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In this image the NASA/ESA Hubble Space Telescope peers into the spiral galaxy NGC 1317 in the constellation Fornax, more than 50 million light-years from Earth. This galaxy is one of a pair, but NGC 1317’s rowdy larger neighbour NGC 1316 lies outside Hubble’s field of view. Despite the absence here of its neighbouring galaxy, NGC 1317 is accompanied in this image by two objects from very different parts of the Universe. The bright point ringed with a criss-cross pattern is a star from our own galaxy surrounded by diffraction spikes, whereas the redder elongated smudge is a distant galaxy lying far beyond NGC 1317. The data presented in this image are from a vast observing campaign of hundreds of observations from Hubble’s Wide Field Camera 3 and Advanced Camera for Surveys. Combined with data from the ALMA array in the Atacama desert, these observations help astronomers chart the connections between vast clouds of cold gas and the fiercely hot young stars that form within them. ALMA’s unparalleled sensitivity at long wavelengths identified vast reservoirs of cold gas throughout the local Universe, and Hubble’s sharp vision pinpointed clusters of young stars, as well as measuring their ages and masses. Often the most exciting astronomical discoveries require this kind of telescope teamwork, with cutting-edge facilities working together and providing astronomers with information across the electromagnetic spectrum. The same applies to future telescopes, with Hubble’s observations laying the groundwork for future science with the NASA/ESA/CSA James Webb Space Telescope. Links Video One of a Pair
John Lamb (born November 29, 1933) is an American jazz double bassist who was a member of the Duke Ellington Orchestra.
Born in Vero Beach, Florida, Lamb grew up as a child who loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. He was stationed in Texas and then Montana, where the long winters left him ample time to practice. When the band’s usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band’s new string bassist. He credited his tuba experience for giving him the “feel” to pick up string bass quickly without any prior experience.
Lamb joined Duke Ellington’s orchestra in 1964, and toured with them for three years. Lamb was more of a fan of Miles Davis and Red Garland when he was with Ellington, later saying, “I was very young and very cocky. I thought I knew more than Duke at that time…I have more time today to reflect on the things that were accomplished back then, and the places we traveled to and all the wonderful people that we met. So one has to be careful what one does in his young years, because if they’re fortunate to live long, it all comes back.” In 1966 Lamb performed with Ellington and Sam Woodyard for artist Joan Miró at the Fondation Maeght in Saint-Paul-de-Vence.
Lamb later moved to St. Petersburg, Florida and taught music in public schools as well as St. Petersburg College. Alphonso Johnson was one of Lamb’s students. Lamb was awarded the Jazz Club of Sarasota’s “Satchmo Award” for service to jazz.
more...Billy Hart (born November 29, 1940) is an American jazz drummer and educator.
Hart was born in Washington, D.C., where early on in his career he performed with Otis Redding and Sam and Dave and then with Buck Hill and Shirley Horn. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68).[1] Following Montgomery’s death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul and played with Eddie Harris, Pharoah Sanders, and Marian McPartland.
Hart was a member of Herbie Hancock‘s sextet (1969–73) and played with McCoy Tyner (1973–74), Stan Getz (1974–77), and Quest (1980s), in addition to freelance playing (including recording with Miles Davis on 1972’s On the Corner)
https://www.youtube.com/watch?v=sKbk1LcsuUM
more...John Mayall, OBE (born 29 November 1933) is an English blues singer, guitarist, organist and songwriter, whose musical career spans over sixty years. In the 1960s, he was the founder of John Mayall & the Bluesbreakers, a band which has counted among its members some of the most famous blues and blues rock musicians.
Born in Macclesfield, Cheshire in 1933, Mayall was the son of Murray Mayall, a guitarist and jazz music enthusiast. From an early age, John was drawn to the sounds of American blues players such as Lead Belly, Albert Ammons, Pinetop Smith and Eddie Lang, and taught himself to play the piano, guitars, and harmonica.
