mick laBriola

Hampton Barnett Hawes, Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir Raise Up Off Me, which won the Deems-Taylor Award for music writing in 1975.

Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes, Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster’s church pianist. Hawes’ first experience with the piano was as a toddler sitting on his mother’s lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three.

In the 1970s, Hawes experimented with electronic music (Fender-Rhodes made a special instrument for him), although eventually he returned to playing the acoustic piano.

Hampton Hawes died unexpectedly of a brain hemorrhage in 1977, at the age of 48.

https://www.youtube.com/watch?v=Z-8UlBjWczk&list=PL0q2VleZJVEn25QjYlbGGJNUgDS7R5WIE&index=3

Benjamin “Bennie” Moten (November 13, 1894 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.

He led the Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands.

Samuel Jones (November 12, 1924 – December 15, 1981)^[1] was an American jazz double bassist, cellist, and composer.

Sam Jones was born in Jacksonville, Florida, United States,^[1] to a musical family. His father played piano and drums and his aunt played organ in church.^[3] In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964,^[1] and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977).^[1] In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels.^[4] Jones wrote the jazz standards“Del Sasser” and “Unit 7” while working with Adderley. Other compositions include “Blue Funk”, “O.P.”, “Bittersweet”, and “Seven Minds”. He died of lung cancer in 1981 at the age of 57.

Wilbur Dorsey “Buck” Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie‘s orchestra. His principal influence was Louis Armstrong, first hearing the record “Confessin’ That I Love You” as he passed by a shop window.

Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family’s local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee‘s band. In his early twenties he was based in California, and was briefly a member of Duke Ellington‘s Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian’s Cotton Club, who taught him how to glissando on his trumpet. After high school, he moved to Los Angeles]. He later formed a band named 14 Gentlemen from Harlem, in which he was the leader of the 14-member orchestra.

From there, there are multiple sources claiming different ways in which Clayton ended up in Shanghai, China. Some claimed that Clayton was picked by Teddy Weatherford for a job at the Canidrome ballroom in the French Concession in Shanghai. Others claimed he escaped the US temporarily to avoid racism.

https://www.youtube.com/watch?v=bXo7tMZwM_Q

Booker T. Washington “Bukka” White (November 12, 1906  – February 26, 1977) was an American Delta blues guitarist and singer. Bukkais a phonetic spelling of White’s first name; he was named after the African-American educator and civil rights activist Booker T. Washington.

White was born south of Houston, Mississippi. He was a first cousin of B.B. King‘s mother (White’s mother and King’s grandmother were sisters). He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.

White started his career playing the fiddle at square dances. He claimed to have met Charlie Patton soon after, but some have doubted this recollection. Nonetheless, Patton was a strong influence on White. “I wants to come to be a great man like Charlie Patton”, White told his friends.

There are four features that distinguish the soleá por bulerías:

• The compás starts on 12, and is identical to that of the Alegrías;

• The pace is that of a slow to mid-tempo bulerías;

• The letras follow the form of soleares letras, though the repeats at the end of phrases can vary and are often extended;

• Often, although by no means always, there is a descending bass line in the guitar of D-C-Bb-A on beats 7-10, echoing similar lines found in soleares.

Delores LaVern Baker (November 11, 1929 – March 10, 1997) was an American R&B singer who had several hit records on the pop chart in the 1950s and early 1960s. Her most successful records were “Tweedle Dee” (1955), “Jim Dandy” (1956), and “I Cried a Tear” (1958). Baker was born Delores Evans in Chicago. Under her mother’s new surname, “McMurley,” Delores – on December 23, 1948, at age nineteen, in Cook County, Illinois – married Eugene Williams.

Ernestine Anderson (November 11, 1928 – March 10, 2016) was an American jazz and blues singer. In a career spanning more than six decades, she recorded over 30 albums. She was nominated four times for a Grammy Award. She sang at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival (six times over a 33-year span), as well as at jazz festivals all over the world. In the early 1990s she joined Qwest Records, the label founded by fellow Garfield High School graduate Quincy Jones.

Ernestine Irene Anderson (and her twin sister Josephine) were born in Houston, Texas, on November 11, 1928. Her mother, Erma, was a housewife, and her father, Joseph, a construction worker who sang bass in a gospel quartet. By the age of three, Anderson showed a talent for singing along with her parents’ old blues 78 rpm records by the likes of Bessie “The Empress of the Blues” Smith. Anderson started singing at a local church, singing solos in its gospel choir.

ose John Allison Jr. (November 11, 1927 – November 15, 2016 Tippo, MS) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.

He is described as having been “one of the finest songwriters in 20th-century blues.” His songs were strongly dependent on evoking moods, with his individualistic, “quirky”, and subtle ironic humor. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his “Young Man Blues” for the Who‘s Live at Leeds album in 1970. John Mayall was one of dozens who recorded his classic, “Parchman Farm“, and Georgie Fame used many of Allison’s songs. Others who recorded his songs included Leon Russell (“I’m Smashed”) and Bonnie Raitt (“Everybody’s Cryin’ Mercy”).

The 1980s saw an increase in his popularity with new fans drawn to his unique blend of modern jazz. In the 1990s he began recording more consistently. Van Morrison, Georgie Fame and Ben Sidran collaborated with him on a tribute album, Tell Me Something: The Songs of Mose Allison. The Pixies wrote the song “Allison” as a tribute.

Allison’s music had an important influence on other artists, such as Jimi Hendrix, J. J. Cale, the Yardbirds, the Rolling Stones, Tom Waits, and Pete Townshend. He was inducted into the Long Island Music Hall of Fame in 2006.

Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: “Few free-jazz drummers play with a tenth of Cyrille’s grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety.”

Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John’s University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones.

His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording session with Coleman Hawkins.Trumpeter Ted Curson introduced him to pianist Cecil Taylor when Cyrille was 18.