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Roberta Joan “Joni” Mitchell CC (née Anderson; born November 7, 1943) is a Canadian singer-songwriter and painter. Drawing from folk, pop, rock, classical, and jazz, Mitchell’s songs often reflect on social and philosophical ideals as well as her feelings about romance, womanhood, disillusionment and joy. She has received many accolades, including nine Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her “one of the greatest songwriters ever”, and AllMusic has stated, “When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century”.

Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs (“Urge for Going”, “Chelsea Morning“, “Both Sides, Now“, “The Circle Game“) were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like “Big Yellow Taxi” and “Woodstock“. Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone‘s 2003 list of the “500 Greatest Albums of All Time“, rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented “turning points and pinnacles in 20th-century popular music”. In 2017, NPR ranked Blue number 1 on a list of Greatest Albums Made By Women. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris“and became her best-selling album.

Mitchell’s vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto around 1975. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-western beats. In the late 1970s, she began working with noted jazz musicians including Jaco Pastorius, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards in 2002.

Mitchell is the sole producer credited on most of her albums, including all her work in the 1970s. A critic of the music industry, she quit touring and released her 17th, and reportedly last, album of original songs in 2007. Mitchell has designed most of her own album covers, describing herself as a “painter derailed by circumstance”.

Joe Bushkin (November 7, 1916 – November 3, 2004) was an American jazz pianist.

Born in New York City, Bushkin began his career by playing trumpet and piano with New York City dance bands, including Frank LaMare’s Band at the Roseland Ballroom in Brooklyn. He joined Bunny Berigan‘s band in 1935, played with Eddie Condon from 1936–37, and with Max Kaminsky and Joe Marsala, before rejoining Berigan in 1938. He then left to join Muggsy Spanier‘s Ragtime Band in 1939. From the late 1930s through to the late 1940s, he also worked with Tommy Dorsey and Eddie Condon on records, radio and television. He worked on the soundtrack of Road to Morocco(1942), starring Bing Crosby, and several commercial sessions. Wartime United States army air corp turned him back into a trumpeter; he also recorded with Lester Young on piano and directed music for Moss Hart’s morale-booster Winged Victory on Broadway for six months before serving in the South Pacific. After his service in World War II he worked with Louis Armstrong, Bud Freeman and Benny Goodman.

Bushkin performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.^[4]

He married Francice Netcher, elder sister of socialite Mollie Wilmot. The couple had four children – Nina, Maria, Terasa, and Christina. They lived in Santa Barbara, California, on a ranch.

The Triangulum Galaxy is a spiral galaxy 2.73 million light-years (ly) from Earth in the constellation Triangulum. It is catalogued as Messier 33 or NGC 598. The Triangulum Galaxy is the third-largest member of the Local Group of galaxies, behind the Andromeda Galaxy and the Milky Way. It is one of the most distant permanent objects that can be viewed with the naked eye.

The galaxy is the smallest spiral galaxy in the Local Group (although the smaller Large and Small Magellanic Clouds may have been spirals before their encounters with the Milky Way), and is believed to be a satellite of the Andromeda Galaxy or on its rebound into the latter due to their interactions, velocities, and proximity to one another in the night sky. It also has an H II nucleus.

Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s. Conniff was born November 6, 1916 in Attleboro, Massachusetts, United States, and learned to play the trombone from his father. He studied music arranging from a course book.

After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him. After his stint with Shaw, he was then hired by Mitch Miller in 1954, then head of A&R at Columbia Records, as their home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry‘s “Band of Gold” in 1955, a single that sold more than a million copies. Among the hit singles he backed with his orchestra (and eventually with a male chorus) were “Yes Tonight Josephine” and “Just Walkin’ in the Rain” by Johnnie Ray; “Chances Are” and “It’s Not for Me to Say” by Johnny Mathis; “A White Sport Coat” and “The Hanging Tree” by Marty Robbins; “Moonlight Gambler” by Frankie Laine; “Up Above My Head“, a duet by Frankie Laine and Johnnie Ray; and “Pet Me, Poppa” by Rosemary Clooney. He also backed up the albums Tony by Tony Bennett, Blue Swing by Eileen Rodgers, Swingin’ for Two by Don Cherry, and half the tracks of The Big Beat by Johnnie Ray. In these early years he produced similar-sounding records for Columbia’s Epic label under the name of Jay Raye (which stood for “Joseph Raymond”) among them a backing album and singles with Somethin’ Smith and the Redheads, an American male vocal group.

