mick laBriola

Palomar 6 is one of about 200 globular clusters of stars that survive in our Milky Way Galaxy. These spherical star-balls are older than our Sun as well as older than most stars that orbit in our galaxy’s disk. Palomar 6 itself is estimated to be about 12.5 billion years old, so old that it is close to — and so constrains — the age of the entire universe. Containing about 500,000 stars, Palomar 6 lies about 25,000 light years away, but not very far from our galaxy’s center. At that distance, this sharp image from the Hubble Space Telescope spans about 15 light-years. After much study including images from Hubble, a leading origin hypothesis is that Palomar 6 was created — and survives today — in the central bulge of stars that surround the Milky Way’s center, not in the distant galactic halo where most other globular clusters are now found.

This observation from the NASA/ESA Hubble Space Telescope showcases Arp 86, a peculiar pair of interacting galaxies which lies roughly 220 million light-years from Earth in the constellation Pegasus. Arp 86 is composed of the two galaxies NGC 7752 and NGC 7753 — NGC 7753 is the large spiral galaxy dominating this image, and NGC 7752 is its smaller companion. The diminutive companion galaxy almost appears to be attached to NGC 7753, and it is this peculiarity that has earned the designation “Arp 86” — signifying that the galaxy pair appears in the Atlas of Peculiar Galaxies compiled by the astronomer Halton Arp in 1966. The gravitational squabble between the two galaxies is doomed to end catastrophically for NGC 7752. It will eventually either be flung out into intergalactic space or be entirely engulfed by its far larger neighbour. Hubble observed Arp 86 as part of a larger effort to understand the connections between young stars and the clouds of cold gas in which they form. Hubble gazed into star clusters and clouds of gas and dust in a variety of environments dotted throughout nearby galaxies. Combined with measurements from ALMA, a gigantic radio telescope perched high in the Chilean Andes, these Hubble observations provide a treasure trove of data for astronomers working to understand how stars are born. These observations also helped sow the seeds of future research with an upcoming space telescope, the NASA/ESA James Webb Space Telescope (JWST). This telescope, due to launch later this year, will study star formation in dusty regions such as the galaxies of Arp 86.

Esperanza Emily Spalding (born October 18, 1984 Portland, OR) is an American jazz bassist, singer, songwriter, and composer. Her accolades include four Grammy Awards, a Boston Music Award, and a Soul Train Music Award.

A native of Portland, Oregon, Spalding began playing music professionally in her childhood, performing as a violinist in the Chamber Music Society of Oregon at age five. She was later both self-taught and trained on a number of instruments, including guitar and bass. Her proficiency earned her academic scholarships to Portland State University and the Berklee College of Music, both of which she attended, studying music.

Spalding released her first album, Junjo, in 2006 on the Spanish label Ayva Musica, after which she signed with the independent American label Heads Up, who released her 2007 self-titled album. Her third studio album, Chamber Music Society (2010), was a commercial success, charting at number 34 on the Billboard 200, and resulting in Spalding winning her first Grammy Award for Best New Artist; Spalding was the first jazz artist to win in this category. She saw further acclaim for her fourth release, Radio Music Society (2012), which earned the Grammy for Best Jazz Vocal Album, as well as the track “City of Roses” winning for Best Arrangement, Instrument and Vocals.

After spending the following several years performing as a supporting band player, Spalding released her fifth studio album, a funk rock-inspired concept album titled Emily’s D+Evolution, co-produced by Tony Visconti, on Concord Records. The following year, she released the album Exposure, which was limited to 7,777 copies. Her subsequent sixth studio record, 12 Little Spells, was released in 2019, and peaked at number one on Billboard’s Top Jazz Albums. The album also saw Spalding nominated for two Grammy Awards, winning in the Best Jazz Vocal Album category.

In addition to writing and performing music, Spalding has also worked as an instructor, first at the Berklee College of Music, beginning at age 20. In 2017, Spalding was appointed professor of the Practice of Music at Harvard University. In 2018, Spalding received an honorary doctorate of music from her alma mater, Berklee College of Music, and served as commencement speaker at the ceremony.

Wynton Learson Marsalis (born October 18, 1961 NOLA) is an American trumpeter, composer, teacher, and artistic director of Jazz at Lincoln Center. He has promoted classical and jazz music, often to young audiences. Marsalis has won at least nine Grammy Awards, and his Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. He is the only musician to win a Grammy Award in jazz and classical during the same year.

Marsalis was born in New Orleans, Louisiana, on October 18, 1961, and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher. He was named for jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokingly suggested that he might as well get Wynton a trumpet, too. Hirt volunteered to give him one, so at the age of six Marsalis received his first trumpet.

Although he owned a trumpet when he was six, he did not practice much until he was 12. He attended Benjamin Franklin High School and the New Orleans Center for Creative Arts. He studied classical music at school and jazz at home with his father. He played in funk bands and a marching band led by Danny Barker. He performed on trumpet publicly as the only black musician in the New Orleans Civic Orchestra. After winning a music contest at fourteen, he performed a trumpet concerto by Joseph Haydn with the New Orleans Philharmonic. Two years later he performed Brandenburg Concerto No. 2 in F Major by Bach. At seventeen, he was the youngest musician admitted to Tanglewood Music Center.

Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017 St Louis, MO) was an American singer, songwriter and guitarist, and one of the pioneers of rock and roll music. Nicknamed the “Father of Rock and Roll“, he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as “Maybellene” (1955), “Roll Over Beethoven” (1956), “Rock and Roll Music” (1957) and “Johnny B. Goode” (1958).Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class African-American family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffsand showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded “Maybellene”—Berry’s adaptation of the country song “Ida Red“—which sold over a million copies, reaching number one on Billboard magazine’s rhythm and blues chart.

By the end of the 1950s Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry’s Club Bandstand. He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines. After his release in 1963, Berry had several more successful songs, including “No Particular Place to Go“, “You Never Can Tell“, and “Nadine“. However, these did not achieve the same success or lasting impact of his 1950s songs, and by the 1970s he was more in demand as a nostalgic performer, playing his past material with local backup bands of variable quality. In 1972 he reached a new level of achievement when a rendition of “My Ding-a-Ling” became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having “laid the groundwork for not only a rock and roll sound but a rock and roll stance.” Berry is included in several of Rolling Stone magazine’s “greatest of all time” lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll includes three of Berry’s: “Johnny B. Goode”, “Maybellene”, and “Rock and Roll Music”. Berry’s “Johnny B. Goode” is the only rock-and-roll song included on the Voyager Golden Record.