mick laBriola

The Triangulum Galaxy is a spiral galaxy 2.73 million light-years (ly) from Earth in the constellation Triangulum. It is catalogued as Messier 33 or NGC 598. The Triangulum Galaxy is the third-largest member of the Local Group of galaxies, behind the Andromeda Galaxy and the Milky Way. It is one of the most distant permanent objects that can be viewed with the naked eye.

The galaxy is the smallest spiral galaxy in the Local Group (although the smaller Large and Small Magellanic Clouds may have been spirals before their encounters with the Milky Way), and is believed to be a satellite of the Andromeda Galaxy or on its rebound into the latter due to their interactions, velocities, and proximity to one another in the night sky. It also has an H II nucleus.

Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s. Conniff was born November 6, 1916 in Attleboro, Massachusetts, United States, and learned to play the trombone from his father. He studied music arranging from a course book.

After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him. After his stint with Shaw, he was then hired by Mitch Miller in 1954, then head of A&R at Columbia Records, as their home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry‘s “Band of Gold” in 1955, a single that sold more than a million copies. Among the hit singles he backed with his orchestra (and eventually with a male chorus) were “Yes Tonight Josephine” and “Just Walkin’ in the Rain” by Johnnie Ray; “Chances Are” and “It’s Not for Me to Say” by Johnny Mathis; “A White Sport Coat” and “The Hanging Tree” by Marty Robbins; “Moonlight Gambler” by Frankie Laine; “Up Above My Head“, a duet by Frankie Laine and Johnnie Ray; and “Pet Me, Poppa” by Rosemary Clooney. He also backed up the albums Tony by Tony Bennett, Blue Swing by Eileen Rodgers, Swingin’ for Two by Don Cherry, and half the tracks of The Big Beat by Johnnie Ray. In these early years he produced similar-sounding records for Columbia’s Epic label under the name of Jay Raye (which stood for “Joseph Raymond”) among them a backing album and singles with Somethin’ Smith and the Redheads, an American male vocal group.

Light-years across, this suggestive shape known as the Seahorse Nebula appears in silhouette against a rich, luminous background of stars. Seen toward the royal northern constellation of Cepheus, the dusty, obscuring clouds are part of a Milky Way molecular cloud some 1,200 light-years distant. It is also listed as Barnard 150 (B150), one of 182 dark markings of the sky cataloged in the early 20th century by astronomer E. E. Barnard. Packs of low mass stars are forming within, but their collapsing cores are only visible at long infrared wavelengths. Still, the colorful stars of Cepheus add to this pretty, galactic skyscape.

Ingram Cecil Connor III (November 5, 1946 – September 19, 1973 Waycross, GA), known professionally as Gram Parsons, was an American singer, songwriter, guitarist, and pianist. Parsons recorded as a solo artist and with the International Submarine Band, the Byrds, and the Flying Burrito Brothers. He popularized what he called “Cosmic American Music”, a hybrid of country, rhythm and blues, soul, folk, and rock.

Parsons was born in Winter Haven, Florida, and developed an interest in country music while attending Harvard University. He founded the International Submarine Band in 1966, but the group disbanded prior to the 1968 release of its debut album, Safe at Home. Parsons joined The Byrds in early 1968 and played a pivotal role in the making of the seminal Sweetheart of the Rodeo album. After leaving the group in late 1968, Parsons and fellow Byrd Chris Hillman formed The Flying Burrito Brothers in 1969; the band released its debut, The Gilded Palace of Sin, the same year. The album was well received but failed commercially. After a sloppy cross-country tour, the band hastily recorded Burrito Deluxe. Parsons was fired from the band before the album’s release in early 1970. Emmylou Harris assisted him on vocals for his first solo record, GP, released in 1973. Although it received enthusiastic reviews, the release failed to chart. His next album, Grievous Angel, peaked at number 195 on the Billboard chart. His health deteriorated due to several years of drug abuse culminating in his death from a toxic combination of morphine and alcohol in 1973 at the age of 26.

