mick laBriola

The Andromeda Galaxy (IPA: /ænˈdrɒmɪdə/), also known as Messier 31, M31, or NGC 224 and originally the Andromeda Nebula (see below), is a barred spiral galaxy approximately 2.5 million light-years (770 kiloparsecs) from Earth and the nearest large galaxy to the Milky Way. The galaxy’s name stems from the area of Earth’s sky in which it appears, the constellation of Andromeda, which itself is named after the Ethiopian (or Phoenician) princess who was the wife of Perseus in Greek mythology.

James Douglas Morrison (December 8, 1943 – July 3, 1971) was an American singer, poet and songwriter who was the lead vocalist of the rockband the Doors. Due to his wild personality, poetic lyrics, distinctive voice, unpredictable and erratic performances, and the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most iconic and influential frontmen in rock history. Since his death, his fame has endured as one of popular culture’s most rebellious and oft-displayed icons, representing the generation gap and youth counterculture.

Together with pianist Ray Manzarek, Morrison co-founded the Doors in 1965 in Venice, California. The group spent two years in obscurity until shooting to prominence with their number-one single in the United States, “Light My Fire“, taken from their self-titled debut album. Morrison recorded a total of six studio albums with the Doors, all of which sold well and received critical acclaim. Morrison was well known for improvising spoken wordpoetry passages while the band played live. Manzarek said Morrison “embodied hippie counterculture rebellion”.

Morrison developed an alcohol dependency throughout the band’s career, which at times affected his performances on stage. In 1971, Morrison died unexpectedly in Paris at the age of 27, amid conflicting witness reports. His premature death made him a member of the infamous 27 club. Since no autopsy was performed, the cause of Morrison’s death remains disputed. Although the Doors recorded two more albums after Morrison died, his death severely affected the band’s fortunes, and they split up two years later. In 2011, a Rolling Stone readers’ pick placed Jim Morrison in fifth place of the magazine’s “Best Lead Singers of All Time”. In another Rolling Stone list, entitled “The 100 Greatest Singers of All Time”, he was ranked 47th. He was also ranked number 22 on Classic Rock magazine’s “50 Greatest Singers in Rock”. In 1993, Morrison was inducted into the Rock and Roll Hall of Fame as a member of the Doors.

Morrison was born in late 1943 in Melbourne, Florida, to Clara Virginia (née Clarke) and Lt.(j.g.) George Stephen Morrison, a future rear admiral in the U.S. Navy. His ancestors were Scottish, Irish, and English. Admiral Morrison commanded U.S. naval forces during the Gulf of Tonkin incident in August 1964, which provided the pretext for the U.S. involvement in the Vietnam Warin 1965. Morrison had a younger sister, Anne Robin (born 1947 in Albuquerque, New Mexico), and a younger brother, Andrew Lee Morrison (born 1948 in Los Altos, California).

In 1947, when he was three to four years old, Morrison allegedly witnessed a car accident in the desert, during which a truck overturned and some American Indians were lying injured at the side of the road. He referred to this incident in the Doors’ song “Peace Frog” on their 1970 album Morrison Hotel, as well as in the spoken word performances “Dawn’s Highway” and “Ghost Song” on the posthumous 1978 album An American Prayer. Morrison believed this incident to be the most formative event of his life, and made repeated references to it in the imagery in his songs, poems, and interviews.

Cleopatra Brown (December 8, 1907 or 1909 – April 15, 1995), known as Cleo Brown, C. Patra Brown or Cleo Patra Brown, was an American blues and jazz vocalist and pianist. She was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship.

While Brown’s place of birth has been published as Meridian, Mississippi, Brown told W. Balliett in a 1986 interview published in The New Yorker that she was born in De Kalb, Mississippi shortly before her father took a position as a pastor in Meridian. She played piano in the Baptist church as a child. In 1919 her family moved to Chicago, and she began learning piano from her brother who worked with “Pine Top” Smith, playing boogie-woogie for dances. From around 1923 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.

From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records (among other labels) along the way and recording many humorous, ironic titles such as “Breakin’ in a New Pair of Shoes”, “Mama Don’t Want No Peas and Rice and Coconut Oil“, “When Hollywood Goes Black and Tan”, and “The Stuff Is Here and It’s Mellow”. Her stride piano playing was often compared to Fats Waller, and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.

Brown began to shy away from singing bawdy blues songs because of her deepening religious beliefs and, in 1953, she was baptized, retired from music, and became a nurse in 1959. Jazz biographies frequently listed her as deceased due to her absence from music. The song “Sweet Cleo Brown” was recorded by Brubeck in tribute to her.

From the mid-1970s until 1981, she performed under the name of C. Patra Brown on radio shows in Denver, Colorado. She replaced boogie-woogie music with slower, inspirational music. She returned to record again, and performed on National Public Radio. She gave birth to a son, Matthew, and had four grandchildren. She died on April 15, 1995 in Denver, Colorado.

Jean Sibelius (/sɪˈbeɪliəs/ sib-AY-lee-əs; Finland Swedish: [ˈjɑːn siˈbeːliʉs, ˈʃɑːn -]; born Johan Julius Christian Sibelius, 8 December 1865 – 20 September 1957) was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country’s greatest composer, and his music is often credited with having helped Finland develop a national identityduring its struggle for independence from Russia.

