mick laBriola

Clarence George Carter (born January 14, 1936) is an American blues and soul singer, songwriter, musician and record producer. His most successful songs include “Slip Away“, “Back Door Santa” (both released 1968), “Patches” (1970) and “Strokin” (1986).

Born blind in Montgomery, Alabama on January 14, 1936, Carter attended the Alabama School for the Blind in Talladega, Alabama, and Alabama State College in Montgomery, graduating in August 1960 with a Bachelor of Science degree in music. His professional music career began with friend Calvin Scott, signing to the Fairlane label to release “I Wanna Dance But I Don’t Know How”, as Clarence & Calvin, the following year. After the 1962 release of “I Don’t Know (School Girl),” the pair joined Duke Records, renaming themselves the C & C Boys and releasing four singles for the label, though none were commercially successful. In 1965 the duo recorded “Step by Step” at Rick Hall‘s FAME Studios in Muscle Shoals; it was released on the Atlantic Records‘ subsidiary Atco label, but it also failed to chart.

Grady Tate (January 14, 1932 – October 8, 2017)^[1] was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series.

Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones‘s band.

Grady Tate’s drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp “on top of the beat” timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s.

During the 1970s he was a member of the New York Jazz Quartet. In 1981 he played drums and percussion for Simon and Garfunkel’s Concert in Central Park.

Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles. Wheeler was the patron of the Royal Academy Junior Jazz course.

https://www.youtube.com/watch?v=o5ReeUBVwmQ

Verdiales are a Flamenco music style, and song form belonging to cante chico.

Originating in Almogía, near the Spanish port of Málaga in Andalucía, it is based upon the fandango. For this reason, the verdiales are sometimes known as fandangos de Málaga.

Normally played in the key of E phrygian (key of C major with his fifth sharp) and rarely in A minor, the verdiales have a 12-count rhythm similar to the soleares, and bulerías.

Listen to verdiales(2:18, 502Kb). This example shows some of the more common falsetas you are likely to hear at an informal flamenco performance.

Vido William Musso (January 16, 1913 – January 9, 1982) was an American jazz saxophonist.

Musso moved with his family from Sicily to the U.S. in July 1920, having arrived at the Port of New York on the Italian steamship Patria. They lived in Detroit, where Musso started learning to play clarinet. Ten years later, he went to Los Angeles and formed a big band with Stan Kenton in 1935.Musso dropped out the next year to work with Gus Arnheim, Benny Goodman, and Gene Krupa. He accompanied Billie Holiday and pianist Teddy Wilson on recordings in the late 1930s. He replaced Bunny Berigan as the leader of his band and tried unsuccessfully at other times during the 1930s and 1940s to be a big band leader. But most of his career was spent as a sideman. After returning to Goodman, he was a member of big bands led by Harry James, Woody Herman, and Tommy Dorsey. He went back to play with Kenton during the middle 1940s. Having moved to California, he retired around 1975.

Melba Doretta Liston (January 13, 1926 – April 23, 1999) was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane and Count Basie.

Liston was born in Kansas City, Missouri. At the age of seven, Melba’s mother purchased her a trombone. Her family encouraged her musical pursuits, as they were all music lovers. Liston was primarily self-taught, but she was “encouraged by her guitar-playing grandfather”, with whom she spent significant time learning to play spirituals and folk songs. At the age of eight, she was good enough to be a solo act on a local radio station. At the age of 10, she moved to Los Angeles, California. She was classmates with Dexter Gordon, and friends with Eric Dolphy. After playing in youth bands and studying with Alma Hightower, she joined the big band led by Gerald Wilson in 1944.

Daniel Moses Barker (January 13, 1909 – March 13, 1994) was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for Cab Calloway, Lucky Millinder and Benny Carter during the 1930s.

One of Barker’s earliest teachers in New Orleans was fellow banjoist Emanuel Sayles, with whom he recorded. Throughout his career, he played with Jelly Roll Morton, Baby Dodds, James P. Johnson, Sidney Bechet, Mezz Mezzrow, and Red Allen. He also toured and recorded with his wife, singer Blue Lu Barker. From the 1960s, Barker’s work with the Fairview Baptist Church Brass Band was pivotal in ensuring the longevity of jazz in New Orleans, producing generations of new talent, including Wynton and Branford Marsalis who played in the band as youths.

