mick laBriola

Thelma Carpenter (January 15, 1922 – May 14, 1997) was an American jazz singer and actress, best known as “Miss One”, the Good Witch of the North in the movie The Wiz. She was born in Brooklyn, New York, the only child of Fred and Mary Carpenter, and attended Girls’ Commercial High School, where Susan Hayward was a few years ahead.

As a child performer, Carpenter had her own radio show on WNYC in New York and won an amateur night at the Apollo Theatre in 1938, where she would be honored and perform nearly 60 years later on the 1993 all-star NBC-TV special Apollo Theater Hall of Fame, hosted by Bill Cosby. She played such clubs as Kelly’s Stables and the Famous Door on legendary 52nd Street, where she was discovered by John Hammond.

https://www.youtube.com/watch?v=9AVCZHZw8e8

Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) was a Chicago blues guitarist known for his slide guitar playing. Considered a “musician’s musician”, he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His “Blue Guitar”, a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as “You Shook Me“.

In the late 1960s, Hooker began performing on the college and concert circuit and had several recording contracts. Just as his career was on an upswing, he died in 1970, at age 40, after a lifelong struggle with tuberculosis. His guitar playing has been acknowledged by many of his peers, including B.B. King, who commented, “to me he is the best of modern guitarists. Period. With the slide he was the best. It was nobody else like him, he was just one of a kind”.

Hooker was born in rural Quitman County, Mississippi, outside of Clarksdale. In 1930, his parents moved the family to Chicago, during the Great Migration of blacks out of the rural South in the early 20th century.

https://www.youtube.com/watch?v=AwJspTv1oNs

Eugene Bertram Krupa (January 15, 1909 – October 16, 1973) was an American jazz drummer, bandleader and composer known for his energetic style and showmanship. His drum solo on Benny Goodman‘s 1937 recording of “Sing, Sing, Sing” elevated the role of the drummer from an accompanying line to an important solo voice in the band.

In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer’s kit. Krupa is considered “the founding father of the modern drumset” by Modern Drummer magazine.

The youngest of Anna (née Oslowski) and Bartłomiej Krupa’s nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, Podkarpackie in Southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polish descent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar school days at parochial schools. He attended the James H. Bowen High School on Chicago’s southeast side. After graduation he attended Saint Joseph’s College for a year but decided the priesthood was not his vocation.

https://www.youtube.com/watch?v=lapj4VEPGo0

Roosevelt Holts was born in 1905 near the town of Tylertown in the state of Mississippi . In the 1930s, Roosevelt Holts played a little amateur guitar; his meeting with Tommy Johnsonwill change his life. Tommy Johnson is then married to Rosa Yongblood, cousin of Holts. Johnson and Holts get to know each other and Johnson teaches Holts the blues. When Johnson and his wife left Tylertown around 1937 to live in Jackson , the state capital, Roosevelt Holts followed them. He and Tommy are going to perform together in the city and those around it. After a year, Roosevelt returns to his hometown where he regularly performs. He learned the bottleneck technique from CP Martinand plays in the cities of the Delta  ; at that time, he was sentenced to four years’ imprisonment. Released, he moved to Bogalusa , Louisiana , where he found employment at a paper mill. A work accident made him handicapped and prevented him from carrying any heavy load . He then worked as a farmer and hardly played until he was discovered by researcher David Evans who recorded him for the first time in 1968. A few records and a few tours in the United States followed in the 1970s. Age makes him leave the studios and he dies onFebruary 27, 1994in the city of Franklinton .

Performing at Mount Zion Temple Friday January 14th 2022 630pm

Clarence George Carter (born January 14, 1936) is an American blues and soul singer, songwriter, musician and record producer. His most successful songs include “Slip Away“, “Back Door Santa” (both released 1968), “Patches” (1970) and “Strokin” (1986).

Born blind in Montgomery, Alabama on January 14, 1936, Carter attended the Alabama School for the Blind in Talladega, Alabama, and Alabama State College in Montgomery, graduating in August 1960 with a Bachelor of Science degree in music. His professional music career began with friend Calvin Scott, signing to the Fairlane label to release “I Wanna Dance But I Don’t Know How”, as Clarence & Calvin, the following year. After the 1962 release of “I Don’t Know (School Girl),” the pair joined Duke Records, renaming themselves the C & C Boys and releasing four singles for the label, though none were commercially successful. In 1965 the duo recorded “Step by Step” at Rick Hall‘s FAME Studios in Muscle Shoals; it was released on the Atlantic Records‘ subsidiary Atco label, but it also failed to chart.

Grady Tate (January 14, 1932 – October 8, 2017)^[1] was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series.

Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones‘s band.

Grady Tate’s drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp “on top of the beat” timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s.

During the 1970s he was a member of the New York Jazz Quartet. In 1981 he played drums and percussion for Simon and Garfunkel’s Concert in Central Park.

Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles. Wheeler was the patron of the Royal Academy Junior Jazz course.

https://www.youtube.com/watch?v=o5ReeUBVwmQ

Verdiales are a Flamenco music style, and song form belonging to cante chico.

Originating in Almogía, near the Spanish port of Málaga in Andalucía, it is based upon the fandango. For this reason, the verdiales are sometimes known as fandangos de Málaga.

Normally played in the key of E phrygian (key of C major with his fifth sharp) and rarely in A minor, the verdiales have a 12-count rhythm similar to the soleares, and bulerías.

Listen to verdiales(2:18, 502Kb). This example shows some of the more common falsetas you are likely to hear at an informal flamenco performance.