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Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970) was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.

Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate. After leaving school, Ervin joined the United States Air Force, stationed in Okinawa, during which time he taught himself tenor saxophone. After completing his service in 1953, he studied at Berklee College of Music in Boston, Massachusetts. Moving to Tulsa in 1954, he played with the band of Ernie Fields.

After stays in Denver and Pittsburgh, Ervin moved to New York City in spring 1958, initially working a day job and playing jam sessions at night. Ervin then worked with Charles Mingus regularly from late 1958 to 1960, rejoining various outfits led by the bassist at various times up to autumn 1964, when he departed for Europe. During the mid-1960s, Ervin led his own quartet, recording for Prestige Records with, among others, ex-Mingus associate pianist Jaki Byard, along with bassist Richard Davis and Alan Dawson on drums. Ervin died of kidney disease in New York City in 1970, aged 39. Most biographical accounts of Ervin’s death give an incorrect date. His gravestone in The National Cemetery, East Farmingdale, New York, clearly shows the date as August 31, 1970.

Jean-Baptiste “Illinois” Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on “Flying Home“, critically recognized as the first R&B saxophone solo.

Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.

Jacquet’s parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet, When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton played drums.

At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor saxophone.

Grace Slick (born Grace Barnett Wing, October 30, 1939) is an American artist, painter and retired singer-songwriter. Slick was a key figure in San Francisco’s early psychedelic music scene in the mid-1960s. With a music career spanning four decades, she first performed with The Great Society, but is best known for her work with Jefferson Airplane and the subsequent successor bands Jefferson Starship and Starship. Slick and Jefferson Airplane first achieved fame with their 1967 album Surrealistic Pillow, which included the top-ten Billboard hits “White Rabbit” and “Somebody to Love“. She provided the lead vocals on both tracks. With Starship, she sang co-lead for two number one hits, “We Built This City” and “Nothing’s Gonna Stop Us Now“. She would also release four solo albums. Slick retired from music in 1990, but continues to be active in the visual arts field.

Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois to Ivan Wilford Wing (1907–1987), of Norwegian and Swedish descent, and Virginia Wing (née Barnett; 1909–1983). Her parents met while they were both students at the University of Washington,and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to the Chicago metropolitan area, she lived in Los Angeles and San Francisco, California, before her family finally settled in Palo Alto, California in the early 1950s.

Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter. He died at the age of 25 in a car accident, leaving behind four years’ worth of recordings. His compositions “Sandu”, “Joy Spring”, and “Daahoud” have become jazz standards. Brown won the DownBeat magazine Critics’ Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.

Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in “a jazz group that Lowery organized”, making trips to Philadelphia.

Brown briefly attended Delaware State University as a math major before he switched to Maryland State College. His trips to Philadelphia grew in frequency after he graduated from high school and entered Delaware State University. He played in the fourteen-piece, jazz-oriented Maryland State Band. In June 1950, he was injured in a car accident after a performance. While in the hospital, he was visited by Dizzy Gillespie, who encouraged him to pursue a career in music. For a time, injuries restricted him to playing the piano. In June 1956, Brown and Richie Powell embarked on a drive to Chicago for their next appearance. Powell’s wife Nancy was at the wheel so that Clifford and Richie could sleep. While driving at night in the rain on the Pennsylvania Turnpike, west of Bedford, she is presumed to have lost control of the car, which went off the road, killing all three in the resulting crash. Brown is buried in Mt. Zion Cemetery, in Wilmington, Delaware.

Peter Allen Greenbaum (29 October 1946 – 25 July 2020), known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist.^[3] As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green’s songs, such as “Albatross“, “Black Magic Woman“, “Oh Well“, “The Green Manalishi (With the Two Prong Crown)” and “Man of the World“, appeared on singles charts, and several have been adapted by a variety of musicians.

Green was a major figure in the “second great epoch” of the British blues movement. Eric Clapton praised his guitar playing, and B.B. Kingcommented, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” His trademark sound included string bending, vibrato, and economy of style.

In June 1996, Green was voted the third-best guitarist of all time in Mojo magazine. In 2015, Rolling Stone ranked him at number 58 in its list of the “100 Greatest Guitarists of All Time”. Green’s tone on the instrumental “The Super-Natural” was rated as one of the 50 greatest of all time by Guitar Player in 2004.

Willem Bernard “Pim” Jacobs (29 October 1934 – 3 July 1996) was a Dutch jazz pianist, composer and television presenter.

Jacobs was born on 29 October 1934 in Hilversum, the Netherlands. His parents were artistic. He started playing the piano at the age of six. His brother, Ruud, was born in 1938 and became a jazz bassist.

Pim and Ruud formed a trio with drummer Wessel Ilcken in 1954. The band grew with the addition of guitarist Wim Overgaauw and Ilcken’s wife, Rita Reys. The trio recorded with Herbie Mann in 1956. Following Ilcken’s death in 1957, Pim Jacobs and Reys performed as a duo or trio with Overgaauw, and married in 1960. They often recorded and played jazz festivals in Europe and New Orleans, “their typical program featuring arrangements of vocal music standards as well as bebop material”. He also composed film music.

John Haley “Zoot” Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the “Four Brothers” sax section of Woody Herman‘s big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.

Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims.

Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sherwood. He joined Benny Goodman‘s band for the first time in 1943 (he was to rejoin in 1946, and continued to perform with Goodman on occasion through the early 1970s). Sims replaced Ben Webster in Sid Catlett‘s Quartet of 1944. In May of 1944, Sims made his recording debut for Commodore Records in a sextet led by pianist Joe Bushkin, who two months earlier had recorded for the same label as part of Lester Young’s Kansas City Six.