mick laBriola

Ronald Mathews (December 2, 1935 in New York City – June 28, 2008 in Brooklyn) was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey‘s Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University’s International Center for the Arts on September 15, 2008. Critics have compared him to pianists Thelonious Monk, Bud Powell, and McCoy Tyner.

In his twenties, Mathews toured internationally and recorded with Roach, Freddie Hubbard and Roy Haynes. He was also a member of Art Blakey’s Jazz Messengers in the late 1950s through the 1960s. By thirty, he began teaching jazz piano and led workshops, clinics and master classes at Long Island University in New York City. Besides Dexter Gordon and Clark Terry, he toured and recorded on two Louis Hayes projects in the 70’s (i.e. the Louis Hayes-Woody Shaw Quintet and the Louis Hayes-Junior Cook Quintet).

Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie‘s band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.

Kelly attracted the most attention as part of Miles Davis‘ band from 1959, including an appearance on the trumpeter’s Kind of Blue, often mentioned as the best-selling jazz album ever.^[1][2] After leaving Davis in 1963, Kelly played with his own trio, which recorded for several labels and toured the United States and internationally. His career did not develop much further, and he had difficulty finding enough work late in his career. Kelly, who was known to have epilepsy, died in a hotel room in Canada following a seizure, aged 39.

Charlie Ventura (born Charles Venturo; December 2, 1916 – January 17, 1992) was an American tenor saxophonist and bandleader from Philadelphia, Pennsylvania, United States.

During the 1940s, Ventura played saxophone for the bands of Gene Krupa and Teddy Powell. In 1945 he was named best tenor saxophonist by DownBeat magazine. He led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. He led big bands in the 1940s and 1950s and formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. In 1992 he died of lung cancer.

Pastorius suffered from drug addiction and mental health issues, and despite his widespread acclaim, over the latter part of his life he had problems holding down jobs due to his unreliability. In frequent financial difficulties, he was often homeless in the mid-1980s. He died in 1987 as a result of injuries sustained in a fight outside a South Florida after-hours nightclub.

Since his death, his work has continued to be widely influential. He was elected to the DownBeat Hall of Fame in 1988 and was the subject of the 2014 documentary film Jaco.

John Paul Densmore (born December 1, 1944) is an American musician, songwriter, author and actor. He is best known as the drummer of the rock band the Doors, and as such is a member of the Rock and Roll Hall of Fame. He appeared on every recording made by the band, with drumming inspired by jazz and world musicas much as by rock and roll.

Densmore is also noted for his veto of attempts by the other two Doors members, in the wake of singer Jim Morrison‘s 1971 death, to accept offers to license the rights to various Doors songs for commercial purposes, as well as his objections to their use in the 21st century of the Doors name and logo. Densmore’s lengthy court battles to gain compliance with his veto, based on a 1960s contract requiring unanimity among Doors members to use the band’s name or music, ended with total victory for him and his allies in the Morrison estate.

Densmore has worked additionally in the performing arts as a dancer and actor, and written successfully as both a playwright and the author of two books on the topic of the Doors, and a third book, The Seekers (2020), on a selection of notable people he has worked with and encountered.

The many honors he shares with the other Doors include a Grammy Award for lifetime achievement and a star on the Hollywood Walk of Fame.

Sander Lloyd Nelson (born December 1, 1938) is an Americandrummer. Nelson, one of the best-known rock drummers of the early 1960s, had several solo instrumental Top 40 hits and was a session drummer on many other well-known hits, and released over 30 albums. He lives in Boulder City, Nevada, and continues to experiment with music on keyboards and piano.

His first recording, with a band called the Renegades (Richard Podolor, Bruce Johnston, and Nick Venet), was “Geronimo”, written by Venet, produced by Kim Fowley, and released on the Original Sound Records label. Although it flopped on the national charts, it charted in some of the Mid West markets. The song, along with “Charge”, is part of the soundtrack of 1959 film Ghost of Dragstrip Hollow released by American International Pictures.

Jimmy Lyons (December 1, 1931 – May 19, 1986) was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons’ playing, influenced by Charlie Parker, kept Taylor’s avant-garde musictethered to the jazz tradition.