Light-years across, this suggestive shape known as the Seahorse Nebula appears in silhouette against a rich, luminous background of stars. Seen toward the royal northern constellation of Cepheus, the dusty, obscuring clouds are part of a Milky Way molecular cloud some 1,200 light-years distant. It is also listed as Barnard 150 (B150), one of 182 dark markings of the sky cataloged in the early 20th century by astronomer E. E. Barnard. Packs of low mass stars are forming within, but their collapsing cores are only visible at long infrared wavelengths. Still, the colorful stars of Cepheus add to this pretty, galactic skyscape.

Ingram Cecil Connor III (November 5, 1946 – September 19, 1973 Waycross, GA), known professionally as Gram Parsons, was an American singer, songwriter, guitarist, and pianist. Parsons recorded as a solo artist and with the International Submarine Band, the Byrds, and the Flying Burrito Brothers. He popularized what he called “Cosmic American Music”, a hybrid of country, rhythm and blues, soul, folk, and rock.

Parsons was born in Winter Haven, Florida, and developed an interest in country music while attending Harvard University. He founded the International Submarine Band in 1966, but the group disbanded prior to the 1968 release of its debut album, Safe at Home. Parsons joined The Byrds in early 1968 and played a pivotal role in the making of the seminal Sweetheart of the Rodeo album. After leaving the group in late 1968, Parsons and fellow Byrd Chris Hillman formed The Flying Burrito Brothers in 1969; the band released its debut, The Gilded Palace of Sin, the same year. The album was well received but failed commercially. After a sloppy cross-country tour, the band hastily recorded Burrito Deluxe. Parsons was fired from the band before the album’s release in early 1970. Emmylou Harris assisted him on vocals for his first solo record, GP, released in 1973. Although it received enthusiastic reviews, the release failed to chart. His next album, Grievous Angel, peaked at number 195 on the Billboard chart. His health deteriorated due to several years of drug abuse culminating in his death from a toxic combination of morphine and alcohol in 1973 at the age of 26.

Parsons’s relatively short career was described by AllMusic as “enormously influential” for country and rock, “blending the two genres to the point that they became indistinguishable from each other.” He has been credited with helping to found the country rock and alt-country genres. His posthumous honors include the Americana Music Association “President’s Award” for 2003 and a ranking at No. 87 on Rolling Stone‘s list of the “100 Greatest Artists of All Time.

In the late 1960s, Parsons became enamored of and began to vacation at Joshua Tree National Park (then a National Monument) in southeastern California, where he frequently used psychedelicsand reportedly experienced several UFO sightings. After splitting from Burrell, Parsons often spent his weekends in the area with Margaret Fisher and Phil Kaufman, with whom he had been living. Scheduled to resume touring in October 1973, Parsons decided to go on another recuperative excursion on September 17. Accompanying him were Fisher, personal assistant Michael Martin, and Dale McElroy, Martin’s girlfriend. Kaufman later declared that Parsons’ attorney was preparing divorce papers for him to serve to Burrell while the singer remained in Joshua Tree on September 20.

During the trip, Parsons often retreated to the desert, while the group visited bars in the nearby hamlet of Yucca Valley, California, on both nights of their stay. Parsons consumed large amounts of alcohol and barbiturates. On September 18, Martin drove back to Los Angeles to resupply the group with marijuana. That night, after challenging Fisher and McElroy to drink with him (Fisher didn’t like alcohol and McElroy was recovering from a bout of hepatitis), he said, “I’ll drink for the three of us,” and proceeded to drink six double tequilas. They then returned to the Joshua Tree Inn, where Parsons purchased morphine from an unknown young woman. After being injected by her in room #1, he overdosed. Fisher gave Parsons an ice-cube suppository and, later, a cold shower. Instead of moving Parsons around the room, she put him to bed in room #8 and went out to buy coffee in the hope of reviving him, leaving McElroy to stand watch. As his respirations became irregular and later ceased, McElroy attempted resuscitation. Her efforts failed and Fisher, watching from outside, was visibly alarmed. After further failed attempts, they decided to call an ambulance. Parsons was declared dead on arrival at Yucca Valley Hospital at 12:15 a.m. on September 19, 1973, in Yucca Valley. The official cause of death was an overdose of morphine and alcohol.