mick laBriola

Commander Cody and His Lost Planet Airmen were an American country rock band founded in 1967. The group’s leader and co-founder was pianist and vocalist George Frayne IV, alias Commander Cody (born July 19, 1944, in Boise, Idaho; died September 26, 2021, in Saratoga Springs, New York).

The band became known for marathon live shows. Alongside Frayne, the classic lineup was Billy C. Farlow (b. Decatur, Alabama) on vocals and harmonica; John Tichy (b. St. Louis, Missouri) on guitar and vocals; Bill Kirchen (Kirchen was born in Bridgeport, Connecticut, June 29, 1948, but grew up in Ann Arbor, Michigan) on lead guitar; Andy Stein (b. August 31, 1948, in New York City) on saxophone and fiddle; “Buffalo” Bruce Barlow (b. December 3, 1948, in Oxnard, California) on bass guitar; Lance Dickerson (b. October 15, 1948, in Livonia, Michigan, died November 10, 2003, in Fairfax, California)^{[citation needed]} on drums; and Steve “The West Virginia Creeper” Davis (b. July 18, 1946, in Charleston, West Virginia), followed by Bobby Black, on pedal steel guitar.

Arley “Buster“ Benton (July 19, 1932 – January 20, 1996) was an American bluesguitarist and singer. He played guitar in Willie Dixon‘s Blues All-Stars and is best known for his solo rendition of Dixon’s song “Spider in My Stew.” Benton was tenacious, and despite the amputation of parts of both legs in the latter part of his lengthy career, he never stopped playing his own version of Chicago blues.

He was born Arley Benton, in Texarkana, Arkansas. While residing in Toledo, Ohio, in the mid-1950s, and having been influenced by Sam Cooke and B.B. King, Benton began playing blues. By 1959, he was leading his own band in Chicago. During the 1960s, the local record labels Melloway, Alteen, Sonic, and Twinight released several singles by Benton. However, because of a lack of opportunities in the early 1960s, he gave up playing professionally for several years and worked as an auto mechanic. His earlier work was an amalgam of blues and soul. According to the music journalist Bill Dahl, “in the late 1970s, when the popularity of blues music was at low ebb, Benton’s recordings, particularly for Ronn Records, were a breath of fresh air.”

William C. “Buster“ Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist.

Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy’s Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate’s Vendome Orchestra and remained with Tate until 1923 when he joined up with Joe “King” Oliver. As a member of King Oliver’s Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver’s Jazz Band to join Fletcher Henderson’s Orchestrain New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson’s band. Bailey accepted and moved to New York City.

Carmell Jones (July 19, 1936 – November 7, 1996) was an American jazz trumpet player.

Jones was born in Kansas City, Kansas, United States. He started piano lessons at age five, and trumpet lessons at age seven. His first professional work was with Kansas City musicians Nathan Davis, Cleanhead Vinson and Frank Smith. He moved to California in 1961, and worked as a studio musician for several years, including in the orchestras for two movie soundtracks, Seven Days In May and The Manchurian Candidate, the latter starring Frank Sinatra. He released two albums as a leader for Pacific Jazz at this time while recording as a sideman with Bud Shank, Onzy Matthews, Curtis Amy, Harold Land, and Gerald Wilson.

Dwijendralal Ray (19 July 1863 – 17 May 1913), also known as D. L. Ray, was an Indian poet, playwright, and musician. He was known for his Hindu mythological and nationalist historical plays and songs known as Dwijendrageeti or the Songs of Dwijendralal, which number over 500, create a separate subgenre of Bengali music.

Derived from flamenco’s earliest root forms, the tonás, siguiriyas is one of flamenco’s oldest and deepest forms.

Its name is a corruption of the term seguidillas, a group of 18th Century songs and dances. Siguiriyas first emerged in the 18th Century in Cádiz, Sevilla and Jerez de la Frontera.

​Slow, majestic and tragic, Siguiriyas is the most jondo of cante jondo forms. Its lyrics focus on tragedy, inconsolable sorrow, and pain. 

​An important feature of Siguiriyas is its unusual compás which gives the form its unique, uneven pattern and much of its expressive power.

​Siguiriyas is a highly personal form and most artists associated with the style, such as El Planeta, La Niña de los Peines, Manuel Molina and Antonio Chacón, created their own extraordinary versions.

Mthutuzeli Dudu Pukwana (18 July 1938 – 30 June 1990) was a South African saxophonist and composer.

Dudu Pukwana was born in Walmer Township, Port Elizabeth, South Africa. He grew up studying piano in his family, but in 1956 he switched to alto saxophone after meeting tenor saxophone player Nikele Moyake. In 1962, Pukwana won first prize at the Johannesburg Jazz Festival with Moyake’s Jazz Giants (1962 Gallo/Teal). In his early days he also played with Kippie Moeketsi. Chris McGregor then invited him to join the pioneering Blue Notes sextet, where he played along with Mongezi Feza, Nikele Moyake, Johnny Dyani and Louis Moholo. Although the Blue Notes are often considered McGregor’s group, Pukwana was initially the principal composer and all the group members had pivotal roles.

As mixed-race groups were illegal under apartheid, the Blue Notes, increasingly harassed by authorities, emigrated to Europe in 1964, playing in France and Zürich, and eventually settling in London. After The Blue Notes split in the late 1960s, Pukwana joined McGregor’s Brotherhood of Breath big band, which again featured his soloing heavily. As a composer Pukwana wrote “Mra,” one of the best-loved tunes by the Brotherhood.

Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with Morning Prayer, won the New York Jazz Award in 1979 and earned the Stereo Review Record of the Year in 1981 for his album The Outside Within.

He was born in Chicago, Illinois, the son of jazz tenor saxophonist Von Freeman. His uncle George Freeman played the guitar, and his uncle Bruz Freeman played the drums.

Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie “Lockjaw” Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet.

Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City.

Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie “Lockjaw” Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant. He then spent 1964 to 1967 in Thelonious Monk‘s quartet. After Monk, he played with Alice Coltrane (intermittently between 1968 and 1975), Ron Carter(1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim.

Riley died of lung disease and complications of diabetes in West Islip, New York on November 18, 2017, aged 84.

Joseph Albert Morello (July 17, 1928 – March 12, 2011 Springfield, MA) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet’s “classic lineup” from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello’s facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs “Take Five” and “Blue Rondo à la Turk“. In fact, “Take Five”, the album’s biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello’s ability to play in ^5/₄time.

Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow and Gary Burton, and recorded his own albums as well. He received numerous accolades during his life, including being named the best drummer by Down Beat magazine five years in a row.