mick laBriola

What created the strange spiral structure on the upper left? No one is sure, although it is likely related to a star in a binary star system entering the planetary nebula phase, when its outer atmosphere is ejected. The huge spiral spans about a third of a light year across and, winding four or five complete turns, has a regularity that is without precedent. Given the expansion rate of the spiral gas, a new layer must appear about every 800 years, a close match to the time it takes for the two stars to orbit each other. The star system that created it is most commonly known as LL Pegasi, but also AFGL 3068 and IRAS 23166+1655. The featured image was taken in near-infrared light by the Hubble Space Telescope. Why the spiral glows is itself a mystery, with a leading hypothesis being illumination by light reflected from nearby stars.

Robert Lee McCollum (November 30, 1909 – November 5, 1967) was an American blues musician who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk. He was the father of the blues musician Sam Carr. Nighthawk was inducted into the Blues Hall of Fame in 1983.

McCollum was born in Helena, Arkansas. He left home at an early age and became a busking musician. After a period traveling through southern Mississippi, he settled for a time in Memphis, Tennessee, where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learned to play slide guitar and with whom he performed on the radio in Jackson, Mississippi.

After further travels through Mississippi, he found it advisable to take his mother’s name. As Robert Lee McCoy, he moved to St. Louis, Missouri, in the mid-1930s. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1938, the four musicians recording together at the Victor Records studio in Aurora, Illinois. He also recorded under his own name, including “Prowling Night-Hawk” (recorded 5 May 1937), from which he took his later pseudonym. These sessions led to the other musicians pursuing Chicago blues careers.

But McCoy continued his rambling life, playing and recording (for Victor/Bluebird Records and Decca Records) solo and with various other musicians, under various names. Kansas City Red was his drummer from the early 1940s to around 1946.^[8] He recorded Kansas City Red’s song “The Moon Is Rising”

In this image the NASA/ESA Hubble Space Telescope peers into the spiral galaxy NGC 1317 in the constellation Fornax, more than 50 million light-years from Earth. This galaxy is one of a pair, but NGC 1317’s rowdy larger neighbour NGC 1316 lies outside Hubble’s field of view. Despite the absence here of its neighbouring galaxy, NGC 1317 is accompanied in this image by two objects from very different parts of the Universe. The bright point ringed with a criss-cross pattern is a star from our own galaxy surrounded by diffraction spikes, whereas the redder elongated smudge is a distant galaxy lying far beyond NGC 1317. The data presented in this image are from a vast observing campaign of hundreds of observations from Hubble’s Wide Field Camera 3 and Advanced Camera for Surveys. Combined with data from the ALMA array in the Atacama desert, these observations help astronomers chart the connections between vast clouds of cold gas and the fiercely hot young stars that form within them. ALMA’s unparalleled sensitivity at long wavelengths identified vast reservoirs of cold gas throughout the local Universe, and Hubble’s sharp vision pinpointed clusters of young stars, as well as measuring their ages and masses.  Often the most exciting astronomical discoveries require this kind of telescope teamwork, with cutting-edge facilities working together and providing astronomers with information across the electromagnetic spectrum. The same applies to future telescopes, with Hubble’s observations laying the groundwork for future science with the NASA/ESA/CSA James Webb Space Telescope. Links Video One of a Pair

The image shows a pair of overlapping spiral galaxies, NGC 3314a and b, in the top left, caught in a majestic cosmic dance — captured by ESO’s VLT Survey Telescope (VST). But don’t let the perspective fool you! They are, in fact, not interacting at all. The two galaxies, located between 117 and 140 million light-years away in the constellation of Hydra, are actually physically unrelated and only appear to overlap when viewed from Earth. This unique alignment gives astronomers the opportunity to measure many properties of the galaxies, such as how dust absorbs starlight, and hence gain insight into their composition and evolution. There is another hidden secret in this picture if you look closely at the lower right region: beyond this stunning cosmic dance you will find a faint yellowish smudge, the signature of an ultra-diffuse galaxy (UDG). UDGs are objects as large as the Milky Way but with 100 – 1000 times fewer stars. These galaxies are extremely faint and lack star-forming gas, which makes them appear almost like a smudge in the night sky. This UDG, named UDG 32, is one of the faintest and most spread out galaxies in the Hydra I cluster. This image was taken as part of a much larger project, the VST Early-type Galaxy Survey (VEGAS), whose goal is to investigate very faint structures in galaxy clusters — large groups of galaxies held together by gravity. The study, led by Enrichetta Iodice from the Istituto Nazionale di Astrofisica in Italy, suggests that UDG 32 may have formed out of the filaments stemming from NGC 3314a, but more observations are needed to confirm this.

