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William Henry “Buddy” Deppenschmidt (February 16, 1936 – March 20, 2021) was an American jazz drummer.

Deppenschmidt’s father, a saxophone player, led an orchestra under the name Buddy Williams after playing with and arranging for Paul Whiteman, Jimmy and Tommy Dorsey, and Glenn Miller. When he was four, Deppenschmidt and his mother moved from Philadelphia to Richmond, Virginia.

Self-taught, he started playing drums professionally while in his teens and then went on the road with Ronnie Bartley’s Orchestra, a territory band which travelled in the western U.S. Returning to Richmond, he played with local bands and became the drummer for the Newton Thomas Trio (1954–59) which was also the rhythm section for the Billy Butterfield Quintet. The trio toured with Butterfield throughout the northeast and midwest (1958–59). When the Newton Thomas Trio played the Virginia Beach Jazz Festival, it received rave reviews on a bill that included the Dave Brubeck Quartet and the Charlie Byrd Trio. Two nights later, Charlie Byrd came into the Jolly Roger, the jazz club where Deppenschmidt was playing, and offered him the job as drummer with his trio. He played with the trio at the Showboat Lounge in Washington, D.C. from 1959–62.

Starting in February 1961, the Charlie Byrd Trio (Charlie Byrd, guitar, Keter Betts, bass, and Buddy Deppenschmidt, drums) visited South America, Central America, and Mexico on a goodwill tour sponsored by the U.S. State Department. This three-month cultural exchange included eighteen countries. While in Brazil, Deppenschmidt spent his free time with local musicians, teaching them American jazz and learning bossa nova from them. It was his idea to record an album combining jazz and bossa nova with Stan Getz.

Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter, singer, and pianist, whose work influenced rock and roll. His compositions include “Fever“, recorded by Little Willie John; “Great Balls of Fire” and “Breathless“, recorded by Jerry Lee Lewis; “Don’t Be Cruel“, “All Shook Up” and “Return to Sender” (with Winfield Scott), recorded by Elvis Presley; and “Handy Man“, recorded by Jimmy Jones.

Blackwell was born in Brooklyn, New York. He learned to play the piano as a child and grew up listening to both R&B and country music.

His first success was winning a local talent contest (“Amateur Night”) at the Apollo Theater, in Harlem, in 1952. This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition “Daddy Rolling Stone“, which became a favorite in Jamaica, where it was recorded by Derek Martin.

Carlos Paredes ComSE (Portuguese pronunciation: [ˈkaɾluʃ pɐˈɾedɨʃ]; 16 February 1925 – 23 July 2004) was a virtuoso Portuguese guitar player and composer. He is regarded as one of the greatest players of Portuguese guitar of all-time.

Born in Coimbra, Portugal, in a family with a long tradition of guitar playing, he was taught to play the Portuguese guitar by his father, Artur Paredes. He composed numerous soundtracks for cinema and theatre, such as the soundtrack for the Portuguese film Os Verdes Anos (1963), which contains his famous piece “Canção Verde Anos”. He released several recordings as a solo artist and performed in numerous countries worldwide.

Besides his music career, Paredes also worked in the public service for most of his life. In 1958, during Portugal’s dictatorial Estado Novo regime, he was imprisoned for 18 months for joining the Portuguese Communist Party, at the time an illegal organization.

William Ballard Doggett (February 16, 1916 – November 13, 1996) was an American jazz and rhythm and blues pianist and organist. Best known for his instrumental rock compositions “Honky Tonk” and “Hippy Dippy”, he worked with the Ink Spots, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Louis Jordan.

Doggett was born in Philadelphia. During the 1930s and early 1940s he worked for Lucky Millinder, Frank Fairfax and arranger Jimmy Mundy. In 1942 he was hired as the Ink Spots‘ pianist and arranger.

In 1951, Doggett organized his own trio and began recording for King Records. His best known recording is “Honky Tonk“, a rhythm and blues hit of 1956, which sold four million copies (reaching No. 1 R&B and No. 2 Pop), and which he co-wrote with Billy Butler. The track topped the US Billboard R&B chart for over two months. He also arranged for many bandleaders and performers, including Louis Armstrong, Count Basie, Ella Fitzgerald, and Lionel Hampton.

He continued to play and arrange until he died, aged 80, of a heart attack in New York City.

Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazzand create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.

In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big bandarrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died.

Machito’s music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan Kenton credited Machito as an influence. An intersection in East Harlem is named “Machito Square” in his honor.

Alistair Ian Campbell (born 15 February 1959) is an English singer and songwriter who was the lead singer and a member of the British reggae band UB40. As part of UB40, Campbell sold over 70 million records worldwide and toured the globe for 30 years. In 2008, Campbell left UB40 due to a dispute with band management and embarked on a solo career. In 2012, Campbell was announced as one of the three judges on the judging panel of the TV show, New Zealand’s Got Talent. In August 2014, Campbell announced that he had reunited with former UB40 band mates Astro and Mickey to record a new album, Silhouette, released on 6 October 2014.

