mick laBriola

Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.

He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.

Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. He attended Vashon High School and began his professional career in the early 1940s, playing in local clubs. He served as a bandsman in the United States Navy during World War II. His first instrument was valve trombone.

https://www.youtube.com/watch?v=Tkfkun__n-0

Judge Kenneth Peterson (December 13, 1964 – May 17, 2020), known professionally as Lucky Peterson, was an American musician who played contemporary blues, fusing soul, R&B, gospel and rock and roll. He played guitar and keyboards. Music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray has said, “he may be the only blues musician to have had national television exposure in short pants.”

Peterson’s father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor’s Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson’s words, “Took me under his wing.” Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What’s My Line?. Millions of people watched Peterson sing “1-2-3-4”, a cover version of “Please, Please, Please” by James Brown. At the time, Peterson said “his father wrote it”. Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson, for Today/Perception Records and appeared on the public television show, Soul!

Benjamin M. Tucker (December 13, 1930 – June 4, 2013) was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.

He was born in Tennessee. As bass player in the Dave Bailey Quintet in 1961, he wrote the instrumental version of the song “Comin’ Home Baby!“, first issued on the album Two Feet in the Gutter. Bob Dorough later wrote a lyric to the song, and the vocal version became a Top 40 hit for jazzsinger Mel Tormé in 1962.

Tucker released the album Baby, You Should Know It (Ava, 1963) with Victor Feldman, Larry Bunker, Bobby Thomas, Ray Crawford, Tommy Tedesco, and Carlos “Patato” Valdes.

By 1972, Tucker owned two radio stations, WSOK-AM, which had over 400,000 listeners, and WLVH-FM. Both of these were located in his hometown of Savannah, Georgia.

He died in a traffic collision in Hutchinson Island, Georgia, on June 4, 2013.

Carlos García Montoya (13 December 1903 – 3 March 1993) in Madrid, Spain, was a prominent flamenco guitarist and a founder of the modern-day popular flamenco style of music.

He was the nephew of renowned flamenco guitarist Ramón Montoya. He first learned from his mother, “la Tula”, and then from a neighboring barber, Pepe el Barbero, i.e. Pepe the Barber. After one year Montoya had completed what Pepe was able to teach him. Carlos left to learn what he could from other flamenco guitarists of the time. At fourteen he was playing in the “cafes cantantes,” in the heyday of flamenco singing and dancing, for such artists as Antonio de Bilbao, Juan el Estampío, La Macarrona and La Camisona in Madrid, Spain.

William Alexander “Sonny” Greer (December 13, c. 1895 – March 23, 1982) was an American jazz drummer and vocalist, best known for his work with Duke Ellington.

Greer was born in Long Branch, New Jersey, United States, and played with Elmer Snowden‘s band and the Howard Theatre‘s orchestra in Washington, D.C., before joining Duke Ellington, whom he met in 1919. He was Ellington’s first drummer, playing with his quintet, the Washingtonians, and moved with Ellington into the Cotton Club. As a result of his job as a designer with the Leedy Drum Company of Indiana, Greer was able to build up a huge drum kit worth over a then-considerable $3,000, including chimes, a gong, timpani, and vibes.

https://www.youtube.com/watch?v=FP9hXRgnvu8

Comet Leonard is now visible to the unaided eye — but just barely. Passing nearest to the Earth today, the comet is best seen this week soon after sunset, toward the west, low on the horizon. Currently best visible in the north, by late December the comet will best be seen from south of Earth’s equator. The featured image of Comet C/2021 A1 (Leonard) was taken a week ago from California, USA. The deep exposure shows in great detail the comet’s green gas coma and developing dust tail. The comet — across our inner Solar System and only light-minutes away — was captured passing nearly in front of globular star cluster M3. In contrast, M3 is about 35,000 light-years away. In a week, Comet Leonard will pass unusually close to Venus, but will continue on and be at its closest to the Sun in early January.

Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk / soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.

Throughout the 1970s and 1980s, Washington made some of the genre’s most memorable hits, including “Mister Magic”, “Reed Seed”, “Black Frost”, “Winelight”, “Inner City Blues”, “Let it Flow(For Dr. J)” and “The Best is Yet to Come”. In addition, he performed very frequently with other artists, including Bill Withers on “Just the Two of Us“, Patti LaBelle on “The Best Is Yet to Come” and Phyllis Hyman on “A Sacred Kind of Love”. He is also remembered for his take on the Dave Brubeck classic “Take Five“, and for his 1996 version of “Soulful Strut“. On December 17, 1999, five days after his 56th birthday, Washington collapsed while waiting in the green room after performing four songs for The Saturday Early Show, at CBS Studios in New York City. He was taken to St. Luke’s-Roosevelt Hospital, where he was pronounced dead at about 7:30 pm. His doctors determined that he had suffered a massive heart attack. He is interred at West Laurel Hill Cemetery in Bala Cynwyd, Pennsylvania

https://www.youtube.com/watch?v=Y9-PRcDwS8Q

Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer. Williams first gained fame in the band of trumpeter Miles Davis and pioneered jazz fusion. He was inducted into the Modern Drummer Hall of Fame in 1986. During his lifetime, music critic Robert Christgau described Williams as “probably the best drummer in the world”.