Danny Barker was born to a family of musicians in New Orleans in 1909, the grandson of bandleader Isidore Barbarin and nephew of drummers Paul Barbarin and Louis Barbarin. He took up clarinet and drums before switching to a ukulele that his aunt got him, and then a banjo from his uncle or a trumpeter named Lee Collins.

Barker began his career as a musician in his youth with his streetband the Boozan Kings, and also toured Mississippi with Little Brother Montgomery. In 1930, he moved to New York City and switched to the guitar. On the day of his arrival in New York, his uncle Paul took him to the Rhythm Club, where he saw an inspiring performance by McKinney’s Cotton Pickers. It was their first performance in New York as a band.

As the name implies, the ion tail is made of ionized gas — gas energized by ultraviolet light from the Sun and pushed outward by the solar wind. The solar wind is quite structured and sculpted by the Sun’s complex and ever changing magnetic field. The effect of the variable solar wind combined with different gas jets venting from the comet’s nucleus accounts for the tail’s complex structure. Following the wind, structure in Comet Leonard’s tail can be seen to move outward from the Sun even alter its wavy appearance over time. The blue color of the ion tail is dominated by recombining carbon monoxide molecules, while the green color of the coma surrounding the head of the comet is created mostly by a slight amount of recombining diatomic carbon molecules. Diatomic carbon is destroyed by sunlight in about 50 hours — which is why its green glow does not make it far into the ion tail. The featured image was taken on January 2 from Siding Spring Observatory in Australia. Comet Leonard, presently best viewed from Earth’s Southern Hemisphere, has rounded the Sun and is now headed out of the Solar System.

John William “Long John” Baldry (12 January 1941 – 21 July 2005) was an English-Canadian blues singer, musician and voice actor. In the 1960s, he was one of the first British vocalists to sing the blues in clubs and shared the stage with many British musicians including the Rolling Stones and the Beatles. Before achieving stardom, Rod Stewart and Elton John were members of bands led by Baldry. He enjoyed pop success in 1967 when “Let the Heartaches Begin” reached No. 1 in the UK, and in Australia where his duet with Kathi McDonald “You’ve Lost That Lovin’ Feelin’” reached No. 2 in 1980.

Baldry lived in Canada from the late 1970s until his death. He continued to make records there, and do voiceover work. Two of his best-known voice roles were as Dr. Ivo Robotnik in Adventures of Sonic the Hedgehog, and as KOMPLEX in Bucky O’Hare and the Toad Wars.

John Baldry was born at East Haddon Hall, East Haddon, Northamptonshire, which was serving as a makeshift wartime maternity ward, on 12 January 1941, the son of William James Baldry (1915–1990), a Metropolitan Police constable and his wife, Margaret Louisa née Parker (1915–1989); their usual address was recorded as 18 Frinton Road, East Ham. His height was noticed as a baby thus giving him his “Long” nickname during his childhood.

George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for thirty-odd solo albums, of which A Brazilian Love Affair from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa.

George M Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. “I don’t remember it too well, but my mother told me I went crazy. I ran around saying ‘Get me a piano, get me a piano!'” He began his formal piano studies at the age of seven at a local Baptist church.

He attended Tamalpais High School in Mill Valley before earning a bachelor’s degree in trombone and composition with a minor in contrabass from the San Francisco Conservatory of Music in 1967. He earned a master’s degree in composition from San Francisco State University in 1975.

Although Duke started playing classical music, he credited his cousin Charles Burrell for convincing him to switch to jazz.He explained that he “wanted to be free” and Burrell “more or less made the decision for me” by convincing him to “improvise and do what you want to do”. He taught a course on jazz and American culture at Merritt College in Oakland. He died on August 5, 2013, in Los Angeles, at the age of 67 from chronic lymphocytic leukemia.