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Richard Wayne Penniman (December 5, 1932 – May 9, 2020), better known as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as “the architect of rock and roll“, Richard’s most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard’s innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.
“Tutti Frutti” (1955), one of Richard’s signature songs, became an instant hit, crossing over to the pop charts in both the United States and overseas in the United Kingdom. His next hit single, “Long Tall Sally” (1956), hit No. 1 on the Billboard Rhythm and Blues Best-Sellers chart, followed by a rapid succession of fifteen more in less than three years. His performances during this period resulted in integration between White Americans and African Americans in his audience. In 1962, during a five-year period in which Richard abandoned rock and roll music for born again Christianity, concert promoter Don Arden persuaded him to tour Europe. During this time, the Beatles opened for Richard on some tour dates. Richard advised the Beatles on how to perform his songs and taught the band’s member Paul McCartney his distinctive vocalizations.
Richard is cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing blacks and whites together despite attempts to sustain segregation. Many of his contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, the Everly Brothers, Gene Vincent and Eddie Cochran, recorded covers of his works. Taken by his music and style, and personally covering four of Richard’s songs on his own two breakthrough albums in 1956, Presley told Richard in 1969 that his music was an inspiration to him and that he was “the greatest.”
Richard was honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He was the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music for his key role in the formation of popular music genres and helping to bring an end to the racial divide on the music charts and in concert in the mid-1950s changing American culture significantly. “Tutti Frutti” was included in the National Recording Registry of the Library of Congress in 2010, which stated that his “unique vocalizing over the irresistible beat announced a new era in music.”
Richard Wayne Penniman was born in Macon, Georgia, on December 5, 1932, the third of twelve children of Leva Mae (née Stewart) and Charles “Bud” Penniman. His father was a church deacon and a brick mason, who sold bootlegged moonshine on the side and owned a nightclub called the Tip In Inn. His mother was a member of Macon’s New Hope Baptist Church.Initially, his first name was supposed to have been “Ricardo,” but an error resulted in “Richard” instead. The Penniman children were raised in a neighborhood of Macon called Pleasant Hill. In childhood, he was nicknamed “Lil’ Richard” by his family because of his small and skinny frame. A mischievous child who played pranks on neighbors, he began singing in church at a young age. Possibly as a result of complications at birth, he had a slight deformity that left one of his legs shorter than the other. This produced an unusual gait, and he was mocked for his allegedly effeminate appearance.
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Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II.
He first recorded with Elmore James on “Dust My Broom“. Some of his popular songs include “Don’t Start Me Talkin’“, “Help Me“, “Checkin’ Up on My Baby“, and “Bring It On Home“. He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. “Help Me” became a blues standard, and many blues and rock artists have recorded his songs.
Miller’s date of birth is disputed. In a spoken word performance called “The Story of Sonny Boy Williamson” that was later included in several compilations, Miller states that he was born in Glendora, Mississippi in 1897. There are various opinions about his year of birth, five of which are 1897, 1899, 1907, 1909, and 1912. David Evans, professor of music and an ethnomusicologist at the University of Memphis, claims to have found census records that Miller was born around 1912, being seven years old on February 2, 1920, the day of the census. Miller’s gravestone in or near Tutwiler, Mississippi, set up by record company owner Lillian McMurry twelve years after his death, gives his date of birth as March 11, 1908.
He lived and worked with his sharecropper stepfather, Jim Miller, whose last name he soon adopted, and mother, Millie Ford, until the early 1930s. Beginning in the 1930s, he traveled around Mississippi and Arkansas and encountered Big Joe Williams, Elmore James and Robert Lockwood Jr., also known as Robert Junior Lockwood, who would play guitar on his later Checker Recordssides. He was also associated with Robert Johnson during this period. Miller developed his style and raffish stage persona during these years. Willie Dixon recalled seeing Lockwood and Miller playing for tips in Greenville, Mississippi, in the 1930s. He entertained audiences with novelties such as inserting one end of the harmonica into his mouth and playing with no hands. At this time he was often known as “Rice” Miller—a childhood nickname stemming from his love of rice and milk—or as “Little Boy Blue”.