Melissa Manchester (born February 15, 1951) is an American singer, songwriter and actress. Since the 1970s, her songs have been carried by adult contemporary radio stations. She has also appeared on television, in films, and on stage.

Manchester was born in the Bronx, a borough of New York City, to a musical family. Her father was a bassoonist for the New York Metropolitan Opera for three decades. Her mother was one of the first women to design and found her own clothing firm, Ruth Manchester Ltd. The Manchesters are of Jewish origin. Manchester started a singing career at an early age. She learned the piano and harpsichord at the Manhattan School of Music, began singing commercial jingles at age 15, and became a staff writer at age 17 for Chappell Music while attending Manhattan’s High School of Performing Arts.

Henry Threadgill (born February 15, 1944) is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid.

He was awarded the 2016 Pulitzer Prize for Music for his album In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014.

Threadgill performed as a percussionist in his high-school marching band before taking up baritone saxophone, alto saxophone, and flute. He studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He was an original member of the Experimental Band,a precursor to the AACM in his hometown of Chicago, and worked under the guidance of Muhal Richard Abrams, before leaving to tour with a gospel band. In 1967, he enlisted in the U.S. Army, playing with a rock band in Vietnam during the Vietnam War in 1967 and 1968. He was discharged in 1969.

Kirkland “Kirk” Lightsey (born February 15, 1937, Detroit, Michigan) is an American jazz pianist.

Lightsey had piano instruction from the age of five and studied piano and clarinet through high school. After service in the Army, Lightsey worked in Detroit and California in the 1960s as an accompanist to singers. He also worked with jazz musicians such as Yusef Lateef, Betty Carter, Pharoah Sanders, Bobby Hutcherson, Sonny Stitt, Chet Baker, and Kenny Burrell. From 1979 to 1983 he toured with Dexter Gordon and was a member of The Leaders in the late 1980s. During the 1980s he led several sessions of his own, including duets with pianist Harold Danko. In the 1980s and since he has worked with Jimmy Raney, Clifford Jordan, Woody Shaw, David Murray, Joe Lee Wilson, Louis Stewart, Adam Taubitz, Harold Land and Gregory Porter.

Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film The Wizard of Oz (lyrics by Yip Harburg), including “Over the Rainbow“, Arlen is a highly regarded contributor to the Great American Songbook. “Over the Rainbow” was voted the 20th century’s No. 1 song by the Recording Industry Association of America (RIAA) and the National Endowment for the Arts (NEA).

Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe Venuti, Leo Reisman, and Eddie Duchin, usually singing his own compositions.

The large emission nebula dubbed IC 1805 looks, in whole, like a human heart. Its shape perhaps fitting of the Valentine’s Day, this heart glows brightly in red light emitted by its most prominent element: excited hydrogen. The red glow and the larger shape are all created by a small group of stars near the nebula’s center. In the heart of the Heart Nebula are young stars from the open star cluster Melotte 15 that are eroding away several picturesque dust pillars with their energetic light and winds. The open cluster of stars contains a few bright stars nearly 50 times the mass of our Sun, many dim stars only a fraction of the mass of our Sun, and an absent microquasar that was expelled millions of years ago. The Heart Nebula is located about 7,500 light years away toward the constellation of the mythological Queen of Aethiopia (Cassiopeia).

Latifa Bint Alaya El Arfaoui (Arabic: لطيفة بنت عليه العرفاوي  pronunciation: [ɫɑˈt̪ˤiːfæ bɪnt ʕælɛi̯jæ (e)l.ʕɑrˤˈfɛːwi]; born February 14, 1961), better known as Latifa (Arabic: لطيفة), is a Tunisian pop singer and former actress.

Latifa Bint Alaya El Arfaoui was born in Manouba, Tunisia.

In 1983, shortly after her father died, Latifa and her family took a trip to Egypt to rest and mourn. While there, she met composer Baligh Hamdi, who advised her to move to Egypt to benefit her career. However Latifa wanted to concentrate on her education, and returned to Tunisia to finish her high school final exams. For financial reasons, she was unable to return to Egypt, so attended college in Tunisia, studying Dutch literature for a year and a half. Her family decided to pay for her to go to Egypt, so she quit college in Tunisia and joined the Arab Academy of Music in Egypt, where she completed her bachelor degree. She is preparing for her master’s degree.

While at the Academy, she was discovered by composer Mohammed Abdel Wahab, who had heard her on the radio. At the time she was primarily performing long Tarab songs, but soon began a change of direction working with composer Ammar El Sherei and poet Abdulwahab Muhammed, who she met during her first visit to Egypt.