Randall Stuart Newman (born November 28, 1943) is an American singer-songwriter, arranger, composer, and pianist known for his Southern-accented singing style, early Americana-influenced soul songs (often with mordant or satirical lyrics), and various film scores. His best-known songs as a recording artist are “Short People” (1977), “I Love L.A.” (1983), and “You’ve Got a Friend in Me” (1995), while other artists have enjoyed more success with cover versions of his “Mama Told Me Not to Come” (1966), “I Think It’s Going to Rain Today” (1968) and “You Can Leave Your Hat On” (1972).

Born in Los Angeles to an extended family of Hollywood film composers, Newman began his songwriting career at the age of 17, penning hits for acts such as the Fleetwoods, Cilla Black, Gene Pitney, and the Alan Price Set. In 1968, he made his formal debut as a solo artist with the album Randy Newman, produced by Lenny Waronker and Van Dyke Parks. Four of Newman’s non-soundtrack albums have charted in the US top 40: Sail Away(1972), Good Old Boys (1974), Little Criminals (1977), and Harps and Angels (2008).

Since the 1980s, Newman has worked mostly as a film composer. He has scored nine Disney–Pixar animated films, including all four Toy Story films (1995–2019), A Bug’s Life (1998), both Monsters, Inc. films (2001–2013), and the first and third Cars films (2006, 2017), as well as Disney’s James and the Giant Peach (1996) and The Princess and the Frog (2009). His other film scores include Ragtime (1981), The Natural (1984), Awakenings(1990), Pleasantville (1998), Meet the Parents (2000), Seabiscuit (2003), and Marriage Story (2019).

Newman has received twenty-two Academy Award nominations in the Best Original Score and Best Original Song categories and has won twice in the latter category, contributing to the Newmans being the most nominated Academy Award extended family, with a collective 92 nominations in various music categories. He has also won three Emmys, seven Grammy Awards and the Governor’s Award from the Recording Academy. In 2007, he was recognized by the Walt Disney Company as a Disney Legend. He was inducted into the Songwriters Hall of Fame in 2002 and to the Rock and Roll Hall of Fame in 2013.

Roy McCurdy (born November 28, 1936) is a jazz drummer.

Before joining Cannonball Adderley‘s Quintet in 1965 and staying with the band until Adderley’s death in 1975, he had played with Chuck and Gap Mangione in the Jazz Brothers (1960–1961), as well as with Bobby Timmons, Betty Carter and Sonny Rollins (1963–1964), appearing on the classic 1963 album Sonny Meets Hawk!

He attended the Eastman School of Music from sixteen to eighteen, during which time he also played professionally with Roy Eldridge and with Eddie Vinson at seventeen. In 1960 he joined the Art Farmer – Benny Golson Jazztet and remained for two years.

Among the influences he cites Louie Bellson, Shelly Manne, Sam Woodyard, Buddy Rich, Papa Jo Jones, Philly Joe Jones and the bands of Duke Ellington, Jimmie Lunceford and Lionel Hampton.

He has also played and/or recorded with Count Basie, Wes Montgomery, Ella Fitzgerald, Sarah Vaughan, Carmen McRae, Joe Williams, Herbie Hancock, Oscar Peterson, Bud Powell, Art Pepper, and the jazz rock group Blood, Sweat and Tears, etc.

He appears on the classic 1983 recording Jackson, Johnson, Brown & Company featuring Milt Jackson on vibes, J. J. Johnson on trombone, Ray Brown on bass, Tom Ranier on piano, and John Collins on guitar.

As of 2010, McCurdy is an Adjunct Professor in the Jazz Studies Department of the Thornton School of Music at the University of Southern California in Los Angeles, California.