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Björk Guðmundsdóttir OTF (/bjɜːrk/ BYURK; Icelandic: [pjœr̥k ˈkvʏðmʏntsˌtouʰtɪr̥] (listen); born 21 November 1965) is an Icelandic singer, songwriter, composer, record producer, actress and DJ. Over her four-decade career, she has developed an eclectic musical style that draws on influences and genres including electronic, pop, experimental, trip hop, alternative, classical, and avant-garde music.
Born and raised in Reykjavík, Björk began her music career at the age of 11 and gained international recognition as the lead singer of the alternative rock band the Sugarcubes. After the band’s breakup in 1992, Björk embarked on a solo career, coming to prominence with albums such as Debut(1993), Post (1995), and Homogenic (1997), while collaborating with a range of artists and exploring a variety of multimedia projects. Her other albums include Vespertine (2001), Medúlla (2004), Volta (2007), Biophilia (2011), Vulnicura (2015) and Utopia (2017).
Several of Björk’s albums have reached the top 20 on the US Billboard 200 chart. As of 2015, she had sold between 20 and 40 million records worldwide. 31 of her singles have reached the top 40 on pop charts around the world, with 22 top-40 hits in the UK, including the top-10 singles “It’s Oh So Quiet“, “Army of Me“, and “Hyperballad” and the top-20 singles “Play Dead“, “Big Time Sensuality“, and “Violently Happy“. Her accolades and awards include the Order of the Falcon, five BRIT Awards, and 15 Grammy nominations. In 2015, Time named her one of the 100 most influential people in the world.[7][8] Rolling Stone named her the 60th greatest singer and the 81st greatest songwriter.
Björk starred in the 2000 Lars von Trier film Dancer in the Dark, for which she won the Best Actress Award at the 2000 Cannes Film Festival, and was nominated for the Academy Award for Best Original Song for “I’ve Seen It All“. Biophilia was marketed as an interactive app album with its own education program. Björk has also been an advocate for environmental causes in Iceland. A retrospective exhibition dedicated to Björk was held at the New York Museum of Modern Art in 2015.
more...Alphonse Lee Mouzon (November 21, 1948 – December 25, 2016) was an American jazz fusion drummer and the owner of Tenacious Records, a label that primarily released Mouzon’s recordings. He was a composer, arranger, producer, and actor. He gained popularity in the late 1960s and early 1970s.
Mouzon, of African, French, and Blackfoot descent, was born on November 21, 1948, in Charleston, South Carolina. He received his first musical training at Bonds-Wilson High School, and moved to New York City upon graduation. He studied drama and music at the City College of New York, as well as medicine at Manhattan Medical School. He continued receiving drum lessons from Bobby Thomas, the drummer for jazz pianist Billy Taylor. He played percussion in the 1968 Broadway show Promises, Promises, and he then worked with pianist McCoy Tyner. He spent a year as a member of the jazz fusion band, Weather Report. After that Mouzon signed as a solo artist to the Blue Note label in 1972.Mouzon’s visibility increased during his tenure with guitarist Larry Coryell‘s Eleventh House fusion band from 1973 to 1975. Albums from this period include Introducing the Eleventh House, Level One, Mind Transplant (a solo album), and in 1977, a reconciliation recording with Coryell entitled Back Together Again.
more...Malcolm John Rebennack Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music combined blues, pop, jazz, boogie-woogie, funk, and rock and roll.
Active as a session musician from the late 1950s until his death, he gained a following in the late 1960s after the release of his album Gris-Grisand his appearance at the Bath Festival of Blues and Progressive Music. He typically performed a lively, theatrical stage show inspired by medicine shows, Mardi Gras costumes, and voodoo ceremonies. Rebennack recorded thirty studio albums and nine live albums, as well as contributing to thousands of other musicians’ recordings. In 1973, he achieved a top 10 hit single with “Right Place, Wrong Time“.
Rebennack was born in New Orleans, Louisiana on November 20, 1941. He was the son of Dorothy (Cronin) and Malcolm John Rebennack, and had German, Irish, Spanish, English, and French heritage. His father ran an appliance shop in the East End of New Orleans, fixing radios and televisions and selling records. Growing up in the 3rd Ward of New Orleans, he found early musical inspiration in the minstrel tunes sung by his grandfather and a number of aunts, uncles, sister, and cousins who played piano. He did not take music lessons before his teens and endured only a short stint in choir before getting kicked out. His father exposed him as a young boy to jazz musicians King Oliver and Louis Armstrong, who later inspired his 2014 release, Ske-Dat-De-Dat: The Spirit of Satch. Throughout his adolescence, his father’s connections enabled him access to the recording rooms of rock artists, including Little Richard and Guitar Slim. Later he began to perform in New Orleans clubs, mainly on guitar, and played on stage with various local artists.[
When he was about 13 years old, Rebennack met Professor Longhair. Impressed by the professor’s flamboyant attire and striking musical style, Rebennack soon began performing with him, and began his life as a professional musician. He later recalled that his debut in the studio, in about 1955 or 1956, came when he was signed as a songwriter and artist by Eddie Mesner at Aladdin Records. He joined the musicians’ union at the end of 1957, with the help of Danny Kessler, and then considered himself to be a professional musician.
more...Carlos Manuel “Charlie” Palmieri (November 21, 1927 – September 12, 1988) was an American bandleader and musical director of salsa music. He was known as the “Giant of the Keyboards”.
