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Rufus Reid (born February 10, 1944, in Atlanta, Georgia) is an American jazz bassist, educator, and composer.

Reid was raised in Sacramento, California, where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass.

After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass. Rufus Reid’s major professional career began in Chicago and continues since 1976 in New York City. Playing with hundreds of the world’s greatest musicians, he is famously the bassist that saxophonist Dexter Gordon chose when he returned to the states from his decade-long exile in Denmark. His colleagues include Thad Jones, Nancy Wilson, Eddie Harris, and Bob Berg.

Reid has been a resident of Teaneck, New Jersey.

Emmanuel N’Djoké “Manu” Dibango (12 December 1933 – 24 March 2020) was a Cameroonian musician and songwriter who played saxophoneand vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, while his mother was a Duala. He was best known for his 1972 single “Soul Makossa“. He died from COVID-19 on 24 March 2020.

Roland Pembroke Hanna (February 10, 1932 – November 13, 2002) was an American jazz pianist, composer, and teacher.

Hanna studied classical piano from the age of 11, but was strongly interested in jazz, having been introduced to it by his friend, pianist Tommy Flanagan. This interest increased after his time in military service (1950–1952). He studied briefly at the Eastman School of Music in 1953 and then enrolled at the Juilliard School when he moved to New York City two years later. He worked with several big names in the 1950s, including Benny Goodman and Charles Mingus, and graduated in 1960. Between 1963 and 1966, Hanna led his own trio, then from 1966 to 1974 he was a regular member of The Thad Jones/Mel Lewis Orchestra. Hanna also toured the Soviet Union with the orchestra in 1972. During the 1970s, he was a member of the New York Jazz Quartet.

William Henry “Chick” Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader.

Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The Encyclopædia Britannica and Allmusicindicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb’s lifetime, a December 1937 DownBeat magazine article, “The Rise of a Crippled Genius”, stated he was born in 1909, which is the year that appears on his grave marker. In 1939, The New York Times stated that Webb was born in 1907,

At the age of 17, he moved to New York City and by 1926 was leading his own band in Harlem. Jazz drummer Tommy Benford said he gave Webb drum lessons when he first reached New York. He alternated between band tours and residencies at New York City clubs through the late 1920s. In 1931, his band became the house band at the Savoy Ballroom. He became one of the best-regarded bandleaders and drummers of the new “swing” style. Drummer Buddy Rich cited Webb’s powerful technique and virtuoso performances as heavily influential on his own drumming, and even referred to Webb as “the daddy of them all”. Webb was unable to read music, and instead memorized the arrangements played by the band and conducted from a platform in the center. He used custom-made pedals, goose-neck cymbal holders, a 28-inch bass drum and other percussion instruments.

At the Savoy, Webb competed in battle of the bands contests with the Benny Goodman Orchestra and the Count Basie Orchestra. Webb lost to Duke Ellington in 1937. Although a judge declared Webb’s band the winner in 1938 over Count Basie’s, and Basie himself said he was relieved to come away from the contest without embarrassing himself, musicians debated the result for decades.

Joseph Gabriel Esther Maneri (February 9, 1927 – August 24, 2009 Brooklyn, NY), was an American jazz composer, saxophone and clarinet player. Violinist Mat Maneri is his son.

In 1988, Maneri founded the Boston Microtonal Society, dedicated to microtonal music and tuning. It is currently led by James Bergin and Julia Werntz.

Ernest Dale Tubb (February 9, 1914 – September 6, 1984 Crisp, TX), nicknamed the Texas Troubadour, was an American singer and songwriter and one of the pioneers of country music. His biggest career hit song, “Walking the Floor Over You” (1941), marked the rise of the honky tonk style of music.

In 1948, he was the first singer to record a hit version of Billy Hayes and Jay W. Johnson’s “Blue Christmas“, a song more commonly associated with Elvis Presley and his late-1950s version. Another well-known Tubb hit was “Waltz Across Texas” (1965) (written by his nephew Quanah Talmadge Tubb, known professionally as Billy Talmadge), which became one of his most requested songs and is often used in dance halls throughout Texasduring waltz lessons. Tubb recorded duets with the then up-and-coming Loretta Lynn in the early 1960s, including their hit “Sweet Thang”. Tubb is a member of the Country Music Hall of Fame.

Walter Sylvester Page (February 9, 1900 – December 20, 1957) was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page’s Blue Devils and the Count Basie Orchestra.

Page was born in Gallatin, Missouri on February 9, 1900 to parents Edward and Blanche Page. Page showed a love for music even as a child, perhaps due in part to the influence of his aunt Lillie, a music teacher. Page’s mother, with whom he moved to Kansas City in 1910, exposed him to folksongs and spirituals, a critical foundation for developing his love of music. He gained his first musical experience as a bass drum and bass horn player in the brass bands of his neighborhood.

Fatma Ahmed Kamal Shaker (Arabic: فاطمة أحمد كمال شاكر; 8 February 1931 – 28 November 2017), better known by her stage name Shadia (Arabic: شادية, Shādiyya), was an Egyptian actress and singer. She was famous for her roles in light comedies and drama in the 1950s and 1960s. She was the third wife of Actor and film producer Salah Zulfikar. Shadia was one of the iconic actresses and singers in Egypt and the Middle East region and a symbol of the golden age of Egyptian cinema and is known of her many patriotic songs. Her movies and songs are popular in Egypt and all the Arab World. Critics consider her the most successful comprehensive Egyptian and Arabic artist of all time. Her first appearance in a film was in “Azhar wa Ashwak” (Flowers and Thorns), and her last film was “La Tas’alni Man Ana” (Don’t Ask Me Who I Am).^[1] She is also known for her patriotic song “Ya Habibti Ya Masr” (Oh Egypt, My Love) and her breakthrough leading role in the Egyptian movie “Al Maraa Al Maghoula” (The Unknown Woman).^[2] Six of her movies are listed in the top 100 Egyptian movies of the 20th century. In April 2015, she became the first actress to be awarded an honorary doctorate by the Egyptian Academy of Arts. She was given the nickname “Idol of the Masses” following her successful movie “Maaboudat El Gamaheer” (Idol of the Masses).^{[citation needed]} Other notable nicknames include “The Guitar of the Arabic Singing” (Egyptian Arabic: قيثارة الغناء العربى) and “The Golden Guitar” (Egyptian Arabic: القيثارة الذهبية).

Floyd Dixon (February 8, 1929 – July 26, 2006) was an American rhythm-and-blues pianist and singer.

Dixon was born in Marshall, Texas. Some sources give his birth name as Jay Riggins, Jr., although he himself stated that Floyd Dixon was his real name and that his parents were Velma and Ford Dixon. Growing up, he was influenced by blues, gospel, jazz and country music. His family moved to Los Angeles, California, in 1942. There Dixon met Charles Brown, who had an influence on his music.

The self-dubbed “Mr. Magnificent”, Dixon signed a recording contract with Modern Records in 1949, specializing in jump blues and sexualized songs like “Red Cherries”, “Wine Wine Wine”, “Too Much Jelly Roll” and “Baby Let’s Go Down to the Woods”. Both “Dallas Blues” and “Mississippi Blues”, credited to the Floyd Dixon Trio, reached the Billboard R&B chart in 1949, as did “Sad Journey Blues”, issued by Peacock Records in 1950.

Alonzo “Lonnie” Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.

Johnson was born in New Orleans, Louisiana, and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. “There was music all around us,” he recalled, “and in my family you’d better play something, even if you just banged on a tin can.

https://www.youtube.com/watch?v=Qp9BlskYdqU