Mayall spent three years in Korea for national service and, during a period of leave, he bought his first electric guitar. Back in England, he enrolled at Manchester College of Art (now part of Manchester Metropolitan University) and started playing with a semi-professional band, The Powerhouse Four. After graduation, he obtained a job as an art designer but continued to play with local musicians. In 1963, he opted for a full-time musical career and moved to London.
more...William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include “Take the ‘A’ Train“, “Chelsea Bridge“, “A Flower Is a Lovesome Thing”, and “Lush Life“.
Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother’s family came from Hillsborough, North Carolina, and she sent him there to protect him from his father’s drunken sprees. Strayhorn spent many months of his childhood at his grandparents’ house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player.
more...The image shows a pair of overlapping spiral galaxies, NGC 3314a and b, in the top left, caught in a majestic cosmic dance — captured by ESO’s VLT Survey Telescope (VST). But don’t let the perspective fool you! They are, in fact, not interacting at all. The two galaxies, located between 117 and 140 million light-years away in the constellation of Hydra, are actually physically unrelated and only appear to overlap when viewed from Earth. This unique alignment gives astronomers the opportunity to measure many properties of the galaxies, such as how dust absorbs starlight, and hence gain insight into their composition and evolution. There is another hidden secret in this picture if you look closely at the lower right region: beyond this stunning cosmic dance you will find a faint yellowish smudge, the signature of an ultra-diffuse galaxy (UDG). UDGs are objects as large as the Milky Way but with 100 – 1000 times fewer stars. These galaxies are extremely faint and lack star-forming gas, which makes them appear almost like a smudge in the night sky. This UDG, named UDG 32, is one of the faintest and most spread out galaxies in the Hydra I cluster. This image was taken as part of a much larger project, the VST Early-type Galaxy Survey (VEGAS), whose goal is to investigate very faint structures in galaxy clusters — large groups of galaxies held together by gravity. The study, led by Enrichetta Iodice from the Istituto Nazionale di Astrofisica in Italy, suggests that UDG 32 may have formed out of the filaments stemming from NGC 3314a, but more observations are needed to confirm this.
Randall Stuart Newman (born November 28, 1943) is an American singer-songwriter, arranger, composer, and pianist known for his Southern-accented singing style, early Americana-influenced soul songs (often with mordant or satirical lyrics), and various film scores. His best-known songs as a recording artist are “Short People” (1977), “I Love L.A.” (1983), and “You’ve Got a Friend in Me” (1995), while other artists have enjoyed more success with cover versions of his “Mama Told Me Not to Come” (1966), “I Think It’s Going to Rain Today” (1968) and “You Can Leave Your Hat On” (1972).
Born in Los Angeles to an extended family of Hollywood film composers, Newman began his songwriting career at the age of 17, penning hits for acts such as the Fleetwoods, Cilla Black, Gene Pitney, and the Alan Price Set. In 1968, he made his formal debut as a solo artist with the album Randy Newman, produced by Lenny Waronker and Van Dyke Parks. Four of Newman’s non-soundtrack albums have charted in the US top 40: Sail Away(1972), Good Old Boys (1974), Little Criminals (1977), and Harps and Angels (2008).
Since the 1980s, Newman has worked mostly as a film composer. He has scored nine Disney–Pixar animated films, including all four Toy Story films (1995–2019), A Bug’s Life (1998), both Monsters, Inc. films (2001–2013), and the first and third Cars films (2006, 2017), as well as Disney’s James and the Giant Peach (1996) and The Princess and the Frog (2009). His other film scores include Ragtime (1981), The Natural (1984), Awakenings(1990), Pleasantville (1998), Meet the Parents (2000), Seabiscuit (2003), and Marriage Story (2019).