Williams was born in Chicago and grew up in Boston. He was of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawsonat an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16. At 17 Williams gained attention by joining Miles Davis in what was later dubbed Davis’s Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography “the center that the group’s sound revolved around.” His playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation. Meanwhile, he recorded his first two albums as leader for Blue Note label, Life Time (1964) and Spring (1965). He also recorded as a sideman for the label including, in 1964, Out to Lunch! with Eric Dolphy and Point of Departurewith Andrew Hill. On February 20, 1997, Williams checked into Seton Medical Center in Daly City, California, suffering from stomach pain. 3 days later, while recuperating from gall bladder surgery, he died of a heart attack. Williams was 51 years old

Emmanuel N’Djoké “Manu” Dibango (12 December 1933 – 24 March 2020) was a Cameroonian musician and songwriter who played saxophoneand vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, while his mother was a Duala. He was best known for his 1972 single “Soul Makossa“. He died from COVID-19 on 24 March 2020.

Emmanuel “Manu” Dibango was born in Douala, Cameroon in 1933. His father, Michel Manfred N’Djoké Dibango, was a civil servant. Son of a farmer, he met his wife travelling by pirogue to her residence, Douala. Emmanuel’s mother was a fashion designer, running her own small business. Both her ethnic group, the Douala, and his, the Yabassi, viewed this union of different ethnic groups with some disdain. Dibango had only a stepbrother from his father’s previous marriage, who was four years older than him. In Cameroon, one’s ethnicity is dictated by one’s father, though Dibango wrote in his autobiography, Three Kilos of Coffee, that he had “never been able to identify completely with either of [his] parents”

Toshiko Akiyoshi (秋吉敏子 or 穐吉敏子, Akiyoshi Toshiko, born 12 December 1929) is a Japanese-American jazz pianist, composer, arranger, and bandleader.

She received fourteen Grammy Award nominations and was the first woman to win Best Arranger and Composer awards in Down Beat magazine’s annual Readers’ Poll. In 1984, she was the subject of the documentary Jazz Is My Native Language. In 1996, she published her autobiography, Life with Jazz, and in 2007 she was named an NEA Jazz Master by the U.S. National Endowment for the Arts.

Akiyoshi was born in Liaoyang, Manchuria, to Japanese emigrants, the youngest of four sisters. In 1945, after World War II, Akiyoshi’s family lost their home and returned to Japan, settling in Beppu. A local record collector introduced her to jazz by playing a record of Teddy Wilson playing “Sweet Lorraine.” She immediately loved the sound and began to study jazz. In 1952, during a tour of Japan, pianist Oscar Peterson discovered her playing in a club on the Ginza. Peterson was impressed and convinced record producer Norman Granz to record her.

Michael “Dodo” Marmarosa (December 12, 1925 – September 17, 2002) was an American jazz pianist, composer, and arranger.

Originating in Pittsburgh, Pennsylvania, Marmarosa became a professional musician in his mid-teens, and toured with several major big bands, including those led by Tommy Dorsey, Gene Krupa, and Artie Shaw into the mid-1940s. He moved to Los Angeles in 1945, where he became increasingly interested and involved in the emerging bebop scene. During his time on the West Coast, he recorded in small groups with leading bebop and swing musicians, including Howard McGhee, Charlie Parker, and Lester Young, as well as leading his own bands.

Marmarosa returned to Pittsburgh due to health reasons in 1948. He began performing much less frequently, and had a presence only locally for around a decade. Friends and fellow musicians had commented from an early stage that Marmarosa was an unusual character. His mental stability was probably affected by being beaten into a coma when in his teens, by a short-lived marriage followed by permanent separation from his children, and by a traumatic period in the army. He made comeback recordings in the early 1960s, but soon retreated to Pittsburgh, where he played occasionally into the early 1970s. From then until his death three decades later, he lived with family and in veterans’ hospitals.

Marmarosa was born in Pittsburgh, Pennsylvania on December 12, 1925. He had “Italian working-class parents” – Joseph and Carmella. He was the middle of three children, between sisters Audrey and Doris, and grew up in the East Liberty neighborhood of Pittsburgh.

Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John ColtraneQuartet and a long solo career. He was an NEA Jazz Master and a five-time Grammy winner. Not a player of electric keyboards and synthesizers, he was committed to acoustic instrumentation. Tyner, who was widely imitated, is one of the most recognizable and most influential pianists in jazz history.

Alfred McCoy Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the oldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. McCoy was encouraged to study piano by his mother. He began studying the piano at age 13 and within two years music had become the focal point in his life. He studied at West Philadelphia Music School and later at the Granoff School of Music. During his teens he led his own group, the Houserockers.

When he was 17, he converted to Islam through the Ahmadiyya Muslim Community and changed his name to Suleiman Saud. Tyner played professionally in Philadelphia becoming part of its modern jazz scene. His neighbors in the city included musicians Richie Powell and Bud Powell.He married Aisha Saud, ending in divorce.