more...W63 (G082.2+05.3) is a rarely imaged supernova located in Cygnus. The main goal of the project was to explore if there was a “hidden” shell inside the supernova. I have found many unseen (as far as I know) structures but can’t assure which of them are part of the supernova or which belongs to the OIII background nebulosity because I didn’t found any deeper image of this object and also not much literature about it.
more...Christopher Hillman (born December 4, 1944) is an American musician. He was the original bassist and one of the original members of The Byrds, which in 1965 included Roger McGuinn, Gene Clark, David Crosby and Michael Clarke. With frequent collaborator Gram Parsons, Hillman was a key figure in the development of country rock, defining the genre through his work with The Byrds, The Flying Burrito Brothers, Manassas and the country-rock group The Desert Rose Band.
Hillman was born in Los Angeles, California, United States, the third of four children. He spent his early years at his family’s ranch home in rural northern San Diego County, approximately 110 miles (180 km) from Los Angeles. He has credited his older sister with exciting his interest in countryand folk music, when she returned from college during the late 1950s with folk music records by The New Lost City Ramblers and others. Hillman soon began watching many of the country-music shows on local television in southern California at the time such as Town Hall Party, The Spade Cooley Show and Cal’s Corral. Hillman’s mother encouraged his musical interests and bought him his first guitar; shortly thereafter he developed an interest in bluegrass, particularly the mandolin. At age 15 Hillman went to Los Angeles to see the Kentucky Colonels bluegrass band at the Ash Grove, and later convinced his family to allow him to travel by train to Berkeley for lessons from mandolinist Scott Hambly. When he was 16, Hillman’s father committed suicide.
more...Lynford “Hux” Brown (4 December 1944 – 18 June 2020) was a Jamaican guitarist who featured on many successful rocksteady and reggaerecords in the 1960s and 1970s, and was later a member of Toots and the Maytals. Brown was born in Port Antonio. When at school he was nicknamed “Fordie”, then “Fordux”, which became “Hux”. He formed a band, the Vikings, before moving to Kingston where he joined the Soul Brothers at Clement Dodd‘s Studio One label. In 1967, he moved to the rival Treasure Isle studio for producer Duke Reid, and the following year, Brown joined the All Stars, another studio band organised by Gladdy Anderson. He also recorded extensively with Lee “Scratch” Perry.
He played rhythm guitar on many hit rocksteady and reggae records including the influential “Girl I’ve Got A Date” by Alton Ellis, “Ba Ba Boom” by the Jamaicans, and “Bangarang” by Lester Sterling, which some regard as the first reggae record. He also played on “Rivers of Babylon” by the Melodians and “The Harder They Come” by Jimmy Cliff; and in 1971 was recruited by Paul Simon to play lead guitar on “Mother and Child Reunion“.
Brown later joined the touring version of Toots and the Maytals, where he remained for some 35 years.
He died in Oakland, California, aged 75
more...Larry Davis (December 4, 1936 – April 19, 1994) was an American electric Texas blues and soul blues musician. He is best known for co-writing the song “Texas Flood“, later recorded to greater commercial success by Stevie Ray Vaughan.
Davis was born in Pine Bluff, Arkansas, and was raised in England, Arkansas, and Little Rock, Arkansas. He swapped playing the drums to learn to play the bass guitar. In the mid-1950s, he had a working partnership with Fenton Robinson, and following the recommendation of Bobby Bland was given a recording contract by Duke Records. Davis had three singles released, which included “Texas Flood” and “Angels in Houston”. Thereafter, he had limited opportunity in the recording studio. He resided in St. Louis, Missouri, for a while, and played bass in Albert King‘s group. He also learned to play the guitar at this time; the guitar on Davis’s recording of “Texas Flood” was by played by Robinson.
Several single releases on the Virgo and Kent labels followed, but in 1972 a motorcycle accident temporarily paralyzed Davis’s left side. He returned a decade later with an album released by Rooster Blues, Funny Stuff, produced by Oliver Sain.He won four W. C. Handy Awards in 1982, but a decade later he was known only to blues specialists. His 1987 Pulsar LP, I Ain’t Beggin’ Nobody, was difficult even for blues enthusiasts to locate.