Newman has received twenty-two Academy Award nominations in the Best Original Score and Best Original Song categories and has won twice in the latter category, contributing to the Newmans being the most nominated Academy Award extended family, with a collective 92 nominations in various music categories. He has also won three Emmys, seven Grammy Awards and the Governor’s Award from the Recording Academy. In 2007, he was recognized by the Walt Disney Company as a Disney Legend. He was inducted into the Songwriters Hall of Fame in 2002 and to the Rock and Roll Hall of Fame in 2013.
more...Roy McCurdy (born November 28, 1936) is a jazz drummer.
Before joining Cannonball Adderley‘s Quintet in 1965 and staying with the band until Adderley’s death in 1975, he had played with Chuck and Gap Mangione in the Jazz Brothers (1960–1961), as well as with Bobby Timmons, Betty Carter and Sonny Rollins (1963–1964), appearing on the classic 1963 album Sonny Meets Hawk!
He attended the Eastman School of Music from sixteen to eighteen, during which time he also played professionally with Roy Eldridge and with Eddie Vinson at seventeen. In 1960 he joined the Art Farmer – Benny Golson Jazztet and remained for two years.
Among the influences he cites Louie Bellson, Shelly Manne, Sam Woodyard, Buddy Rich, Papa Jo Jones, Philly Joe Jones and the bands of Duke Ellington, Jimmie Lunceford and Lionel Hampton.
He has also played and/or recorded with Count Basie, Wes Montgomery, Ella Fitzgerald, Sarah Vaughan, Carmen McRae, Joe Williams, Herbie Hancock, Oscar Peterson, Bud Powell, Art Pepper, and the jazz rock group Blood, Sweat and Tears, etc.
He appears on the classic 1983 recording Jackson, Johnson, Brown & Company featuring Milt Jackson on vibes, J. J. Johnson on trombone, Ray Brown on bass, Tom Ranier on piano, and John Collins on guitar.
As of 2010, McCurdy is an Adjunct Professor in the Jazz Studies Department of the Thornton School of Music at the University of Southern California in Los Angeles, California.
more...Leandro “Gato” Barbieri (28 November 1932 – 2 April 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazzmovement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for “cat”.
Born to a family of musicians, Barbieri began playing music after hearing Charlie Parker‘s “Now’s the Time”. He played the clarinet and later the alto saxophone while performing with Argentine pianist Lalo Schifrin in the late 1950s. By the early 1960s, while playing in Rome, he also worked with the trumpeter Don Cherry. By now influenced by John Coltrane‘s late recordings, as well as those from other free jazz saxophonists such as Albert Aylerand Pharoah Sanders, he began to develop the warm and gritty tone with which he is associated. In the late 1960s, he was fusing music from South America into his playing and contributed to multi-artist projects like Charlie Haden‘s Liberation Music Orchestra and Carla Bley‘s Escalator Over The Hill. His score for Bernardo Bertolucci‘s 1972 film Last Tango in Paris earned him a Grammy Award and led to a record deal with Impulse! Records.
more...Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983 Pensacola, FL), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator.
While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (“Minority“, “Social Call”, “Nica’s Tempo”) and have become minor jazz standards. Gryce’s compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce’s playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical works as a student at the Boston Conservatory. As a jazz musician and composer he was very much influenced by the work of Charlie Parker and Thelonious Monk.
more...Big, beautiful spiral galaxy M101 is one of the last entries in Charles Messier’s famous catalog, but definitely not one of the least. About 170,000 light-years across, this galaxy is enormous, almost twice the size of our own Milky Way. M101 was also one of the original spiral nebulae observed by Lord Rosse’s large 19th century telescope, the Leviathan of Parsontown. Assembled from 51 exposures recorded by the Hubble Space Telescope in the 20th and 21st centuries, with additional data from ground based telescopes, this mosaic spans about 40,000 light-years across the central region of M101 in one of the highest definition spiral galaxy portraits ever released from Hubble. The sharp image shows stunning features of the galaxy’s face-on disk of stars and dust along with background galaxies, some visible right through M101 itself. Also known as thePinwheel Galaxy, M101 lies within the boundaries of the northern constellation Ursa Major, about 25 million light-years away.
