mick laBriola

John Gilmore (September 28, 1931 – August 20, 1995) was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s.

Gilmore was raised in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Forcefrom 1948 through 1951. He then pursued a musical career, beginning as a tenor saxophonist on a national tour with the Harlem Globetrotters in an ensemble that included pianist Earl Hines in 1952.

In 1953 Gilmore met pianist and bandleader Sun Ra who had a profound impact on him as a musician. For the next four decades, he recorded and performed almost exclusively with Sun Ra; first as a trio, and then in the band Arkestra. This was puzzling to some, who noted Gilmore’s talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Coltrane was impressed with his playing, and took informal lessons from Gilmore in the late 1950s. Coltrane’s epochal, proto–free jazz “Chasin’ the Trane” was inspired partly by Gilmore’s sound. The Penguin Guide to Jazz suggests Gilmore remained an influence in Coltrane’s later period, particularly on Sun Ship.

Koko Taylor (born Cora Anna Walton, September 28, 1928 – June 3, 2009) was an American singer whose style encompassed Chicago blues, electric blues, rhythm and blues and soul blues. Sometimes called “The Queen of the Blues”, she was known for her rough, powerful vocals.

Born on a farm near Memphis, Tennessee, Taylor was the daughter of a sharecropper. She left Tennessee for Chicago in 1952 with her husband, Robert “Pops” Taylor, a truck driver. In the late 1950s, she began singing in blues clubs in Chicago. She was spotted by Willie Dixon in 1962, and this led to more opportunities for performing and her first recordings. In 1963 she had a single on USA Records, and in 1964 a cut on a Chicago blues collection on Spivey Records, called Chicago Blues. In 1964 Dixon brought Taylor to Checker Records, a subsidiary label of Chess Records, for which she recorded “Wang Dang Doodle“, a song written by Dixon and recorded by Howlin’ Wolf five years earlier. The record became a hit, reaching number four on the R&B chart and number 58 on the pop chart in 1966,^[7] and selling a million copies. She recorded several versions of the song over the years, including a live rendition at the 1967 American Folk Blues Festival, with the harmonica player Little Walter and the guitarist Hound Dog Taylor. Her subsequent recordings, both original songs and covers, did not achieve as much success on the charts.

Robert Roland Chudnick (September 27, 1927 – May 27, 1994), known professionally as Red Rodney, was an American jazz trumpeter.

Born in Philadelphia, Pennsylvania, he became a professional musician at 15, working in the mid-1940s for the big bands of Jerry Wald, Jimmy Dorsey, Georgie Auld, Elliot Lawrence, Benny Goodman, and Les Brown. He was inspired by hearing Dizzy Gillespie and Charlie Parker to change his style to bebop, moving on to play with Claude Thornhill, Gene Krupa, and Woody Herman. He was Jewish.

He accepted an invitation from Charlie Parker to join his quintet. and was a member of the band from 1949 to 1951. Being the only white member of the group, when playing in the southern United States he was billed as “Albino Red” as a ruse to avoid prejudice against mixed race musical combos. During this time he recorded extensively.

During the 1950s, he worked as a bandleader in Philadelphia and recorded with Ira Sullivan. He became addicted to heroin and started a pattern of dropping in and out of jazz.

During 1969, Rodney played in Las Vegas with fellow Woody Herman colleague, trombonist Bill Harris, as part of the Flamingo casino house band led by Russ Black. Similar work continued through 1972.

Earl Rudolph “Bud” Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having “greatly extended the range of jazz harmony”.

Powell’s father was a stride pianist. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller‘s playing style. The first jazz composition that he mastered was James P. Johnson‘s “Carolina Shout”. Powell’s older brother, William, played trumpet and violin, and by the age of 15 Powell was playing in William’s band. Powell heard Art Tatum on the radio and tried to match his technique. Powell’s younger brother, Richie Powell, was also a noted bebop pianist.

