mick laBriola

Elmore James (January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter and bandleader. He was known as “King of the Slide Guitar” and was noted for his use of loud amplification and his stirring voice. For his contributions to music, James was inducted into the Rock and Roll Hall of Fame in 1992.

James was born Elmore Brooks in Richland, Holmes County, Mississippi, the illegitimate son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie “Frost” James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. He married Minnie Mae about 1942.

James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red’s songs. He also inherited from Tampa Red’s band two musicians who joined his own backing band, the Broomdusters, “Little” Johnny Jones (piano) and Odie Payne (drums).There is a dispute about whether Johnson or James wrote James’s signature song, “Dust My Broom“. In the late 1930s, James worked alongside Sonny Boy Williamson II.

Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.

Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smithand Ida Cox. He was one of the five musicians booked for the opening night at Birdland with Charlie Parker in 1949.

Oran Thadeus Page was born in Dallas, Texas, United States, to a schoolteacher and musician mother. He moved with his mother to Corsicanawhere he began attending Corsicana High School and later Texas College while also working at the oilfields. His earliest gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith (Kansas City) and Benno Kennedy (San Antonio) as being early influences.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choralrepertoire. Mozart was among the greatest composers in the history of Western music, and his elder colleague Joseph Haydn wrote: “posterity will not see such a talent again in 100 years”.

Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty, embarking on a grand tour and then three trips to Italy. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position.

While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in Vienna, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death are largely uncertain, and have thus been much mythologized. Mozart died in his home on 5 December 1791 (aged 35) at 12:55 am. The cause of Mozart’s death is not known with certainty. The official record of hitziges Frieselfieber (“severe miliary fever”, referring to a rash that looks like millet seeds) is more a symptomatic description than a diagnosis. Researchers have suggested more than a hundred causes of death, including acute rheumatic fever, streptococcal infection, trichinosis, influenza, mercury poisoning, and a rare kidney ailment.

Clement Seymour “Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.

He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team).

The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.

With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster.

Bob Bain (26 January 1924 – 21 June 2018) was an American guitarist mainly known for his film music contributions, including “Dr. Zhivago” (1965), where he played the balalaika in the score for certain scenes where “Lara’s Theme” is heard.A long time collaborator with composer Henry Mancini, he is also credited with the instantly recognisable guitar introduction to the theme from the popular 1950’s television private detective series “Peter Gunn“. The soundtrack album from the series features several other memorable contributions of Bain’s. Bain also contributed guitar on another of Mancini’s significant soundtrack albums, the musical score to the movie “Breakfast at Tiffany’s“, as well as playing on the soundtrack to the television Western series “Bonanza“.

Bain’s professional career began in the 1940’s playing guitar in popular big band outfits led by Tommy Dorsey and Bob Crosby. He is credited with guitar on one of Dorsey’s biggest hits, “Opus No. 1“. He was an unusually early adopter of the electric guitar, playing an early Gibson Les Paulmodel before switching to a modified 1953 Fender Telecaster. Like most jazz guitarists, he also favoured semi-acoustic models such as the Gibson L-5 and ES-150.

https://www.youtube.com/watch?v=F2fwItXD7BU&t=119s

Stéphane Grappelli (French pronunciation: ​[stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French-Italian jazzviolinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his eighties.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work.

Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stefano. His father, Italian marchese Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Grappelli’s mother died when he was five, leaving his father to care for him. Although he was residing in France when World War I began, Ernesto was still an Italian citizen, and was consequently drafted into the Italian Army in 1914.

Having written about American dancer Isadora Duncan, who was living in Paris, Ernesto appealed to her to care for his son. Stéphane was enrolled in Duncan’s dance school at the age of six, and he learned to love French Impressionist music.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.

In addition to “I Remember Clifford“, many of Golson’s compositions have become jazz standards including “Blues March“, “Whisper Not“, and “Killer Joe”.

While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

From 1953 to 1959, Golson played with Dameron’s band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers, with whom he recorded the classic Moanin’ in 1958.

Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ]), was a Brazilian composer, pianist, guitarist, songwriter, arranger and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with popular success. As such he is sometimes known as the “father of bossa nova”.

Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally.

In 1965, the album Getz/Gilberto was the first jazz album to win the Grammy Award for Album of the Year. It also won for Best Jazz Instrumental Album – Individual or Group and for Best Engineered Album, Non-Classical. The album’s single “Garota de Ipanema” (“The Girl from Ipanema”), composed by Jobim, has become one of the most recorded songs of all time, and the album won the Record of the Year. Jobim composed many songs that are now included in jazz and pop standard repertoires. The song “Garota de Ipanema” has been recorded over 240 times by other artists.His 1967 album with Frank Sinatra, Francis Albert Sinatra & Antônio Carlos Jobim, was nominated for Album of the Year in 1968.

The Witch Head Nebula. In fact, this entrancing telescopic portrait gives the impression that the witch has fixed her gaze on Orion’s bright supergiant star Rigel. More formally known as IC 2118, the Witch Head Nebula spans about 50 light-years and is composed of interstellar dust grains reflecting Rigel’s starlight. The blue color of the Witch Head Nebula and of the dust surrounding Rigel is caused not only by Rigel‘s intense blue starlight but because the dust grains scatter blue light more efficiently than red. The same physical process causes Earth’s daytime sky to appear blue, although the scatterers in Earth’s atmosphere are molecules of nitrogen and oxygen. Rigel, the Witch Head Nebula, and gas and dust that surrounds them lie about 800 light-years away.