The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and very many other countries. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). Other well known works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the Kalevala, over a hundred songs for voice and piano, incidental music for numerous plays, the opera Jungfrun i tornet (The Maiden in the Tower), chamber music, piano music, Masonic ritual music, and 21 publications of choral music.

Sibelius composed prolifically until the mid-1920s, but after completing his Seventh Symphony (1924), the incidental music for The Tempest (1926) and the tone poem Tapiola (1926), he stopped producing major works in his last thirty years, a stunning and perplexing decline commonly referred to as the “silence of Järvenpää“, the location of his home. Although he is reputed to have stopped composing, he attempted to continue writing, including abortive efforts on an eighth symphony. In later life, he wrote Masonic music and re-edited some earlier works, while retaining an active but not always favourable interest in new developments in music.

The Finnish 100 mark note featured his image until 2002, when the euro was adopted. Since 2011, Finland has celebrated a flag flying day on 8 December, the composer’s birthday, also known as the “Day of Finnish Music”. In 2015, in celebration of the 150th anniversary of the composer’s birth, a number of special concerts and events were held, especially in Helsinki, the Finnish capital.

This stellar whirlpool is a spiral galaxy named NCG 7329, which has been imaged by Hubble’s Wide Field Camera 3 (WFC3). Creating a colourful image such as this one using a telescope such as Hubble is not as straightforward as pointing and clicking a camera. Commercial cameras will typically try to collect as much light of all visible wavelengths as they can, in order to create the most vibrant images possible. In contrast, raw images collected by Hubble are always monochromatic, because astronomers typically want to capture very specific ranges of wavelengths of light at any time, in order to do the best, most accurate science possible. In order to control which wavelengths of light will be collected, Hubble’s cameras are equipped with a wide variety of filters, which only allow certain wavelengths of light to reach the cameras’ CCDs (a CCD is a camera’s light sensor — phone cameras also have CCDs!).  How are the colourful Hubble images possible given that the raw Hubble images are monochromatic? This is accomplished by combining multiple different observations of the same object, obtained using different filters. This image, for example, was processed from Hubble observations made using four different filters, each of which spans a different region of the light spectrum, from the ultraviolet to optical and infrared. Specialised image processors and artists can make informed judgements about which optical colours best correspond to each filter used. They can then colour the images taken using that filter accordingly. Finally, the images taken with different filters are stacked together, and voila! The colourful image of a distant galaxy is complete, with colours as representative of reality as possible.

Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres.

Waits was born and raised in a middle-class family in Pomona, California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a teenager. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commercial success with Small Change (1976), Blue Valentine (1978), and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola‘s film One from the Heart (1981), and subsequently made cameo appearances in several Coppola films.

In 1980, Waits married Kathleen Brennan, split from his manager and record label, and moved to New York City. With Brennan’s encouragement and frequent collaboration, he pursued a more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years(1987). He continued appearing in films, notably starring in Jim Jarmusch‘s Down by Law (1986), and also made theatrical appearances. With theatre director Robert Wilson, he produced the musicals The Black Rider (1990) and Alice (1992), first performed in Hamburg. Having returned to California in the 1990s, his albums Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999) earned him increasing critical acclaim and multiple Grammy Awards. In the late 1990s, he switched to the record label ANTI-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).

Despite a lack of mainstream commercial success, Waits has influenced many musicians and gained an international cult following, and several biographies have been written about him. In 2015, he was ranked at No. 55 on Rolling Stone‘s “100 Greatest Songwriters of All Time“. He was inducted into the Rock and Roll Hall of Fame in 2011.

The International Space Station. Using precise timing, the Earth-orbiting space platform was photographed in front of a partially lit gibbous Moon last month. The featured composite, taken from Payson, Arizona, USA last month, was intricately composed by combining, in part, many 1/2000-second images from a video of the ISS crossing the Moon. A close inspection of this unusually crisp ISS silhouette will reveal the outlines of numerous solar panels and trusses. The bright crater Tycho is visible on the upper left, as well as comparatively rough, light colored terrain known as highlands, and relatively smooth, dark colored areas known as maria. On-line tools can tell you when the International Space Station will be visible from your area.

David Warren Brubeck (/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered one of the foremost exponents of cool jazz. Many of his compositions have become jazz standards including “In Your Own Sweet Way” and “The Duke”. Brubeck’s style ranged from refined to bombastic, reflecting both his mother’s classical training and his own improvisational skills. His music is known for employing unusual time signatures as well as superimposing contrasting rhythms, meters, and tonalities.

Brubeck experimented with time signatures throughout his career, recording “Unsquare Dance” in ⁷₄, “World’s Fair” in ¹³₈, and “Blue Rondo à la Turk” in ⁹₈. He was also a composer of orchestral and sacred music and wrote soundtracks for television, such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown.

Often incorrectly attributed to Brubeck, the song “Take Five“, which has become a jazz standard, was composed by Brubeck’s long-time musical partner, alto saxophonist Paul Desmond. Appearing on one of the top-selling jazz albums, Time Out, and written in ⁵₄ time, “Take Five” has endured as a jazz classic associated with Brubeck.

Dave Brubeck was born in Concord, California, and grew up in Ione, California. His father, Peter Howard “Pete” Brubeck, was a cattle rancher. His mother, Elizabeth (née Ivey), who had studied piano in England under Myra Hess and intended to become a concert pianist, taught piano for extra money.