In 1992, Bullseye Blues issued another album, Sooner or Later, highlighting his booming vocals and guitar playing influenced by Albert King.
Davis died of cancer in April 1994, at the age of 57
more...Denis Alphonso Charles (December 4, 1933 – March 26, 1998) was a jazz drummer.
Charles was born in St. Croix, Virgin Islands, and first played bongos at age seven with local ensembles in the Virgin Islands. In 1945, he moved to New York, and gigged frequently around town. In 1954, he began working with Cecil Taylor, and the pair collaborated until 1958. Following this he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. He befriended Ed Blackwell, and the two influenced each other.
He recorded with Sonny Rollins on a calypso-tinged set, and then returned to time with Lacy, with whom he played until 1964. He worked with Archie Shepp and Don Cherry in 1967, but heroin addiction saw him leave the record industry until 1971. In the 1970s and 1980s, he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others, and also played funk, rock, and traditional Caribbean music. He released three discs as a leader between 1989 and 1992, and died of pneumonia in his sleep in New York in 1998.
Charles died four days after a five-week European tour with the Borgmann/Morris/Charles (BMC) Trio, with Wilber Morris and Thomas Borgmann. His last concert with this trio took place at the Berlin’s Willy-Brandt-Haus. With the BMC Trio he recorded some albums in his last two years. A fifth CD was released after he died: The Last Concert – Dankeschön, Silkheart Records, 1999.
In 2002, Veronique Doumbe released a film documentary, Denis A. Charles: An Interrupted Conversation, about the life of Charles
more...James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger.
Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio during his childhood. Hall’s mother played the piano, his grandfather violin, and his uncle guitar. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his “spiritual awakening”. As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall’s major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland Institute of Music, where he majored in composition, studying piano and bass in addition to theory.
more...Edward Heywood Jr. (December 4, 1915 – January 3, 1989) was an American jazz pianist particularly active in the 1940s and 1950s.
Heywood was born in Atlanta, Georgia, United States. His father, Eddie Heywood Sr., was also a jazz musician from the 1920s and provided him with training from the age of 12 as an accompanist playing in the pit band in a vaudeville theater in Atlanta, occasionally accompanying singers such as Bessie Smith and Ethel Waters. Heywood moved, first to New Orleans and then to Kansas City, when vaudeville began to be replaced by sound pictures. Heywood played with jazz musicians such as Wayman Carver in 1932, Clarence Love from 1934 to 1937 and Benny Carter, who heard him in Kansas City playing with Clarence Love, from 1939 to 1940 after moving to New York City in 1938. After starting his band, Heywood would occasionally provide accompaniment for Billie Holiday in 1941. In 1943, Heywood took several solos on a Coleman Hawkins quartet date (including “The Man I Love“) and put together a sextet, including Doc Cheatham (tpt), Vic Dickenson (tb), Lem Davis(as), Al Lucas (b), and Jack Parker (d). After their version of “Begin the Beguine” became a hit in 1944, the group had three successful years. “Begin the Beguine” sold over one million copies, and was awarded a gold disc by the RIAA. In 1947, Heywood was stricken with a partial paralysis of his hands and was unable to perform. However, he made a comeback in 1951. In the 1950s, Heywood composed and recorded “Land of Dreams” and “Soft Summer Breeze” (1956) (which peaked at number 11 on the Billboard chart). His 1956 recording of his composition “Canadian Sunset“ (which peaked at number 2) which he recorded with Hugo Winterhalter and his orchestra for RCA Victor. After a second partial paralysis from 1966 to 1969, Heywood made another comeback and continued his career into the 1980s.
Heywood died at home in Miami Beach, Florida, aged 73. Parkinson’s disease had been complicated by Alzheimer’s disease, and Heywood had been in poor health for five years.
Eddie Heywood has a “Star” at 1709 Vine Street on the Hollywood Walk of Fame.