Parsons’s relatively short career was described by AllMusic as “enormously influential” for country and rock, “blending the two genres to the point that they became indistinguishable from each other.” He has been credited with helping to found the country rock and alt-country genres. His posthumous honors include the Americana Music Association “President’s Award” for 2003 and a ranking at No. 87 on Rolling Stone‘s list of the “100 Greatest Artists of All Time.

In the late 1960s, Parsons became enamored of and began to vacation at Joshua Tree National Park (then a National Monument) in southeastern California, where he frequently used psychedelicsand reportedly experienced several UFO sightings. After splitting from Burrell, Parsons often spent his weekends in the area with Margaret Fisher and Phil Kaufman, with whom he had been living. Scheduled to resume touring in October 1973, Parsons decided to go on another recuperative excursion on September 17. Accompanying him were Fisher, personal assistant Michael Martin, and Dale McElroy, Martin’s girlfriend. Kaufman later declared that Parsons’ attorney was preparing divorce papers for him to serve to Burrell while the singer remained in Joshua Tree on September 20.

During the trip, Parsons often retreated to the desert, while the group visited bars in the nearby hamlet of Yucca Valley, California, on both nights of their stay. Parsons consumed large amounts of alcohol and barbiturates. On September 18, Martin drove back to Los Angeles to resupply the group with marijuana. That night, after challenging Fisher and McElroy to drink with him (Fisher didn’t like alcohol and McElroy was recovering from a bout of hepatitis), he said, “I’ll drink for the three of us,” and proceeded to drink six double tequilas. They then returned to the Joshua Tree Inn, where Parsons purchased morphine from an unknown young woman. After being injected by her in room #1, he overdosed. Fisher gave Parsons an ice-cube suppository and, later, a cold shower. Instead of moving Parsons around the room, she put him to bed in room #8 and went out to buy coffee in the hope of reviving him, leaving McElroy to stand watch. As his respirations became irregular and later ceased, McElroy attempted resuscitation. Her efforts failed and Fisher, watching from outside, was visibly alarmed. After further failed attempts, they decided to call an ambulance. Parsons was declared dead on arrival at Yucca Valley Hospital at 12:15 a.m. on September 19, 1973, in Yucca Valley. The official cause of death was an overdose of morphine and alcohol.

Diwali is a festival of lights and one of the major festivals celebrated by Hindus, Jains, Sikhs and some Buddhists, notably Newar Buddhists. One of the most popular festivals of Hinduism, Diwali symbolizes the spiritual “victory of light over darkness, good over evil, and knowledge over ignorance”

Dwarf galaxies NGC 147 (left) and NGC 185 stand side by side in this sharp telescopic portrait. The two are not-often-imaged satellites of M31, the great spiral Andromeda Galaxy, some 2.5 million light-years away. Their separation on the sky, less than one degree across a pretty field of view, translates to only about 35 thousand light-years at Andromeda’s distance, but Andromeda itself is found well outside this frame. Brighter and more famous satellite galaxies of Andromeda, M32 and M110, are seen closer to the great spiral. NGC 147 and NGC 185 have been identified as binary galaxies, forming a gravitationally stable binary system. But recently discovered faint dwarf galaxy Cassiopeia II also seems to be part of their system, forming a gravitationally bound group within Andromeda’s intriguing population of small satellite galaxies.

Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra.

Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey‘s Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments.

A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper‘s first groups. In 1953 and 1954, Bunker played drums in some of the earliest of Gerry Mulligan‘s groups. From 1963 to 1965, he was, intermittently, the drummer in the Bill Evans trio. His work in movie soundtracks spanned over fifty years, from Stalag 17 (1953) and Glengarry Glen Ross (1992) to The Incredibles (2004), and included soundtracks by John Williams, Henry Mancini, Quincy Jones, Miklós Rózsa, Jerry Goldsmith, Johnny Mandel, Lalo Schifrin and many other composers. Bunker died of complications of a stroke in Los Angeles at age 76