Palmieri’s parents migrated to New York from Ponce, Puerto Rico in 1926, and settled down in the South Bronx where Palmieri was born. As a child, Palmieri taught himself to play the piano by ear. He attended the public school system. At age seven, his father enrolled him at The Juilliard School, where he took piano lessons. By the time Palmieri was 14 years old, he and his five-year-old brother, Eddie, participated in many talent contests, often winning prizes. It was at this time that his godfather introduced him to the music of the Latin bands – an experience which inspired him to become a musician.
more...Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969 St Joseph, MO), nicknamed “Hawk” and sometimes “Bean”, was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: “there were some tenor players before him, but the instrument was not an acknowledged jazz horn”. Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as “mooing” and “rubbery belches.” Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins’ virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Fellow saxophonist Lester Young, known as “Pres”, commented in a 1959 interview with The Jazz Review: “As far as I’m concerned, I think Coleman Hawkins was the President first, right? As far as myself, I think I’m the second one.” Miles Davis once said: “When I heard Hawk, I learned to play ballads.
more...Sharpless 101 (Sh2-101) is a H II region emission nebula located in the constellation Cygnus. It is sometimes also called the Tulip Nebula because it appears to resemble the outline of a tulip when imaged photographically. It was catalogued by astronomer Stewart Sharpless in his 1959 catalog of nebulae. It lies at a distance of about 6,000 light-years (5.7×1016 km; 3.5×1016 mi) from Earth.
Sh2-101, at least in the field seen from Earth, is in close proximity to microquasar Cygnus X-1, site of one of the first suspected black holes. Cygnus X-1 is located just out of the field of view of the photo in the infobox. The companion star of Cygnus X-1 is a spectral class O9.7 Iab supergiant with a mass of 21 solar masses and 20 times the radius of the Sun. The period of the binary system is 5.8 days and the pair is separated by 0.2 astronomical units. The black hole has a mass of 15 solar masses and a Schwarzschild radius of 45 km.
more...Howard Duane Allman (November 20, 1946 – October 29, 1971) was an American rock guitarist, session musician, and the founder and original leader of the Allman Brothers Band.
Born in Nashville, Tennessee, Allman began playing the guitar at age 14. The Allman Brothers Band were formed in Jacksonville, Florida in 1969, and achieved its greatest success in the early 1970s. Allman is best remembered for his brief but influential tenure in the band and in particular for his expressive slide guitar playing and inventive improvisational skills. A sought-after session musician both before and during his tenure with the band, Duane Allman performed with such established stars as King Curtis, Aretha Franklin, Herbie Mann, Wilson Pickett, and Boz Scaggs. He also contributed greatly to the 1970 album Layla and Other Assorted Love Songs, by Derek and the Dominos. He died following a motorcycle crash in 1971, at the age of 24.
In 2003, he was ranked number 2 in Rolling Stone magazine’s list of the 100 greatest guitarists of all time, second only to Jimi Hendrix. In 2011, he was ranked number 9. His guitar tone (achieved with a Gibson Les Paul and two 50-watt bass Marshall amplifiers) was named one of the greatest of all time by Guitar Player. Duane Allman’s skills as a guitarist were complemented by personal qualities such as his intensity, drive and ability to draw the best out of others in making music. He is still referred to by his nickname “Skydog”. Allman was killed in a motorcycle crash shortly after the release and initial success of At Fillmore East.
On October 29, 1971, while the band was on a break from touring and recording, Allman was riding his Harley-Davidson Sportster motorcycle at high speed on Hillcrest Avenue, in the western part of Macon. As he approached Bartlett Street, a flatbed boom truck stopped suddenly in the intersection, forcing him to swerve sharply. He struck either the back of the truck or the ball on the crane and was thrown from the motorcycle, which landed on top of him and skidded another 90 feet (27 m) with him pinned underneath it, crushing his internal organs. He was alive when he was taken to a hospital, but despite immediate medical treatment, he died several hours later from massive internal injuries.
more...
Meredith Jane Monk (born November 20, 1942) is an American composer, performer, director, vocalist, filmmaker, and choreographer.
