 1899. He studied cornet under David Jones, Louis Dumaine, and Joe Howard. In 1915, he was the drummer in the Colored Waif’s Home band with Louis Armstrong. In 1923, he played second cornet with the Tuxedo Brass Band. During the 1930s, he played with the WPA brass band. In the 1940s, he played with the New Orleans Eureka Brass Band. In January 1948, Madison suffered from a stroke and died eight months later.