mick laBriola

Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called “Scruggs style“, which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument across several genres of music.

Scruggs’ career began at age 21 when he was hired to play in Bill Monroe‘s band, the Blue Grass Boys. The name “bluegrass” eventually became the eponym for the entire genre of country music now known by that title. Despite considerable success with Monroe, performing on the Grand Ole Opryand recording classic hits such as “Blue Moon of Kentucky“, Scruggs resigned from the group in 1946 due to their exhausting touring schedule. Fellow band member Lester Flatt resigned as well, and he and Scruggs later paired up in a new group they called Flatt and Scruggs and the Foggy Mountain Boys. Scruggs’ banjo instrumental called “Foggy Mountain Breakdown“, released in 1949, became an enduring hit, and had a rebirth of popularity to a younger generation when it was featured in the 1967 film Bonnie and Clyde. The song won two Grammy Awards and, in 2005, was selected for the Library of Congress’ National Recording Registry of works of unusual merit.

Flatt and Scruggs brought bluegrass music into mainstream popularity in the early 1960s with their country hit, “The Ballad of Jed Clampett” — the theme music for the television sitcom The Beverly Hillbillies — the first Scruggs recording to reach number one on the Billboard charts. Over their 20-year association, Flatt and Scruggs recorded over 50 albums and 75 singles. The duo broke up in 1969, chiefly because, while Scruggs wanted to switch styles to fit a more modern sound, Flatt was a traditionalist who opposed the change and believed doing so would alienate a fan base of bluegrass purists. Although each of them formed a new band to match their visions, neither of them ever regained the success they had achieved as a team.

Scruggs received four Grammy awards, a Grammy Lifetime Achievement Award and a National Medal of Arts. He became a member of the International Bluegrass Music Hall of Fame and was given a star on the Hollywood Walk of Fame. In 1985, Flatt and Scruggs were inducted together into the Country Music Hall of Fame and named, as a duo, number 24 on CMT‘s “40 Greatest Men of Country Music”. Scruggs was awarded a National Heritage Fellowship by the National Endowment for the Arts, the highest honor in the folk and traditional arts in the United States. Four works by Scruggs have been placed in the Grammy Hall of Fame. After Scruggs’ death in 2012 at age 88, the Earl Scruggs Center was founded in Shelby, North Carolina, near his birthplace with the aid of a federal grant and corporate donors. The center is a $5.5 million facility that features the musical contributions of Scruggs and serves as an educational center providing classes and field trips for students.

Earl Scruggs was born January 6, 1924, in the Flint Hill community of Cleveland County, North Carolina, a small community just outside of Boiling Springs, about 10 miles west of Shelby. His father, George Elam Scruggs, was a farmer and a bookkeeper who died of a protracted illness when Earl was four years old. Upon his death, Scruggs’ mother, Georgia Lula Ruppe (called Lula), was left to take care of the farm and five children, of which Earl was the youngest.

The nebula NGC 7822 located in the constellation of Cepheus, is a star formation complex, with an alpha hydrogen emission nebula Sharpless 171 and a young cluster of stars called Berkeley 59. It is at a distance of 3,000 light years, having stars no more a few million years old.

At the edge of the giant molecular cloud in the northern constellation Cepheus, the glowing star nursery lies some 3,000 light-years away.

The atomic emissions are fueled by energetic radiation from hot stars, whose powerful winds and radiation also sculpt and erode the pillar’s dense shapes.

Stars could still be formed within the pillars by gravitational collapse, but as the pillars erode, any star forming will eventually be shelled from their pool of stellar material.

“FAR LIGHT TEAM” Remote Observatory in Spain ( Fregenal de la Sierra ) Badajoz, Extremadura Region, in the hosting of telescopes “Entre Encinas y Estrellas”.
Photographic work done during the month of May- June – July 2021

Messier 81 (also known as NGC 3031 or Bode’s Galaxy) is a grand design spiral galaxy about 12 million light-years away, with a diameter of 90,000 light years, in the constellation Ursa Major. Due to its proximity to our galaxy, large size, and active galactic nucleus (which harbors a 70 million M_☉ supermassive black hole), Messier 81 has been studied extensively by professional astronomers. The galaxy’s large size and relatively high brightness also makes it a popular target for amateur astronomers.

John McLaughlin (born 4 January 1942) is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with Tony Williams‘s group Lifetime and then with Miles Davis on his electric jazz-fusion albums In a Silent Way, Bitches Brew, Jack Johnson, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.

McLaughlin’s solo on “Miles Beyond” from his album Live at Ronnie Scott’s won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been awarded multiple “Guitarist of the Year” and “Best Jazz Guitarist” awards from magazines such as DownBeat and Guitar Player based on reader polls. In 2003, he was ranked 49th in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time“. In 2009, DownBeat included McLaughlin in its unranked list of “75 Great Guitarists”, in the “Modern Jazz Maestros” category. In 2012, Guitar World magazine ranked him 63rd on its top 100 list. In 2010, Jeff Beck called McLaughlin “the best guitarist alive,” and Pat Metheny has also described him as the world’s greatest guitarist. In 2017, McLaughlin was awarded an honorary doctorate of music from Berklee College of Music.

This image from the NASA/ESA Hubble Space Telescope captures the spiral galaxy NGC 105, which lies roughly 215 million light-years away in the constellation Pisces. While it looks like NGC 105 is plunging edge-on into a collision with a neighbouring galaxy, this is just the result of the chance alignment of the two objects in the night sky. NGC 105’s elongated neighbour is actually far more distant and remains relatively unknown to astronomers. These misleading conjunctions occur frequently in astronomy — for example, the stars in constellations are at vastly different distances from Earth, and only appear to form patterns thanks to the chance alignment of their component stars.

The Wide Field Camera 3 observations in this image are from a vast collection of Hubble measurements examining nearby galaxies which contain two fascinating astronomical phenomena — Cepheid variables and cataclysmic supernova explosions. Whilst these two phenomena may appear to be unrelated — one is a peculiar class of pulsating stars and the other is the explosion caused by the catastrophic final throes of a massive star’s life — they are both used by astronomers for a very particular purpose: measuring the vast distances to astronomical objects. Both Cepheids and supernovae have very predictable luminosities, meaning that astronomers can tell precisely how bright they are. By measuring how bright they appear when observed from Earth, these “standard candles” can provide reliable distance measurements. NGC 105 contains both supernovae and Cepheid variables, giving astronomers a valuable opportunity to calibrate the two distance measurement techniques against one another.

Astronomers recently carefully analysed the distances to a sample of galaxies including NGC 105 to measure how fast the Universe is expanding — a value known as the Hubble constant. Their results don’t agree with the predictions of the most widely-accepted cosmological model, and their analysis shows that there is only a 1-in-a-million chance that this discrepancy was caused by measurement errors. This discrepancy between galaxy measurements and cosmological predictions has been a long-standing source of consternation for astronomers, and these recent findings provide persuasive new evidence that something is either wrong or lacking in our standard model of cosmology.