Heywood had two sons, Robert and Edward, and one granddaughter, Bailey Heywood.
more...November 24 Comet Leonard (C/2021 A1) was caught between two galaxies in this composite telescopic image. Sporting a greenish coma the comet’s dusty tail seems to harpoon the heart of NGC 4631 (top) also known as the Whale Galaxy. Of course NGC 4631 and NGC 4656 (bottom, aka the Hockey Stick) are background galaxies some 25 million light-years away. On that date the comet was about 6 light-minutes from our fair planet. Its closest approach to Earth (and even closer approach to Venus) still to come, Comet Leonard will grow brighter in December. Already a good object for binoculars and small telescopes, this comet will likely not return to the inner Solar System. Its perihelion, or closest approach to the Sun, will be on January 3, 2022.
more...Michael Barry Finnerty (born December 3, 1951) is an American jazz guitarist, keyboardist, singer, songwriter, and arranger, known for his work as a touring and recording session musician for Miles Davis, The Crusaders, the Brecker Brothers, Hubert Laws, and Ray Barretto. Finnerty is the author of books on music improvisation and a semi-autobiographical novel.
Finnerty was born in San Francisco and raised on the West Coast, studying at the San Francisco Conservatory of Music and University of California Berkeley. He lived in Hong Kong with his mother in the early 1960s. When he was fourteen, he began playing electric guitar and joined a band that opened a show for Herman’s Hermits. On returning to San Francisco, he became friends with guitarist Jim Checkley, who invited him to join Beefy Red in 1969. He played in that band for several years.
more...December 3rd 1929 Clarence Ford, American jazz and R&B clarinet and saxophone player, born in New Orleans, Louisiana (d. 1994) Saxophonist/clarinetist Clarence Ford was one of the many local legends to grace the New Orleans music scene. In the early 50’s he became active in the Rhythm and Blues productions of David Bartholmew, ultimately landing a gig with Fats Domino that would last 15 years. He can be heard on several of Domino’s hits, including Walking to New Orleans and My Blue Heaven. Equally adept on saxophone and clarinet, his outstanding musicianship made him one of the most in demand session players in New Orleans of his era. This solo from 1961 features him on clarinet with The All-Star Marching Band and is an absolute gem. The song, Paul Barbarin’s Second Line, is based on Bourbon Street Parade, also written by Barbarin.
more...Kanaka Dasa (1509 – 1609) was a Haridasa, a renowned composer of Carnatic music, poet, philosopher and musician. He is known for his keertanas and ugabhoga, compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada language and native metrical forms for his compositions. Kanakadasa Jayanti is celebrated on the commemoration to their great poet, saint, philosopher, composer and musician.
He was born in Baada village, near Bankapura and he was a warrior at Bankapura fort. Based on one of his compositions, it is interpreted that he was seriously injured in a battle and was miraculously saved. After this incident, he gave up his profession as a warrior and devoted himself to composing music, writing literature and explaining philosophy to the common man. His early work includes poems titled Narasimha stotra, Ramadhyana Mantra, and Mohanatarangini.
more...A Rondeña is a palo or musical form of flamenco originating in the town of Ronda in the province of Málaga in Spain.In common with other palos originating in Málaga, the rondeña antedated flamenco proper and became incorporated into it during the 19th century.The rondeña has its origin in the fandango malagueño and it is said that it is “the oldest fandango actually known”.According to the experts, the name does not derive from “nocturnal rounds”, as some have suggested, but is based solely on the name of the town Ronda.The rondeña spread enormously throughout Andalusia in the 19th century, to such an extent that numerous foreign observers, touring the region at the time, referred to it later in their writings.The rondeña has evolved in recent times, with a decrease in melismatic ornamentation, and generally the tempo is somewhat slower than was previously the case. It is a composition with an ad libtime signature
( compás ), and the lyrics are frequently about rustic life. A verse consists of four octosyllabic lines which sometimes become five through repetition of the second line.
NGC 6822, also known as Barnard’s Galaxy. Beyond the rich starfields in the constellation Sagittarius, NGC 6822 is a mere 1.5 million light-years away, a member of our Local Group of galaxies. A dwarf irregular galaxy similar to the Small Magellanic Cloud, NGC 6822 is about 7,000 light-years across. Brighter foreground stars in our Milky Way have a spiky appearance. Behind them, Barnard’s Galaxy is seen to be filled with young blue stars and mottled with the telltale pinkish hydrogen glow of star forming regions in this deep color composite image.
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