From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records.[1] In 1991, Monk composed Atlas, an opera, commissioned and produced by the Houston Opera and the American Music Theater Festival. Her music has been used in films by the Coen Brothers (The Big Lebowski, 1998) and Jean-Luc Godard (Nouvelle Vague, 1990 and Notre musique, 2004). Trip hop musician DJ Shadow sampled Monk’s “Dolmen Music” on the song “Midnight in a Perfect World.” In 2015, she was awarded the National Medal of Arts by President Barack Obama.
more...Clifton “Skeeter” Best (November 20, 1914 – May 27, 1985) was an American jazz guitarist.
Best played in Philadelphia from 1935 to 1940, recording with Slim Marshall and Erskine Hawkins. In 1940, he joined Earl Hines‘s orchestra, playing with him until he joined the U.S. Navy in 1942. After the war, he played with Bill Johnson from 1945 to 1949. He toured East Asia with Oscar Pettifordin 1951 and 1952, and formed his own trio in the 1950s. He did a critically acclaimed session with Ray Charles and Milt Jackson in 1957 called Soul Brothers.
In 1958, he recorded with Mercer Ellington and taught in New York City. He also recorded with Harry Belafonte, Etta Jones, Nellie Lutcher, Milt Hinton, Osie Johnson, Paul Quinichette, Jimmy Rushing, Sonny Stitt, Charles Thompson, and Lucky Thompson.
more...Performing for “Shabbat for the Soul” Friday service at Mt Zion Temple
more...In visible light the stars have been removed from this narrow-band image of NGC 281, a star forming region some 10,000 light-years away toward the constellation Cassiopeia. Stars were digitally added back to the resulting starless image though. But instead of using visible light image data, the stars were added with X-ray data (in purple) from the Chandra X-ray Observatory and infrared data (in red) from the Spitzer Space Telescope. The merged multiwavelength view reveals a multitude of stars in the region’s embedded star cluster IC 1590. The young stars are normally hidden in visible light images by the natal cloud’s gas and obscuring dust. Also known to backyard astro-imagers as the Pacman Nebula for its overall appearance in visible light, NGC 281 is about 80 light-years across.
more...Bat-Sheva Ofra Haza-Ashkenazi, known professionally as Ofra Haza (Hebrew: עפרה חזה; 19 November 1957 – 23 February 2000), was an Israelisinger, actress and Grammy Award-nominated recording artist, commonly known in the Western world as “The Israeli Madonna“, or “Madonna of the East”. Her voice has been described as a “tender” mezzo-soprano.
Of Yemenite-Jewish heritage, Haza’s music is known as a mixture of traditional and commercial singing styles, fusing elements of Eastern and Western instrumentation, orchestration and dance-beat. She became successful in Europe and the Americas; during her singing career, she earned many platinum and gold discs. In Israel, Haza was an influential cultural figure who helped to popularize Mizrahi culture.
Bat-Sheva Ofra Haza was born in Tel Aviv, Israel, to Mizrahi Jewish parents from Yemen who immigrated to Israel. She was the youngest of nine children (six sisters and two brothers) to Yefet and Shoshana Haza. They were raised in a Masorti household in the Hatikva Quarter, then an impoverished neighborhood of Tel Aviv.
more...Kenny Werner (born November 19, 1951) is an American jazz pianist, composer, and author.
Born in Brooklyn, New York, on November 19, 1951 and then growing up in Oceanside, Long Island, Werner began playing and performing at a young age, first appearing on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio and improvisation was his true calling. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major.
His aptitude for improvisation led him to the Berklee College of Music in 1970, where he met and studied with his first piano/spiritual teacher, Madame Chaloff. From Boston, Werner traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Assis’s twin brother, Brazilian pianist Joao Assis Brasil. His studies with Joao and Madame Chaloff would lead to the writing of the book Effortless Mastery.
more...“Alegrías” is a festive flamenco style that belongs to “cantiñas” group (cantes de Cádiz).
Its copla or stanza is usually composed by four octosyllabic verses. This is also called “alegría” stanza. Its melody is festive and incites to dance it. Its rhythm is influenced by “soleá” metric but in a more quickly way.
It seems that this style comes from Navarre-Aragon “jota” and was established in Cádiz in french occupation and “Cortes de Cádiz” time. That’s the reason why its classic lyrics refers to Ebro river, “Virgen del Pilar” and Navarre.
It is widely believed that Enrique Buitrón was the one who set the current flamenco style of “alegrías” and Ignacio Espeleta who introduced the characteristic “tiriti, tran, tran …” This “palo” has been interpreted by well-known artists: Enrique Mellizo, “Pinini” Pericón de Cadiz, La Perla de Cadiz, Chato de la Isla, Aurelio Selles, “El Folli” and Chano Lobato.
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