Lyle David Mays (November 27, 1953 – February 10, 2020) was an American jazz pianist, composer, and member of the Pat Metheny Group.Metheny and Mays composed and arranged nearly all of the group’s music, for which Mays won eleven Grammy Awards.
While growing up in rural Wisconsin, Mays had a lot of curiosity but had to learn many things all by himself due to a lack of available resources and information. He had four main interests: chess, mathematics, architecture, and music. His mother Doris played piano and organ, and his father Cecil, a truck driver, taught himself to play guitar by ear. His teacher allowed him to practice improvisation after the structured elements of the lesson were completed. At the age of nine, he played the organ at a family member’s wedding, and fourteen he began to play in church. In summer national stage band camp in Normal, Illinois, he was introduced to jazz pianist Marian McPartland in his senior year of high school.
Bill Evans at the Montreux Jazz Festival and Filles de Kilimanjaro by Miles Davis (both recorded in 1968) were important influences. He attended the University of North Texas after transferring from the University of Wisconsin–Eau Claire. He composed and arranged for the One O’Clock Lab Band and was the composer and arranger for the Grammy Award-nominated album Lab 75.
more...Randal Edward Brecker (born November 27, 1945) is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B.
Brecker was born on November 27, 1945 in the Philadelphia suburb of Cheltenham to a musical family. His father Bob (Bobby) was a lawyer who played jazz piano and his mother Sylvia was a portrait artist. Randy described his father as “a semipro jazz pianist and trumpet fanatic. In school when I was eight, they only offered trumpet or clarinet. I chose trumpet from hearing Diz, Miles, Clifford, and Chet Baker at home. My brother (Michael Brecker) didn’t want to play the same instrument as I did, so three years later he chose the clarinet!” Randy’s father, Bob, was also a songwriter and singer who loved to listen to recordings of the great jazz trumpet players such as Miles Davis, Dizzy Gillespie and Clifford Brown. He took Randy and his younger brother Michael Brecker to see Davis, Thelonious Monk, Duke Ellington, and many other jazz icons. Brecker attended Cheltenham High School from 1959 to 1963 and then Indiana University from 1963 to 1966 studying with Bill Adam, David Baker and Jerry Coker and later moved to New York and performed with Clark Terry‘s Big Bad Band, the Duke Pearson and the Thad Jones/Mel Lewis Orchestra.
more...James Marshall “Jimi” Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970 Seattle, WA) was an American musician, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music”.
Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin’ circuit, earning a place in the Isley Brothers‘ backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squiresbefore moving to England in late 1966 after bassist Chas Chandler of the Animals became his manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: “Hey Joe“, “Purple Haze“, and “The Wind Cries Mary“. He achieved fame in the US after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the US. The double LP was Hendrix’s most commercially successful release and his first and only number one album. The world’s highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before his accidental death in London from barbiturate-related asphyxia on September 18, 1970.
Hendrix was inspired by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in popularizing the previously undesirable sounds caused by guitar amplifier feedback. He was also one of the first guitarists to make extensive use of tone-altering effects units in mainstream rock, such as fuzz distortion, Octavia, wah-wah, and Uni-Vibe. He was the first musician to use stereophonic phasing effects in recordings. Holly George-Warren of Rolling Stone commented: “Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began.”
Hendrix was the recipient of several music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year and in 1968, Billboard named him the Artist of the Year and Rolling Stone declared him the Performer of the Year. Disc and Music Echo honored him with the World Top Musician of 1969 and in 1970, Guitar Player named him the Rock Guitarist of the Year. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. Rolling Stone ranked the band’s three studio albums, Are You Experienced, Axis: Bold as Love, and Electric Ladyland, among the 100 greatest albums of all time, and they ranked Hendrix as the greatest guitarist and the sixth greatest artist of all time.
https://www.youtube.com/watch?v=sNkapt6r5m8
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