Lyons was born in Jersey City, New Jersey, United States, and raised there until the age of nine, when his mother moved the family to Harlem and then the Bronx. He obtained his first saxophone in the mid-1940s and took lessons from Buster Bailey

Ike Isaacs (December 1, 1919, Rangoon, Burma – January 11, 1996, Sydney, Australia) was a Burmese-English jazz guitarist, best known for his work with violinist Stéphane Grappelli.

Isaacs was self taught on guitar. He started playing professionally in college while pursuing a degree in chemistry. In 1946 he moved to England, where he became a member of the BBC Show Band. During the 1960s and 1970s, he was a member of the Hot Club of London, led by guitarist Diz Disley, which often collaborated with Stéphane Grappelli. He was a member of the band Velvet with Digby Fairweather, Len Skeat, and Denny Wright. In the 1980s, he moved to Australia and taught at the Sydney School of Guitar. He died of cancer in January 1996, at the age of 76.

Johnny Shuggie Otis (born Johnny Alexander Veliotes, Jr.; November 30, 1953) is an American singer-songwriter, recording artist, and multi-instrumentalist.

Otis’s composition “Strawberry Letter 23” (as recorded by The Brothers Johnson) topped the Billboard R&B chart and reached #5 of the Billboard Hot 100 chart in 1977. He also achieved commercial success with his 1974 single “Inspiration Information” (from the album of the same title), reaching #56 on the R&B chart.

Born in Los Angeles, California, Otis is the son of rhythm and blues pioneer, musician, bandleader, and impresario Johnny Otis, who was of Greekdescent, and his wife Phyllis Walker, who was of African American and Filipino descent. The name “Shuggie” (short for “sugar,” according to his mother) was coined by Phyllis when he was a newborn. Otis began playing guitar when he was two years old and performing professionally with his father’s band at the age of eleven, often disguising himself with dark glasses and a false mustache so that he could play with his father’s band in after-hours nightclubs.

Benny Moten (November 30, 1916 – March 27, 1977) was an American jazz bassist.

Moten had a long career as a sideman from the early 1940s, including with Hot Lips Page, Jerry Jerome, Red Allen (1942–49, 1955–65 intermittently), Eddie South, Stuff Smith, Arnett Cobb, Ella Fitzgerald, Wilbur De Paris (1956–57), Buster Bailey, Roy Eldridge, and Dakota Staton (1961–63). Though he never recorded as a leader, he continued performing nearly until the time of his death.

Walter Brown “Brownie” McGhee (November 30, 1915 – February 16, 1996) was an American folk music and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry.

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. At about the age of four he contracted polio, which incapacitated his right leg. His brother Granville “Sticks”(or “Stick”) McGhee, who also later became a musician and composed the famous song “Drinkin’ Wine Spo-Dee-o-Dee,” was nicknamed for pushing young Brownie around in a cart. Their father, George McGhee, was a factory worker, known around University Avenue for playing guitar and singing. Brownie’s uncle made him a guitar from a tin marshmallow box and a piece of board.

McGhee spent much of his youth immersed in music, singing with a local harmony group, the Golden Voices Gospel Quartet, and teaching himself to play guitar. He also played the five-string banjo and ukulele and studied piano. Surgery funded by the March of Dimes enabled McGhee to walk.

At age 22, McGhee became a traveling musician, working in the Rabbit Foot Minstrels and befriending Blind Boy Fuller, whose guitar playing influenced him greatly. After Fuller’s death in 1941, J. B. Long of Columbia Records promoted McGhee as “Blind Boy Fuller No. 2.” By that time, McGhee was recording for Columbia’s subsidiary Okeh Records in Chicago, but his real success came after he moved to New York in 1942, when he teamed up with Sonny Terry, whom he had known since 1939, when Terry was Fuller’s harmonica player. The pairing was an overnight success. They recorded and toured together until around 1980. As a duo, Terry and McGhee did most of their work from 1958 until 1980, spending 11 months of each year touring and recording dozens of albums.