The round star, known as MWC 922 and possibly part of a multiple star system, appears at the center of the Red Square Nebula. The featured image combines infrared exposures from the Hale Telescope on Mt. Palomar in California, and the Keck-2 Telescope on Mauna Kea in Hawaii. A leading progenitor hypothesis for the square nebula is that the central star or stars somehow expelled cones of gas during a late developmental stage. For MWC 922, these cones happen to incorporate nearly right angles and be visible from the sides. Supporting evidence for the conehypothesis includes radial spokes in the image that might run along the cone walls. Researchers speculate that the cones viewed from another angle would appear similar to the gigantic rings of supernova 1987A, possibly indicating that a star in MWC 922 might one day itself explode in a similar supernova.

Trio Kabob with Dawn Doering, Kim Salisbury and mick laBriola will perform for a Sukkot celebration at Mt Zion Temple in St Paul on Sunday September 26th from noon-2pm. Performing a Sephardic, Arabic, Turkish and Bulgarian repertoire.

Victor Edward Jurusz Jr. (September 26, 1953 – December 31, 2019), known professionally as Vic Juris, was an American jazz guitarist.

Juris was born in Jersey City, New Jersey, but he moved with his family to Parsippany early in his life. In 1963, at the age of 10, he began learning guitar. At 11, he studied guitar at the home of his teacher, Ed Berg, and got interested in jazz listening to Berg’s records of guitarists Django Reinhardt, Jim Hall, Barney Kessel, Jimmy Raney, and Johnny Smith. When asked about albums that made an impact on him as a kid, Juris cites Rubber Soul by The Beatles, The Dynamic Duo by Wes Montgomery and Jimmy Smith, Larry Coryell‘s debut album, and Are You Experienced by Jimi Hendrix. In his teens he played the rock music of the 1960s. When he was 19, he met blind saxophonist Eric Kloss and they became friends.^[2] He made his first recording on Kloss’s album Bodies’ Warmth (Muse, 1975). Around the same time, he met guitarist Pat Martino, who became a friend and mentor.

https://www.youtube.com/watch?v=11sWjhqE_ko

Romano Mussolini (26 September 1927 – 3 February 2006) was an Italian jazz pianist, painter and film producer. He was the fourth and youngest son of Benito Mussolini, who was the fascist dictator of Italy from 1925 until 1943.

A native of Villa Carpena, Forlì (Emilia-Romagna), Romano Mussolini studied music as a child, playing classical pieces with his father on the violin.

After World War II, he started playing jazz under the assumed name “Romano Full” and by the mid-1950s, he had formed a trio. Mussolini released a self-titled record (featuring Lilian Terry on vocals and trumpeter Nunzio Rotondo) through RCA Records in 1956. By the 1960s, he had formed the “Romano Mussolini All Stars”, which became one of Italy’s foremost jazz bands.^{[citation needed]}

The All Stars recorded a well-received record Jazz Allo Studio 7 in 1963 with At the Santa Tecla following a year later. Mussolini’s band toured internationally with artists including Dizzy Gillespie, Duke Ellington, Helen Merrill and Chet Baker. In the 1990s, Mussolini recorded two more albums, Perfect Alibi and Soft and Swing.

George Gershwin (/ˈɡɜːrʃ.wɪn/; born Jacob Gershwine; September 26, 1898 – July 11, 1937 Brooklyn, NY) was an American composer and pianist, whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs “Swanee” (1919) and “Fascinating Rhythm” (1924), the jazz standards “Embraceable You” (1928) and “I Got Rhythm” (1930), and the opera Porgy and Bess (1935), which included the hit “Summertime“.

Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style. He subsequently composed An American in Paris, returned to New York City and wrote Porgy and Bess with Ira and DuBose Heyward. Initially a commercial failure, it came to be considered one of the most important American operas of the twentieth century and an American cultural classic.

Gershwin moved to Hollywood and composed numerous film scores. He died in 1937 of a malignant brain tumor. His compositions have been adapted for use in film and television, with several becoming jazz standards recorded and covered in many variations.